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Table of Contents

  1. A Newly Discovered Edition of William Byrd's Psalmes, Sonets & Songs: Provenance and Significance
  2. Jeremy L. Smith
  3. pp. 273-298
  4. DOI: https://doi.org/10.1353/not.2005.0148
  5. restricted access
  1. William Lichtenwanger, Reference Librarian
  2. Carol June Bradley
  3. pp. 299-321
  4. DOI: https://doi.org/10.1353/not.2005.0125
  5. restricted access
  1. "The Initial Plunge," "The Soused Period," and "Contrition"?: Moving Towards a Style of Peter Schickele's Funny Music in His P.D.Q. Bach Works
  2. Tammy Ravas
  3. pp. 322-353
  4. DOI: https://doi.org/10.1353/not.2005.0146
  5. restricted access
  1. Albanian Urban Lyric Song in the 1930s (review)
  2. Jane C. Sugarman
  3. pp. 367-369
  4. DOI: https://doi.org/10.1353/not.2005.0149
  5. restricted access
  1. Music in Rural New England: Family and Community Life, 1870-1940 (review)
  2. Andrew R. Gatto
  3. pp. 369-371
  4. DOI: https://doi.org/10.1353/not.2005.0131
  5. restricted access
  1. Power Plays: Wayang Golek Puppet Theater of West Java (review)
  2. Judith Becker
  3. pp. 372-374
  4. DOI: https://doi.org/10.1353/not.2005.0122
  5. restricted access
  1. La vie musicale en Nouvelle-France (review)
  2. Helene Paul, David Gilbert
  3. pp. 374-378
  4. DOI: https://doi.org/10.1353/not.2005.0145
  5. restricted access
  1. Winter Music: Composing the North (review)
  2. Von Glahn, Denise, 1950-
  3. pp. 378-379
  4. DOI: https://doi.org/10.1353/not.2005.0132
  5. restricted access
  1. The Bals publics at the Paris Opera in the Eighteenth Century (review)
  2. Don Fader
  3. pp. 379-381
  4. DOI: https://doi.org/10.1353/not.2005.0128
  5. restricted access
  1. Early Musical Borrowing (review)
  2. Scott David Atwell
  3. pp. 382-383
  4. DOI: https://doi.org/10.1353/not.2005.0120
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  1. Musik in zwei Diktaturen: Verfolgung von Komponisten unter Hitler und Stalin (review)
  2. Stephen Luttmann
  3. pp. 383-386
  4. DOI: https://doi.org/10.1353/not.2005.0139
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  1. Eight Centuries of Troubadours and Trouveres: The Changing Identity of Medieval Music (review)
  2. Elizabeth Aubrey
  3. pp. 387-389
  4. DOI: https://doi.org/10.1353/not.2005.0121
  5. restricted access
  1. Worship Wars in Early Lutheranism: Choir, Congregation, and Three Centuries of Conflict (review)
  2. Paul Westermeyer
  3. pp. 389-391
  4. DOI: https://doi.org/10.1353/not.2005.0153
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  1. Speak It Louder: Asian Americans Making Music (review)
  2. Hiromi Lorraine Sakata
  3. pp. 391-393
  4. DOI: https://doi.org/10.1353/not.2005.0147
  5. restricted access
  1. Gyorgy Kurtag: The Sayings of Peter Bornemisza, Op. 7, A 'Concerto' for Soprano and Piano (review)
  2. Gregory Myers
  3. pp. 393-395
  4. DOI: https://doi.org/10.1353/not.2005.0143
  5. restricted access
  1. The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity (review)
  2. Renée McBride
  3. pp. 395-397
  4. DOI: https://doi.org/10.1353/not.2005.0140
  5. restricted access
  1. Satchmo: The Louis Armstrong Encyclopedia (review)
  2. Sebastian Derry
  3. pp. 397-399
  4. DOI: https://doi.org/10.1353/not.2005.0127
  5. restricted access
  1. Wagner and the Romantic Hero (review)
  2. Christopher Hatch
  3. pp. 399-401
  4. DOI: https://doi.org/10.1353/not.2005.0135
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  1. The Variations of Johannes Brahms (review)
  2. David Pacun
  3. pp. 401-403
  4. DOI: https://doi.org/10.1353/not.2005.0144
  5. restricted access
  1. Analog Days: The Invention and Impact of the Moog Synthesizer (review)
  2. Charles Menoche
  3. pp. 404-406
  4. DOI: https://doi.org/10.1353/not.2005.0141
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  1. The Recording Industry (review)
  2. Michael J. Bonnard
  3. pp. 406-407
  4. DOI: https://doi.org/10.1353/not.2005.0124
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  1. World Music: The Basics (review)
  2. Drew Beisswenger
  3. pp. 410-412
  4. DOI: https://doi.org/10.1353/not.2005.0123
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  1. An Index to Music Published in The Etude Magazine, 1883-1957, and: L'edition musicale dans la presse parisienne au XVIIIe siecle: Catalogue des annonces (review)
  2. Philip Vandermeer
  3. pp. 412-413
  4. DOI: https://doi.org/10.1353/not.2005.0151
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  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 414-444
  4. DOI: https://doi.org/10.1353/not.2005.0133
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  1. MadforTrad Irish Music CD-ROM Tutorials (review)
  2. Dorothea E. Hast
  3. pp. 445-447
  4. DOI: https://doi.org/10.1353/not.2005.0134
  5. restricted access
  1. Colonial-Era Brazilian Music: A Review Essay of Recent Recordings
  2. Frederick Moehn
  3. pp. 448-472
  4. DOI: https://doi.org/10.1353/not.2005.0142
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  1. Briefly Noted
  2. Rick Anderson
  3. pp. 472-477
  4. DOI: https://doi.org/10.1353/not.2005.0119
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  1. Flores Jessaei (1606); Florum Jessaeorum (1607), and: Flosculus vernalis (1621), and: Harmonia concertans (1623) (review)
  2. Alexander J. Fisher
  3. pp. 478-481
  4. DOI: https://doi.org/10.1353/not.2005.0129
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  1. The Firebrand of Florence: Broadway Operetta in Two Acts, and: Ballade von der sexuellen Horigkeit und andere Songs fur Gesang und Klavier, and: 6 ausgewahlte Stucke aus Aufstieg und Fall der Stadt Mahagonny fur Gesang und Klavier, and: Four Walt Whitman Songs for Voice and Piano (review)
  2. Scott Warfield
  3. pp. 481-486
  4. DOI: https://doi.org/10.1353/not.2005.0152
  5. restricted access
  1. 6 String Quartets, Opus 20, Hoboken III: 31-36, and: 6 String Quartets, Opus 33, Hoboken III: 37-42, and: 6 String Quartets, Opus 50, Hoboken III: 44-49, and: Streichquartette "Opus 76", "Opus 77" und "Opus 103" (review)
  2. W. Dean Sutcliffe
  3. pp. 486-490
  4. DOI: https://doi.org/10.1353/not.2005.0150
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 498-499
  4. DOI: https://doi.org/10.1353/not.2005.0137
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  1. Communications
  3. p. 500
  4. DOI: https://doi.org/10.1353/not.2005.0126
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 1999-2004
  2. Paula Hickner
  3. pp. 354-362
  4. DOI: https://doi.org/10.1353/not.2005.0136
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  1. Notes for NOTES
  3. pp. 363-366
  4. DOI: https://doi.org/10.1353/not.2005.0118
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  1. The Victor Red Seal Discography, Volume 1: Single-Sided Series (1903-1925) (review)
  2. Gary A. Galo
  3. pp. 407-410
  4. DOI: https://doi.org/10.1353/not.2005.0130
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  1. Music Received
  2. David Knapp
  3. pp. 491-497
  4. DOI: https://doi.org/10.1353/not.2005.0138
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