We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 70, Number 4, June 2014

Table of Contents

Aaron Copland’s Soviet Diary (1960)

pp. 575-596 | DOI: 10.1353/not.2014.0043

C. P. E. Bach Sources at the Library of Congress

pp. 597-660 | DOI: 10.1353/not.2014.0049

Notes for Notes

pp. 661-665 | DOI: 10.1353/not.2014.0055

Book Reviews

Ethnomusicology: Performing Culture

Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru by Joshua Tucker (review)

pp. 666-668 | DOI: 10.1353/not.2014.0061

SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture by Nathan Hesselink (review)

pp. 668-670 | DOI: 10.1353/not.2014.0067

From Opera Boat to Silver Screen: Visual and Sonic Culture of Cantonese Opera (尋覓粵劇聲影: 從紅船到水銀燈) by Sai-shing Yung (review)

pp. 670-672 | DOI: 10.1353/not.2014.0073

And We’re All Brothers: Singing in Yiddish in Contemporary North America by Abigail Wood (review)

pp. 672-674 | DOI: 10.1353/not.2014.0041

Gothic and Punk

Gothic Music: The Sounds of the Uncanny by Isabella van Elferen (review)

pp. 674-676 | DOI: 10.1353/not.2014.0047

This Music Leaves Stains: The Complete Story of the Misfits by James Greene Jr (review)

pp. 676-679 | DOI: 10.1353/not.2014.0053


Eurojazzland: Jazz and European Sources, Dynamics, and Contexts ed. by Luca Cerchiari, Laurent Cugny, Franz Kerschbaumer (review)

pp. 679-682 | DOI: 10.1353/not.2014.0059

Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland by Paul de Barros (review)

pp. 682-684 | DOI: 10.1353/not.2014.0065

Keith Jarrett’s The Köln Concert by Peter Elsdon, and: People Get Ready: The Future of Jazz is Now! ed. by Ajay Heble, Rob Wallace, and: Beyond a Love Supreme: John Coltrane and the Legacy of an Album by Tony Whyton (review)

pp. 684-687 | DOI: 10.1353/not.2014.0071

Concise Guide to Jazz by Mark C. Gridley (review)

pp. 687-690 | DOI: 10.1353/not.2014.0077

Instruments and Performance Practice

“Diess herrliche, imponirende Instrument”: Die Orgel im Zeitalter Felix Mendelssohn Bartholdys ed. by Anselm Hartinger, Christoph Wolff, Peter Wollny (review)

pp. 690-692 | DOI: 10.1353/not.2014.0045

Mozarts Tempo-System: Ein Handbuch für die professionelle Praxis: Alle Autograph bezeichneten Tempi in 420 Gruppen von Stücken gleicher Charakteristik mit 392 kommentierten Notenbeispielen und allen relevanten Quellentexten by Helmut Breidenstein (review)

pp. 692-694 | DOI: 10.1353/not.2014.0051

The Recorder and Other Members of the Flute Family in Writings from 1100 to 1500 by David Lasocki (review)

pp. 694-695 | DOI: 10.1353/not.2014.0057

Analysis and Stylistic Evolution

Messiaen’s Final Works by Christopher Dingle (review)

pp. 695-698 | DOI: 10.1353/not.2014.0063

Harmony in Haydn and Mozart by David Damschroder (review)

pp. 698-700 | DOI: 10.1353/not.2014.0069

Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions by Robert Pascall (review)

pp. 700-702 | DOI: 10.1353/not.2014.0075

Bach and Bach Family

Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn by Matthew Dirst (review)

pp. 703-704 | DOI: 10.1353/not.2014.0042

Carl Philipp Emanuel Bach: Portrait Collection I: Catalogue ed. by Annette Richards, and: Carl Philipp Emanuel Bach: Portrait Collection II: Plates ed. by Annette Richards (review)

pp. 705-706 | DOI: 10.1353/not.2014.0048

Nineteenth and Twentieth Centuries

Sergey Prokofiev, Diaries 1924–1933: Prodigal Son by Anthony Phillips (review)

pp. 706-708 | DOI: 10.1353/not.2014.0054

Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett (review)

pp. 708-710 | DOI: 10.1353/not.2014.0060

The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton by J. P. E. Harper-Scott (review)

pp. 710-712 | DOI: 10.1353/not.2014.0066


The Music History Classroom ed. by James A. Davis (review)

pp. 713-715 | DOI: 10.1353/not.2014.0072

Books Recently Published

pp. 716-726 | DOI: 10.1353/not.2014.0040

Digital Media Reviews

Met Opera On Demand: Student Access (review)

pp. 727-729 | DOI: 10.1353/not.2014.0046

Music Reviews

The Mathew Holmes Manuscripts I: Cambridge University Library MS Dd.2.11 (review)

pp. 730-732 | DOI: 10.1353/not.2014.0052

Il terzo libro de madrigali a cinque voci con alcuni di Giovanni Gabrieli: Venezia, Angelo Gardano 1589 by Andrea Gabrieli (review)

pp. 732-735 | DOI: 10.1353/not.2014.0058

Elias = Elijah: Ein Oratorium nach Worten des Alten Testaments = The Words Selected from the Old Testament op. 70 ed. by Christian Martin Schmidt, and: Elias = Elijah: Ein Oratorium = An Oratorio, and: Christian Martin Schmidt, and: Elias = Elijah, op. 70, MWV A 25, Klavier-Bearbeitungen = Arrangements for Pianoforte (review)

pp. 735-739 | DOI: 10.1353/not.2014.0064

Knyaz’ Igor’ = Prince Igor: Opera ed. by Anna Bulycheva (review)

pp. 739-745 | DOI: 10.1353/not.2014.0070

Orchestral Works by George Butterworth (review)

pp. 745-748 | DOI: 10.1353/not.2014.0076

Fortunato: An Opera in Three Scenes (1958) ed. by Stephanie Jensen-Moulton, and: Fortunato: Orchestration of Scene 1 ed. by Stephanie Jensen-Moulton (review)

pp. 748-750 | DOI: 10.1353/not.2014.0044

Music Received

pp. 751-761 | DOI: 10.1353/not.2014.0050


p. 762 | DOI: 10.1353/not.2014.0056

Index to Advertisers

p. 763 | DOI: 10.1353/not.2014.0062

Cumulative Index to Advertisers Volume 70

p. 781 | DOI: 10.1353/not.2014.0068

September 2013 through June 2014

pp. 782-790 | DOI: 10.1353/not.2014.0074

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access