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Browse Book and Journal Content on Project MUSE

Volume 70, Number 1, September 2013

Table of Contents

Verdi at 200: Recent Scholarship on the Composer and His Works

pp. 9-36 | DOI: 10.1353/not.2013.0113

“A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music

pp. 37-58 | DOI: 10.1353/not.2013.0121

“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock

pp. 59-77 | DOI: 10.1353/not.2013.0129

Notes for Notes

pp. 78-86 | DOI: 10.1353/not.2013.0089

Book Reviews


The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)

pp. 87-89 | DOI: 10.1353/not.2013.0096

The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)

pp. 89-91 | DOI: 10.1353/not.2013.0103

From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)

pp. 91-93 | DOI: 10.1353/not.2013.0110

Musica Britannica

An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)

pp. 93-96 | DOI: 10.1353/not.2013.0118

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)

pp. 96-98 | DOI: 10.1353/not.2013.0126

Latin America and Asia

Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)

pp. 98-100 | DOI: 10.1353/not.2013.0086

Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)

pp. 100-102 | DOI: 10.1353/not.2013.0093

Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)

pp. 103-104 | DOI: 10.1353/not.2013.0100

Man and Media

Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)

pp. 104-107 | DOI: 10.1353/not.2013.0107

Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)

pp. 107-109 | DOI: 10.1353/not.2013.0115

Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)

pp. 109-111 | DOI: 10.1353/not.2013.0123

The Music of Fantasy Cinema by Janet K. Halfyard (review)

pp. 111-113 | DOI: 10.1353/not.2013.0131


Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)

pp. 113-116 | DOI: 10.1353/not.2013.0091

Postmodernism in Music by Kenneth Gloag (review)

pp. 116-119 | DOI: 10.1353/not.2013.0098


Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)

pp. 119-122 | DOI: 10.1353/not.2013.0105

Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)

pp. 122-124 | DOI: 10.1353/not.2013.0112

George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)

pp. 124-126 | DOI: 10.1353/not.2013.0120

Christian Wolff by Michael Hicks and Christian Asplund (review)

pp. 126-128 | DOI: 10.1353/not.2013.0128

Elliott Carter Studies ed. by Marguerite Boland and John Link, and: Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)

pp. 128-132 | DOI: 10.1353/not.2013.0088

The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)

pp. 132-135 | DOI: 10.1353/not.2013.0095

Henry Cowell: A Man Made of Music by Joel Sachs (review)

pp. 135-137 | DOI: 10.1353/not.2013.0102

Books Recently Published

pp. 138-152 | DOI: 10.1353/not.2013.0109

New Periodicals

pp. 153-155 | DOI: 10.1353/not.2013.0117

Digital Media reviews

medici.tv by MUSEEC (review)

pp. 156-159 | DOI: 10.1353/not.2013.0125

Video Reviews

Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)

pp. 160-161 | DOI: 10.1353/not.2013.0132

Die Liebe der Danae by Richard Strauss (review)

pp. 161-162 | DOI: 10.1353/not.2013.0092

Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)

pp. 162-163 | DOI: 10.1353/not.2013.0099

Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)

pp. 163-165 | DOI: 10.1353/not.2013.0106

The Curious Case of Benjamin Button by John Eaton (review)

p. 165 | DOI: 10.1353/not.2013.0114

Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)

p. 166 | DOI: 10.1353/not.2013.0122

Aaron Copland: Fanfare for America by Andreas Skipis (review)

pp. 166-167 | DOI: 10.1353/not.2013.0130

Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)

pp. 167-168 | DOI: 10.1353/not.2013.0090

Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)

pp. 168-169 | DOI: 10.1353/not.2013.0097

Uniko by Kimmo Pohjonen and Samuli Kosminen (review)

pp. 169-170 | DOI: 10.1353/not.2013.0104

A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)

p. 170 | DOI: 10.1353/not.2013.0111

Kinshasa Symphony directed by Claus Wischmann and Martin Baer, and: Eastern Voices directed by Frank Scheffer and Günter Wallbrecht (review)

pp. 171-172 | DOI: 10.1353/not.2013.0119

Music Reviews

Pasquini’s Cantatas

pp. 173-176 | DOI: 10.1353/not.2013.0127

Bristow’s Symphony No. 2

pp. 176-180 | DOI: 10.1353/not.2013.0087

German Film Scores from the Silent Era

pp. 180-186 | DOI: 10.1353/not.2013.0094

Piano Music by Marc-André Hamelin

pp. 186-189 | DOI: 10.1353/not.2013.0101

Recent Music of Hans Abrahamsen

pp. 190-193 | DOI: 10.1353/not.2013.0108

Music Received

pp. 194-203 | DOI: 10.1353/not.2013.0116

Index to Advertisers

p. 204 | DOI: 10.1353/not.2013.0124

Research Areas


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