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The Opera Quarterly
Volume 23, Number 2-3, Spring-Summer 2007
The Canadian Opera
Ring
Cycle
Table of Contents
A Note from the Guest Editors
pp. 145-150
Caryl Clark
,
Linda Hutcheon
,
Michael Hutcheon
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Wagner and the Origin of Evil
pp. 151-183
Berthold Hoeckner
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Götterdämmerung,
Führerdämmerung
?
pp. 184-198
Stephen McClatchie
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Brünnhilde's Act
pp. 199-216
Slavoj Žižek
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Primal Sounds
pp. 217-246
Marc A. Weiner
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Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century
pp. 247-264
Sander L. Gilman
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"Faithful, all too Faithful": Fidelity and
Ring
Stagings
pp. 265-276
Barry Millington
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Wagner in Pieces: Opera, the Fragment, and Acoustic Totality
pp. 277-294
William Germano
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Auditions
Sein oder Schein?
: Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera
pp. 295-310
Nanette Nielsen
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To the Mirror Image
pp. 311-317
Paul Bekker
,
Martin Morgenstern
,
Nanette Nielsen
,
James Steichen
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Notes from the Stage
Introduction to Zehelein
pp. 318-320
David J. Levin
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The Stuttgart
Ring
, 1999–2000
pp. 321-325
Klaus Zehelein
,
James Steichen
,
David Levin
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An Introduction to Michael Levine's Sketchbook Drawings for the Toronto
Ring
pp. 326-329
Helmut Reichenbächer
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Sketchbook Drawings by Michael Levine
pp. 330-337
Michael Levine
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Introduction to Lars von Trier's "Deed of Conveyance"
pp. 338-340
Ryan Minor
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Deed of Conveyance
pp. 341-347
Lars Von Trier
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Reviews
Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners
(review)
pp. 348-351
Alexander Rehding
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Totalität und Mitleid: Richard Wagner, Sergej Eisenstein und unsere ethisch-ästhetische Moderne
, and:
Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen"
(review)
pp. 352-359
Larson Powell
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Wagner and the Art of the Theatre
(review)
pp. 360-367
Thomas Grey
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Note
Note
p. 368
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