Volume 24, Number 3-4, Summer-Autumn 2008

Table of Contents

A Note from the Guest Editor

pp. 149-151

Mauro Calcagno

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Hamlet and Poppea: Musicking Benjamin's Trauerspiel

pp. 152-177

Gary Tomlinson

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Denaturing the Castrato

pp. 178-199

Martha Feldman

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Orfeo's Machines

pp. 200-222

Bonnie Gordon

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Monteverdi's Voices: The Construction of Subjectivity

pp. 223-245

Ståle Wikshåland

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Performing the Self

pp. 247-274

Mauro Calcagno

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Auditions

Toward and Beyond Baroque Opera: Luca Ronconi and the Monteverdi Trilogy

pp. 275-277

Franco Manfriani, Alessandra Campana

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The Fascination with Distance: An Interview with Luca Ronconi

pp. 278-284

Franco Manfriani, Jamuna Samuel

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Notes from the Stage

Trisha Brown's L'Orfeo: Postmodern Meets Baroque

pp. 286-292

Guillaume Bernardi

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Reviews

Performance

Venice without the Carnival: Pierre Audi's Monteverdi Cycle on DVD

pp. 293-306

Wendy Heller

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Le bourgeois gentilhomme (review)

pp. 307-312

Rose Pruiksma

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Giulio Cesare (review)

pp. 313-324

Nathan Link

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Scholarship

Opera and Society in Italy and France from Monteverdi to Bourdieu (review)

pp. 325-331

Christopher Morris

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Handel's Operas, 1726–1741 (review)

pp. 332-337

Drew Minter

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The Opera Quarterly

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