Volume 23, Number 4, Autumn 2007

Arnold Schoenberg: Moses und Aron

Table of Contents

A Note from the Guest Editors: Idea and Image in Schoenberg’s Moses und Aron

pp. 369-372

Elliott Gyger, Alexander Rehding

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Schoenberg as Moses and Aron

pp. 373-384

Joseph Auner

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Schoenberg, Numerology, and Moses und Aron

pp. 385-394

Ethan Haimo

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Moses’s Beginning

pp. 395-417

Alexander Rehding

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Speech, Song, and Silence: Modes of Utterance in Moses und Aron

pp. 418-440

Elliott Gyger

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Butchering Moses

pp. 441-454

Daniel Albright

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The Dialectics of Nerves and Muscles: Schoenberg’s Moses as the New Jew

pp. 455-477

Eric Zakim

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Reviews

Scholarship

The Cambridge Companion to Twentieth-Century Opera (review)

pp. 478-485

W. Anthony Sheppard

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Performance

Die Gezeichneten (review)

pp. 486-495

Peter Franklin

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Der zerbrochene Krug and Alexander Zemlinsky: Der Zwerg (review)

pp. 496-503

Kenneth Reinhard

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Julie (review)

pp. 504-511

Laura Tunbridge

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The Opera Quarterly

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