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Table of Contents

  1. Studying Britten: The Current Landscape of Published Britten Scholarship
  2. Jonathan Manton
  3. pp. 229-241
  4. DOI: https://doi.org/10.1353/not.2013.0157
  5. restricted access
  1. In Memoriam Mary Wallace Davidson
  2. Daniel Zager, Philip Ponella
  3. pp. 242-248
  4. DOI: https://doi.org/10.1353/not.2013.0133
  5. restricted access
  1. Prices of Music Monographs and Scores as Reflected in Notes, 2007-2012
  2. Kerri Scannell Baunach
  3. pp. 249-256
  4. DOI: https://doi.org/10.1353/not.2013.0137
  5. restricted access
  1. Notes for Notes
  3. pp. 257-261
  4. DOI: https://doi.org/10.1353/not.2013.0141
  5. restricted access
  1. Marc Blitzstein: His Life, His Work, His World by Howard Pollack (review)
  2. Geoffrey Block
  3. pp. 262-265
  4. DOI: https://doi.org/10.1353/not.2013.0149
  5. restricted access
  1. Ombra: Supernatural Music in the Eighteenth Century by Clive McClelland (review)
  2. Sarah Bushey
  3. pp. 265-267
  4. DOI: https://doi.org/10.1353/not.2013.0154
  5. restricted access
  1. La dramaturgie de Gustave Charpentier by Michela Niccolai (review)
  2. Matthew Franke
  3. pp. 267-269
  4. DOI: https://doi.org/10.1353/not.2013.0159
  5. restricted access
  1. Modernist Mysteries: Perséphone by Tamara Levitz (review)
  2. Sarah Iker
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/not.2013.0135
  5. restricted access
  1. Franz Schubert: Ein Opernkomponist? Am Beispiel des Fierrabras by Liane Speidel (review)
  2. Eric Schneeman
  3. pp. 272-274
  4. DOI: https://doi.org/10.1353/not.2013.0138
  5. restricted access
  1. Jan Ladislav Dussek (1760-1812): A Bohemian Composer "en voyage" through Europe ed. by Roberto Illiano and Rohan H. Stewart-MacDonald (review)
  2. Bryan Proksch
  3. pp. 274-277
  4. DOI: https://doi.org/10.1353/not.2013.0142
  5. restricted access
  1. Music and Ceremony at the Court of Charles V: The Capilla Flamenca and the Art of Political Promotion by Mary Tiffany Ferer (review)
  2. Greta Olson
  3. pp. 277-279
  4. DOI: https://doi.org/10.1353/not.2013.0146
  5. restricted access
  1. Mapping Canada's Music: Selected Writings of Helmut Kallmann ed. by John Beckwith and Robin Elliott (review)
  2. Benita Wolters-Fredlund
  3. pp. 279-281
  4. DOI: https://doi.org/10.1353/not.2013.0151
  5. restricted access
  1. The Oxford Handbook of Neo-Riemannian Music Theories ed. by Edward Gollin and Alexander Rehding (review)
  2. Murray Dineen
  3. pp. 281-283
  4. DOI: https://doi.org/10.1353/not.2013.0139
  5. restricted access
  1. The Associated Board of the Royal Schools of Music: A Social and Cultural History by David C. H. Wright (review)
  2. G. W. E. Brightwell
  3. pp. 283-286
  4. DOI: https://doi.org/10.1353/not.2013.0143
  5. restricted access
  1. Le Conservatoire national de musique et de déclamation, 1900-1930: Documents historiques et administratifs by Anne Bongrain (review)
  2. Christopher Brent Murray
  3. pp. 286-287
  4. DOI: https://doi.org/10.1353/not.2013.0147
  5. restricted access
  1. The Conservation, Restoration, and Repair of Stringed Instruments and Their Bows ed. by Tom Wilder (review)
  2. Daniel F. Boomhower
  3. pp. 287-289
  4. DOI: https://doi.org/10.1353/not.2013.0152
  5. restricted access
  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 290-303
  4. DOI: https://doi.org/10.1353/not.2013.0145
  5. restricted access
  1. Classical Music in Video (review)
  2. Michael J. Duffy IV
  3. pp. 304-306
  4. DOI: https://doi.org/10.1353/not.2013.0144
  5. restricted access
  1. New York Philharmonic Digital Archives (review)
  2. Lisa Shiota
  3. pp. 307-310
  4. DOI: https://doi.org/10.1353/not.2013.0134
  5. restricted access
  1. Research Centre for the History and Analysis of Recorded Music (CHARM) Sound Files Search and Discography (review)
  2. Carolyn Doi
  3. pp. 310-313
  4. DOI: https://doi.org/10.1353/not.2013.0140
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  1. Diplomatic Transcriptions of Medieval Music
  2. William Hudson
  3. pp. 314-317
  4. DOI: https://doi.org/10.1353/not.2013.0153
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  1. Two Versions of C. P. E. Bach's Magnificat
  2. Evan Cortens
  3. pp. 317-321
  4. DOI: https://doi.org/10.1353/not.2013.0160
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  1. Arias for a Tenor from Mozart's Vienna
  2. Joshua Neumann
  3. pp. 321-325
  4. DOI: https://doi.org/10.1353/not.2013.0158
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  1. Two Editions of Ravel's Piano Trio
  2. Roy Howat
  3. pp. 325-332
  4. DOI: https://doi.org/10.1353/not.2013.0148
  5. restricted access
  1. The Vocal Score for Messiaen's Saint François d'Assise
  2. Christopher Dingle
  3. pp. 332-336
  4. DOI: https://doi.org/10.1353/not.2013.0136
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  1. Communications
  3. p. 344
  4. DOI: https://doi.org/10.1353/not.2013.0155
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  1. Index to Advertisers
  3. p. 347
  4. DOI: https://doi.org/10.1353/not.2013.0156
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  1. Music Received
  2. David Knapp
  3. pp. 337-343
  4. DOI: https://doi.org/10.1353/not.2013.0150
  5. restricted access