+ MUSE Alert

In this Issue

Table of Contents

  1. Music Metadata and Authority Control in an International Context
  2. Sherry L. Vellucci
  3. pp. 541-554
  4. DOI: https://doi.org/10.1353/not.2001.0063
  5. restricted access
  1. Early Imprints in the Thomas A. Edison Collection of American Sheet Music: Addenda to Sonneck-Upton and to Wolfe
  2. Calvin Elliker
  3. pp. 555-573
  4. DOI: https://doi.org/10.1353/not.2001.0016
  5. restricted access
  1. "What is hip?" and Other Inquiries in Jazz Slang Lexicography
  2. Richard McRae
  3. pp. 574-584
  4. DOI: https://doi.org/10.1353/not.2001.0041
  5. restricted access
  1. The Critical Editing of Music: History, Method, and Practice (review)
  2. Andrew Kirkman
  3. pp. 591-593
  4. DOI: https://doi.org/10.1353/not.2001.0032
  5. restricted access
  1. Conventional Wisdom: The Content of Musical Form (review)
  2. Douglass Seaton
  3. pp. 593-596
  4. DOI: https://doi.org/10.1353/not.2001.0057
  5. restricted access
  1. First Nights: Five Musical Premieres (review)
  2. Jonathan Bellman
  3. pp. 596-597
  4. DOI: https://doi.org/10.1353/not.2001.0006
  5. restricted access
  1. Irvine's Writing about Music, and: A Short Guide to Writing about Music (review)
  2. Richard Griscom
  3. pp. 598-600
  4. DOI: https://doi.org/10.1353/not.2001.0023
  5. restricted access
  1. The Oxford History of English Music, vol. 2, From c.1715 to the Present Day (review)
  2. Jeremy Dibble
  3. pp. 600-602
  4. DOI: https://doi.org/10.1353/not.2001.0013
  5. restricted access
  1. Music as Medicine: The History of Music Therapy since Antiquity (review)
  2. Teresa Bailey
  3. pp. 603-604
  4. DOI: https://doi.org/10.1353/not.2001.0005
  5. restricted access
  1. America's Instrument: The Banjo in the Nineteenth Century (review)
  2. Chris Goertzen
  3. pp. 604-606
  4. DOI: https://doi.org/10.1353/not.2001.0021
  5. restricted access
  1. Piano Roles: Three Hundred Years of Life with the Piano (review)
  2. Paul Orgel
  3. pp. 606-607
  4. DOI: https://doi.org/10.1353/not.2001.0050
  5. restricted access
  1. The Early Clarinet: A Practical Guide (review)
  2. Robert Adelson
  3. pp. 607-608
  4. DOI: https://doi.org/10.1353/not.2001.0001
  5. restricted access
  1. Paris: A Musical Gazetteer (review)
  2. Lesley Alison Wright
  3. pp. 608-609
  4. DOI: https://doi.org/10.1353/not.2001.0066
  5. restricted access
  1. A Catalogue of the Shaw-Hellier Collection in the Music Library, Barber Institute of Fine Arts, The University of Birmingham (review)
  2. David Hunter
  3. pp. 610-611
  4. DOI: https://doi.org/10.1353/not.2001.0030
  5. restricted access
  1. Frederic Chopin: A Guide to Research (review)
  2. Barbara Ann Milewski
  3. pp. 611-612
  4. DOI: https://doi.org/10.1353/not.2001.0042
  5. restricted access
  1. Gabriel Faure: A Guide to Research (review)
  2. James William Sobaskie
  3. pp. 612-613
  4. DOI: https://doi.org/10.1353/not.2001.0060
  5. restricted access
  1. African-American Blues, Rhythm and Blues, Gospel and Zydeco on Film and Video, 1926-1977, and: Encyclopedia of Rhythm & Blues and Doo-Wop Vocal Groups (review)
  2. Suzanne Flandreau
  3. pp. 613-615
  4. DOI: https://doi.org/10.1353/not.2001.0018
  5. restricted access
  1. Music in Ancient Greece and Rome, and: Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages (review)
  2. Douglas Leedy
  3. pp. 615-618
  4. DOI: https://doi.org/10.1353/not.2001.0034
  5. restricted access
  1. Music and Patronage in the Sforza Court (review)
  2. Patrick Paul Macey
  3. pp. 620-622
  4. DOI: https://doi.org/10.1353/not.2001.0037
  5. restricted access
  1. The Treasury of Petrus Alamire: Music and Art in Flemish Court Manuscripts, 1500-1535 (review)
  2. Bernadette Nelson
  3. pp. 623-625
  4. DOI: https://doi.org/10.1353/not.2001.0047
  5. restricted access
  1. The Empire Resounds: Music in the Days of Charles V (review)
  2. Owen Rees
  3. pp. 625-626
  4. DOI: https://doi.org/10.1353/not.2001.0053
  5. restricted access
  1. The Monteverdi Vespers of 1610: Music, Context, Performance (review)
  2. Steven Saunders
  3. pp. 626-628
  4. DOI: https://doi.org/10.1353/not.2001.0056
  5. restricted access
  1. Orlando Gibbons and the Gibbons Family of Musicians (review)
  2. Candace Lea Bailey
  3. pp. 628-630
  4. DOI: https://doi.org/10.1353/not.2001.0004
  5. restricted access
  1. Dramma per musica: Italian Opera Seria of the Eighteenth Century (review)
  2. Marita P. McClymonds
  3. pp. 630-631
  4. DOI: https://doi.org/10.1353/not.2001.0039
  5. restricted access
  1. Francesco Bartolomeo Conti: His Life and Music (review)
  2. Susan Wollenberg
  3. pp. 631-633
  4. DOI: https://doi.org/10.1353/not.2001.0065
  5. restricted access
  1. The Collected Works of Johann Christian Bach, 1735-1782, vol. 48, Thematic Catalogue and Music Supplement (review)
  2. Sterling E. Murray
  3. pp. 633-635
  4. DOI: https://doi.org/10.1353/not.2001.0045
  5. restricted access
  1. Bach und die Nachwelt, vol. 1, 1750-1850, vol. 2, 1850-1900 (review)
  2. Walter Frisch
  3. pp. 635-638
  4. DOI: https://doi.org/10.1353/not.2001.0020
  5. restricted access
  1. Berlioz, vol. 2, Servitude and Greatness, 1832-1869 (review)
  2. Ora Frishberg Saloman
  3. pp. 638-640
  4. DOI: https://doi.org/10.1353/not.2001.0055
  5. restricted access
  1. Clara Schumann: Komponistin, Interpretin, Unternehmerin, Ikone: Bericht uber die Tagung anlasslich ihres 100. Todestages (review)
  2. Claudia Macdonald
  3. pp. 640-642
  4. DOI: https://doi.org/10.1353/not.2001.0038
  5. restricted access
  1. Selected Letters (review)
  2. Ben Arnold
  3. pp. 642-644
  4. DOI: https://doi.org/10.1353/not.2001.0003
  5. restricted access
  1. French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style (review)
  2. Jann Pasler
  3. pp. 644-647
  4. DOI: https://doi.org/10.1353/not.2001.0052
  5. restricted access
  1. Tosca's Rome: The Play and the Opera in Historical Perspective (review)
  2. Deborah Burton
  3. pp. 647-648
  4. DOI: https://doi.org/10.1353/not.2001.0008
  5. restricted access
  1. The Arts Entwined: Music and Painting in the Nineteenth Century (review)
  2. Christopher Hatch
  3. pp. 649-650
  4. DOI: https://doi.org/10.1353/not.2001.0027
  5. restricted access
  1. Virtuosity of the Nineteenth Century: Performing Music and Language in Heine, Liszt, and Baudelaire (review)
  2. James Parakilas
  3. pp. 650-652
  4. DOI: https://doi.org/10.1353/not.2001.0051
  5. restricted access
  1. Ballads, Songs, and Snatches: The Appropriation of Folk Song and Popular Culture in British Nineteenth-Century Realist Prose (review)
  2. Timothy A. Spurgin
  3. pp. 652-653
  4. DOI: https://doi.org/10.1353/not.2001.0061
  5. restricted access
  1. The Garland Encyclopedia of World Music, vol. 8, Europe (review)
  2. Mark Slobin
  3. pp. 653-655
  4. DOI: https://doi.org/10.1353/not.2001.0058
  5. restricted access
  1. The Nenets' Song: A Microcosm of a Vanishing Culture (review)
  2. Richard Jones-Bamman
  3. pp. 656-657
  4. DOI: https://doi.org/10.1353/not.2001.0031
  5. restricted access
  1. Dance in Cambodia (review)
  2. Terry E. Miller
  3. p. 657
  4. DOI: https://doi.org/10.1353/not.2001.0043
  5. restricted access
  1. Rituals of Fertility and the Sacrifice of Desire: Nazarite Women's Performance in South Africa (review)
  2. Lara Allen
  3. pp. 658-659
  4. DOI: https://doi.org/10.1353/not.2001.0002
  5. restricted access
  1. Debussy in Performance (review)
  2. David A. Grayson
  3. pp. 659-660
  4. DOI: https://doi.org/10.1353/not.2001.0022
  5. restricted access
  1. Opera on Screen (review)
  2. Raymond Monelle
  3. pp. 660-662
  4. DOI: https://doi.org/10.1353/not.2001.0044
  5. restricted access
  1. Juilliard: A History (review)
  2. Sondra Wieland Howe
  3. pp. 662-663
  4. DOI: https://doi.org/10.1353/not.2001.0029
  5. restricted access
  1. Alma Rose: Vienna to Auschwitz (review)
  2. Jeanne M. Thompson
  3. pp. 663-665
  4. DOI: https://doi.org/10.1353/not.2001.0062
  5. restricted access
  1. Books Recently Published
  2. Rebecca Littman, Stephen Yusko
  3. pp. 666-697
  4. DOI: https://doi.org/10.1353/not.2001.0007
  5. restricted access
  1. New Periodicals
  2. Karen R. Little
  3. pp. 698-699
  4. DOI: https://doi.org/10.1353/not.2001.0036
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 700-707
  4. DOI: https://doi.org/10.1353/not.2001.0028
  5. restricted access
  1. Amos Bull, The Collected Works, and: Three Connecticut Composers: The Collected Works of Oliver Brownson, Alexander Gillet, and Solomon Chandler, and: Three New York Composers: The Collected Works of Lewis Edson, Lewis Edson Jr., and Nathaniel Billings, and: Elias Mann, The Collected Works, and: Supply Belcher, The Collected Works, and: Abraham Wood, The Collected Works, and: Two Vermont Composers: The Collected Works of Elisha West and Justin Morgan, and: Two Connecticut Composers: The Collected Works of Asahel Benham and Merit Woodruff, and: Jacob French, The Collected Works, and: Joseph Stone, The Collected Works, and: Samuel Babcock, The Collected Works, and: Selected Works of Samuel Holyoke and Jacob Kimball, and: Oliver Holden, Selected Works, and: Daniel Belknap, The Collected Works, and: The Collected Works of Eliakim Doolittle and Timothy Olmsted (review)
  2. Nym Cooke
  3. pp. 708-717
  4. DOI: https://doi.org/10.1353/not.2001.0011
  5. restricted access
  1. Messe de Nostre Dame [for] Mixed Voices (review)
  2. Virginia Ervin Newes
  3. pp. 717-721
  4. DOI: https://doi.org/10.1353/not.2001.0048
  5. restricted access
  1. Savonarolan Laude, Motets, and Anthems (review)
  2. Julie Emelyn Cumming
  3. pp. 721-723
  4. DOI: https://doi.org/10.1353/not.2001.0012
  5. restricted access
  1. Werke fur besondere Anlasse (review)
  2. Stephen Rose
  3. pp. 728-731
  4. DOI: https://doi.org/10.1353/not.2001.0054
  5. restricted access
  1. Lamentations of Jeremiah, and: Missarum liber quartus, and: Masses (review)
  2. George Grayson Wagstaff
  3. pp. 731-735
  4. DOI: https://doi.org/10.1353/not.2001.0064
  5. restricted access
  1. Kantaten mit Instrumenten, III: HWV 150, 165, 166, 170, 171, 173 (review)
  2. Ellen T. Harris
  3. pp. 736-739
  4. DOI: https://doi.org/10.1353/not.2001.0026
  5. restricted access
  1. La clemenza di Tito (Neapel 1752) (review)
  2. Marita P. McClymonds
  3. pp. 739-741
  4. DOI: https://doi.org/10.1353/not.2001.0040
  5. restricted access
  1. Prix de Rome Works, and: L'enfance du Christ, and: L'enfance du Christ, Reduction piano, and: Cleopatre, and: Herminie, and: La mort d'Orphee: Monologue et Bacchanale (review)
  2. Jeffrey Alan Langford
  3. pp. 742-745
  4. DOI: https://doi.org/10.1353/not.2001.0033
  5. restricted access
  1. Profane Vokalwerke, I, and: Symphony No. 2, op. 10 (review)
  2. Anna Harwell Celenza
  3. pp. 746-748
  4. DOI: https://doi.org/10.1353/not.2001.0009
  5. restricted access
  1. The Sun Bride: A Pueblo Indian Opera (review)
  2. Catherine Parsons Smith
  3. pp. 748-751
  4. DOI: https://doi.org/10.1353/not.2001.0059
  5. restricted access
  1. Images (1894); Pour le piano; Children's Corner (review)
  2. Cecilia Dunoyer
  3. pp. 751-753
  4. DOI: https://doi.org/10.1353/not.2001.0015
  5. restricted access
  1. Hommage a Salvador Dali, and: El ser humano muere solamente cuando lo olvidan: Pagina en recuerdo de Arthur Rubinstein para piano solo (1987/1993), and: Zeitgestalt fur Streichquartett (1996) (review)
  2. Nancy Lee Harper
  3. pp. 754-757
  4. DOI: https://doi.org/10.1353/not.2001.0024
  5. restricted access
  1. Spring Song for Solo Cello, and: Four Pieces for Violoncello, and: Lalai: Schlaflied zum Wachwerden? fur Violoncello und Klavier, and: Heron, for Cello and Piano (review)
  2. Kendra Preston Leonard
  3. pp. 757-759
  4. DOI: https://doi.org/10.1353/not.2001.0035
  5. restricted access
  1. Your Cry Will Be a Whisper, for Solo Guitar, and: Composition for Guitar (1984), and: Resisting Stillness, [for] Two Guitars, and: Sonata da giardino (for Solo Guitar) (1998), and: The Seasons Pass, for Solo Guitar, and: From Kakadu and Into the Dreaming, for Solo Guitar, and: In the Woods: Three Pieces for Guitar, and: Tres homenajes hungaros (Three Hungarian Tributes), for Two Guitars (1994), and: Da'ase, for Solo Guitar, and: American Bouquet (Versions of Popular Music), for Guitar (review)
  2. Calvin Elliker
  3. pp. 759-762
  4. DOI: https://doi.org/10.1353/not.2001.0017
  5. restricted access
  1. Albumblatter fur Prinzessin Marie von Sayn-Wittgenstein (review)
  2. Nancy Lee Harper
  3. pp. 763-765
  4. DOI: https://doi.org/10.1353/not.2001.0025
  5. restricted access
  1. Communications
  3. p. 780
  4. DOI: https://doi.org/10.1353/not.2001.0010
  5. restricted access
  1. Notes for Notes
  3. pp. 585-587
  4. DOI: https://doi.org/10.1353/not.2001.0067
  5. restricted access
  1. Classical and Romantic Performing Practice, 1750-1900, and: The Historical Performance of Music: An Introduction (review)
  2. Nancy November
  3. pp. 588-591
  4. DOI: https://doi.org/10.1353/not.2001.0049
  5. restricted access
  1. An Introduction to Gregorian Chant (review)
  2. Rosemary Dubowchik
  3. pp. 618-620
  4. DOI: https://doi.org/10.1353/not.2001.0014
  5. restricted access
  1. The Moderne Motet Anthologies: Four-Voice Motets from the Motteti del Fiore Series, and: The Moderne Motet Anthologies: Five- and More-Voice Motets from the Motteti del Fiore Series, and: Motetti del Laberinto Libro primo a cinque Voci. .. (Venice, Girolamo Scotto, 1554), and: Sacrae Cantiones Vulgo Motetta. .. (Venice, Scotto, 1568), and: Caesaris Tudini Canonici & Musici Cathedralis Ecclesiae Adriensis Mottetorum Quinque Vocibus Liber Primus (Venice: Vincenti, 1588) (review)
  2. Richard Freedman
  3. pp. 724-728
  4. DOI: https://doi.org/10.1353/not.2001.0019
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 766-779
  4. DOI: https://doi.org/10.1353/not.2001.0046
  5. restricted access