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Table of Contents

  1. The New Grove, Second Edition
  2. Stanley Sadie
  3. pp. 11-20
  4. DOI: https://doi.org/10.1353/not.2000.0049
  5. restricted access
  1. The Genesis of a Music Library: SUNY at Buffalo
  2. Carol June Bradley, James Coover
  3. pp. 21-45
  4. DOI: https://doi.org/10.1353/not.2000.0010
  5. restricted access
  1. Henry Cowell at the New York Public Library: A Whole World of Music
  2. George Boziwick
  3. pp. 46-58
  4. DOI: https://doi.org/10.1353/not.2000.0009
  5. restricted access
  1. A Visit to Pianopolis: Brazilian Music for Piano at the Biblioteca Alberto Nepomuceno
  2. Tom Moore
  3. pp. 59-87
  4. DOI: https://doi.org/10.1353/not.2000.0041
  5. restricted access
  1. Stravinsky: A Creative Spring: Russia and France, 1882-1934 (review)
  2. Charles M. Joseph
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/not.2000.0028
  5. restricted access
  1. The Stravinsky Legacy (review)
  2. Ira Braus
  3. pp. 93-95
  4. DOI: https://doi.org/10.1353/not.2000.0011
  5. restricted access
  1. Concerto Conversations (review)
  2. Christopher Hatch
  3. pp. 95-97
  4. DOI: https://doi.org/10.1353/not.2000.0026
  5. restricted access
  1. Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann (review)
  2. Eric McKee
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/not.2000.0039
  5. restricted access
  1. Schenker Studies 2 (review)
  2. Jack Forrest Boss
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/not.2000.0007
  5. restricted access
  1. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven (review)
  2. John Check
  3. pp. 101-103
  4. DOI: https://doi.org/10.1353/not.2000.0014
  5. restricted access
  1. Phantasmagoria: A Sociology of Opera (review)
  2. Clifford A. Cranna
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/not.2000.0016
  5. restricted access
  1. When Literature Becomes Opera: Study of a Transformational Process (review)
  2. Charles William Dill
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/not.2000.0019
  5. restricted access
  1. The Illustrated Companion to South Indian Classical Music (review)
  2. Gordon Ross Thompson
  3. pp. 107-108
  4. DOI: https://doi.org/10.1353/not.2000.0056
  5. restricted access
  1. A Biographical Dictionary of English Court Musicians, 1485-1714 (review)
  2. Robert Stuart Shay
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/not.2000.0052
  5. restricted access
  1. Joseph Martin Kraus (1756-1792): A Systematic-Thematic Catalogue of His Musical Works and Source Study (review)
  2. A. Peter Brown
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/not.2000.0013
  5. restricted access
  1. A Descriptive Catalogue of the Music of Charles Ives (review)
  2. David Nicholls
  3. pp. 114-115
  4. DOI: https://doi.org/10.1353/not.2000.0045
  5. restricted access
  1. Olivier Messiaen: A Bibliographical Catalogue of Messiaen's Works (review)
  2. David Morris
  3. p. 116
  4. DOI: https://doi.org/10.1353/not.2000.0042
  5. restricted access
  1. Discographie der ethnischen Aufnahmen, vol. 1 (review)
  2. Carl John Rahkonen
  3. pp. 116-117
  4. DOI: https://doi.org/10.1353/not.2000.0047
  5. restricted access
  1. Renaissance Music: Music in Western Europe, 1400-1600, and: Music in the Age of the Renaissance (review)
  2. J. Evan Kreider
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/not.2000.0034
  5. restricted access
  1. Gestalt und Entstehung musikalischer Quellen im 15. und 16. Jahrhundert (review)
  2. David Crawford
  3. pp. 122-125
  4. DOI: https://doi.org/10.1353/not.2000.0017
  5. restricted access
  1. Music, Science, and Natural Magic in Seventeenth-Century England (review)
  2. Amanda Eubanks Winkler
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/not.2000.0057
  5. restricted access
  1. Bach's Works for Solo Violin: Style, Structure, Performance (review)
  2. David Schulenberg
  3. pp. 127-131
  4. DOI: https://doi.org/10.1353/not.2000.0051
  5. restricted access
  1. Blind Tom, the Black Pianist-Composer, 1849-1908: Continually Enslaved (review)
  2. Brian Thompson
  3. pp. 133-134
  4. DOI: https://doi.org/10.1353/not.2000.0055
  5. restricted access
  1. Nineteenth-Century British Music Studies, vol. 1 (review)
  2. Paul Rodmell
  3. pp. 134-136
  4. DOI: https://doi.org/10.1353/not.2000.0048
  5. restricted access
  1. Tchaikovsky and His Contemporaries: A Centennial Symposium (review)
  2. Roy J. Guenther
  3. pp. 136-138
  4. DOI: https://doi.org/10.1353/not.2000.0025
  5. restricted access
  1. Hugo Wolf and the Wagnerian Inheritance (review)
  2. Edward F. Kravitt
  3. pp. 138-140
  4. DOI: https://doi.org/10.1353/not.2000.0033
  5. restricted access
  1. Saint-Saens: A Critical Biography (review)
  2. Michael Creasman Strasser
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/not.2000.0054
  5. restricted access
  1. Dvorak: Cello Concerto (review)
  2. John Novak
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/not.2000.0046
  5. restricted access
  1. Schoenberg and His World (review)
  2. Walter B. Bailey
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/not.2000.0002
  5. restricted access
  1. Szymanowski on Music: Selected Writings of Karol Szymanowski (review)
  2. Laura Grazyna Kafka
  3. pp. 144-145
  4. DOI: https://doi.org/10.1353/not.2000.0029
  5. restricted access
  1. Britten and the Far East: Asian Influences in the Music of Benjamin Britten (review)
  2. Christopher Mark
  3. pp. 145-148
  4. DOI: https://doi.org/10.1353/not.2000.0038
  5. restricted access
  1. The Cambridge Companion to Benjamin Britten (review)
  2. Mary C. Francis
  3. pp. 148-150
  4. DOI: https://doi.org/10.1353/not.2000.0023
  5. restricted access
  1. William Walton: Music and Literature (review)
  2. William A. Everett
  3. pp. 150-151
  4. DOI: https://doi.org/10.1353/not.2000.0021
  5. restricted access
  1. To Boulez and Beyond: Music in Europe since "The Rite of Spring" (review)
  2. Martin Brody
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/not.2000.0012
  5. restricted access
  1. A Blues Life (review)
  2. Jane M. Bowers
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/not.2000.0008
  5. restricted access
  1. Alice Tully: An Intimate Portrait (review)
  2. Elizabeth L. Keathley
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/not.2000.0031
  5. restricted access
  1. Lily Pons: A Centennial Portrait, and: Nicolai Gedda: My Life and Art (review)
  2. Richard Le Sueur
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/not.2000.0035
  5. restricted access
  1. The Beatles as Musicians: "Revolver" through the "Anthology" (review)
  2. Steven Block
  3. pp. 157-159
  4. DOI: https://doi.org/10.1353/not.2000.0005
  5. restricted access
  1. Frock Rock: Women Performing Popular Music (review)
  2. Kate Daubney
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/not.2000.0018
  5. restricted access
  1. A History of the Portuguese Fado (review)
  2. Margaret Sarkissian
  3. pp. 160-161
  4. DOI: https://doi.org/10.1353/not.2000.0050
  5. restricted access
  1. The Muse That Sings: Composers Speak about the Creative Process (review)
  2. Caroline Cepin Benser
  3. pp. 161-163
  4. DOI: https://doi.org/10.1353/not.2000.0004
  5. restricted access
  1. The Sounds of Commerce: Marketing Popular Film Music (review)
  2. Robynn Jeananne Stilwell
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/not.2000.0053
  5. restricted access
  1. Books Recently Published
  2. Rebecca Littman, Stephen Yusko
  3. pp. 165-177
  4. DOI: https://doi.org/10.1353/not.2000.0006
  5. restricted access
  1. New Periodicals
  2. Karen R. Little
  3. pp. 178-179
  4. DOI: https://doi.org/10.1353/not.2000.0036
  5. restricted access
  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 180-187
  4. DOI: https://doi.org/10.1353/not.2000.0027
  5. restricted access
  1. Skizzen, and: Concerto for Horn and Orchestra in E-flat Major, K. 370 b + 371 (review)
  2. Richard Kramer
  3. pp. 188-193
  4. DOI: https://doi.org/10.1353/not.2000.0032
  5. restricted access
  1. Il corsaro (review)
  2. Linda Beard Fairtile
  3. pp. 193-195
  4. DOI: https://doi.org/10.1353/not.2000.0022
  5. restricted access
  1. Communications
  2. p. 223
  3. DOI: https://doi.org/10.1353/not.2000.0015
  4. restricted access
  1. Notes for Notes
  2. pp. 88-90
  3. DOI: https://doi.org/10.1353/not.2000.0059
  4. restricted access
  1. Music Received
  2. Laura Snyder
  3. pp. 219-231
  4. DOI: https://doi.org/10.1353/not.2000.0043
  5. restricted access