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Volume 71, Number 1, September 2014

Table of Contents

From Debussy’s Studio: The Little-Known Autograph of De rêve, the First of the Proses lyriques (1892)

pp. 9-34 | DOI: 10.1353/not.2014.0101

A Long-Lost Partbook of French Chansons Resurfaces at the University of Virginia

pp. 35-61 | DOI: 10.1353/not.2014.0109

Notes for Notes

pp. 62-67 | DOI: 10.1353/not.2014.0117

Book Reviews

Pelléas et Mélisande, cent ans après: Études et documents Edited by Jean-Christophe Branger, Sylvie Douche, and Denis Herlin (review)

pp. 68-70 | DOI: 10.1353/not.2014.0125

Messiaen’s Musical Techniques: The Composer’s View and Beyond by Gareth Healey (review)

pp. 70-72 | DOI: 10.1353/not.2014.0084

Chopin’s Prophet: The Life of Pianist Vladimir de Pachmann by Edward Blickstein and Gregor Benko (review)

pp. 73-74 | DOI: 10.1353/not.2014.0091

Dramatic Expression in Rameau’s Tragédie en Musique: Between Tradition and Enlightenment by Cynthia Verba (review)

pp. 74-78 | DOI: 10.1353/not.2014.0098

Mozart’s Grace by Scott G. Burnham (review)

pp. 78-81 | DOI: 10.1353/not.2014.0106

Bachs Orchester- und Kammermusik: Das Handbuch Edited by Siegbert Rampe (review)

pp. 81-83 | DOI: 10.1353/not.2014.0114

Postmoderne hinter dem Eisernen Vorhang: Werk und Rezeption Alfred Schnittkes im Kontext ost- und mitteleuropäischer Musikdiskurse Edited by Amrei Flechsig and Stefan Weiss (review)

pp. 83-86 | DOI: 10.1353/not.2014.0122

I codici liturgici di Castel Tirolo by Marco Gozzi (review)

pp. 86-88 | DOI: 10.1353/not.2014.0081

Insights and Essays on the Music Performance Library Edited by Russ Girsberger and Laurie Lake (review)

pp. 88-91 | DOI: 10.1353/not.2014.0088

The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s by Mitchell Morris (review)

pp. 91-93 | DOI: 10.1353/not.2014.0095

Listening to Stanley Kubrick: The Music in His Films by Christine Lee Gengaro (review)

pp. 93-95 | DOI: 10.1353/not.2014.0103

Pretty Good for a Girl: Women in Bluegrass by Murphy Hicks Henry (review)

pp. 95-97 | DOI: 10.1353/not.2014.0111

God Bless America: The Surprising History of an Iconic Song by Sheryl Kaskowitz (review)

pp. 97-100 | DOI: 10.1353/not.2014.0119

Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott (review)

pp. 100-101 | DOI: 10.1353/not.2014.0078

Before Elvis: The Prehistory of Rock ‘n’ Roll by Larry Birnbaum (review)

pp. 101-103 | DOI: 10.1353/not.2014.0086

Blues: A Regional Experience by Bob Eagle and Eric S. LeBlanc, and: The Great Jazz Guitarists: The Ultimate Guide by Scott Yanow (review)

pp. 103-105 | DOI: 10.1353/not.2014.0093

The Amazing Bud Powell: Black Genius, Jazz History, and the Challenge of Bebop by Guthrie P. Ramsey Jr. (review)

pp. 105-108 | DOI: 10.1353/not.2014.0100

Walk Tall: The Music and Life of Julian “Cannonball” Adderley by Cary Ginell, and: Jazz Icons: Heroes, Myths and the Jazz Tradition by Tony Whyton (review)

pp. 108-112 | DOI: 10.1353/not.2014.0108

Whose Spain?: Negotiating “Spanish Music” in Paris, 1908–1929 by Samuel Llano (review)

pp. 112-114 | DOI: 10.1353/not.2014.0116

Music and the Politics of Negation by James R. Currie (review)

pp. 114-116 | DOI: 10.1353/not.2014.0124

Singing a Hindu Nation: Marathi Devotional Performance and Nationalism by Anna C. Schultz (review)

pp. 116-119 | DOI: 10.1353/not.2014.0083

Books Recently Published

pp. 120-126 | DOI: 10.1353/not.2014.0090

New Periodicals

pp. 127-131 | DOI: 10.1353/not.2014.0097

Digital Media Reviews

Digital Media Reviews

pp. 132-134 | DOI: 10.1353/not.2014.0105

Video Reviews

Lulu by Alban Berg (review)

pp. 135-136 | DOI: 10.1353/not.2014.0113

Preussisches Märchen by Boris Blacher, and: Oedipus: Musiktheater by Wolfgang Rihm (review)

pp. 136-137 | DOI: 10.1353/not.2014.0121

Die Soldaten by Bernd Alois Zimmermann (review)

pp. 137-138 | DOI: 10.1353/not.2014.0080

The Perfect American by Philip Glass (review)

pp. 138-139 | DOI: 10.1353/not.2014.0087

El Niño by John Adams (review)

pp. 139-140 | DOI: 10.1353/not.2014.0094

Moby-Dick by Jake Heggie (review)

pp. 140-141 | DOI: 10.1353/not.2014.0102

Claude Debussy: Music Cannot be Learned Directed by Georges Gachot (review)

pp. 141-142 | DOI: 10.1353/not.2014.0110

Bloody Daughter Directed by Stéphanie Argerich (review)

pp. 142-143 | DOI: 10.1353/not.2014.0118

Speak the Music: Robert Mann and the Mysteries of Chamber Music Directed by Allan Miller (review)

pp. 143-144 | DOI: 10.1353/not.2014.0126

The Italian Character: The Story of a Great Italian Orchestra Directed by Angelo Bozzolini (review)

pp. 144-145 | DOI: 10.1353/not.2014.0085

Enigma Variations by Edward Elgar (review)

pp. 145-146 | DOI: 10.1353/not.2014.0092

Sergiu Celibidache: Firebrand and Philosopher Directed by Norbert Busè, and: Celibidache Rehearses Bruckner’s Ninth Directed by Jan Schmidt-Garre (review)

pp. 146-147 | DOI: 10.1353/not.2014.0099

Legendary Conductors of the Boston Symphony Orchestra (review)

pp. 147-149 | DOI: 10.1353/not.2014.0107

Le Sacre du printemps, L’Oiseau de feu (review)

pp. 149-150 | DOI: 10.1353/not.2014.0115

Live at Montreux by Stan Getz (review)

pp. 150-151 | DOI: 10.1353/not.2014.0123

Primavera by The Banda Brothers (review)

pp. 151-152 | DOI: 10.1353/not.2014.0082

Greenwich Village: Music That Defined a Generation Directed by Laura Archibald (review)

pp. 152-153 | DOI: 10.1353/not.2014.0089

Music Reviews

Fifteenth-Century Settings of the Gloria and Credo

pp. 154-157 | DOI: 10.1353/not.2014.0096

Rosenmüller’s Kernsprüche

pp. 157-160 | DOI: 10.1353/not.2014.0104

Completions of Mozart Aria Fragments

pp. 160-162 | DOI: 10.1353/not.2014.0112

Music Received

pp. 163-173 | DOI: 10.1353/not.2014.0120

Index to Advertisers

p. 174 | DOI: 10.1353/not.2014.0079

Research Areas

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