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Volume 23, Number 2-3, Spring-Summer 2007

The Canadian Opera Ring Cycle

A Note from the Guest Editors

pp. 145-150

Wagner and the Origin of Evil

pp. 151-183

Götterdämmerung, Führerdämmerung?

pp. 184-198

Brünnhilde's Act

pp. 199-216

Primal Sounds

pp. 217-246

Nietzsche, Bizet, and Wagner: Illness, Health, and Race in the Nineteenth Century

pp. 247-264

"Faithful, all too Faithful": Fidelity and Ring Stagings

pp. 265-276

Wagner in Pieces: Opera, the Fragment, and Acoustic Totality

pp. 277-294

Auditions

Sein oder Schein?: Paul Bekker's "Mirror Image" and the Ethical Voice of Humane Opera

pp. 295-310

To the Mirror Image

pp. 311-317

Notes from the Stage

Introduction to Zehelein

pp. 318-320

The Stuttgart Ring, 1999–2000

pp. 321-325

An Introduction to Michael Levine's Sketchbook Drawings for the Toronto Ring

pp. 326-329

Sketchbook Drawings by Michael Levine

pp. 330-337

Introduction to Lars von Trier's "Deed of Conveyance"

pp. 338-340

Deed of Conveyance

pp. 341-347

Reviews

Semantisierte Sinnlichkeit: Studien zu Rezeption und Zeichenstruktur der Leitmotivtechnik Richard Wagners (review)

pp. 348-351

Totalität und Mitleid: Richard Wagner, Sergej Eisenstein und unsere ethisch-ästhetische Moderne, and: Klangdramaturgie: Studien zur theatralen Orchesterkomposition in Wagners "Ring des Nibelungen" (review)

pp. 352-359

Wagner and the Art of the Theatre (review)

pp. 360-367

Note

Note

p. 368
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