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Volume 68, Number 2, December 2011

Table of Contents

Editorial Challenges in the Early Songs of Gabriel Fauré

pp. 239-283 | DOI: 10.1353/not.2011.0144

The Correspondence of Alberto Ginastera at the Library of Congress

pp. 284-312 | DOI: 10.1353/not.2011.0152

Prices of Music Monographs and Scores as Reflected in Notes, 2005-2010

pp. 313-320 | DOI: 10.1353/not.2011.0160

Notes for Notes

Notes for Notes

pp. 321-323 | DOI: 10.1353/not.2011.0168

Book Reviews

Pre-Classical

Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn (review)

pp. 324-332 | DOI: 10.1353/not.2011.0139

Inside the Offertory: Aspects of Chronology and Transmission (review)

pp. 332-334 | DOI: 10.1353/not.2011.0146

Medieval Song in Romance Languages (review)

pp. 335-337 | DOI: 10.1353/not.2011.0178

Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers (review)

pp. 337-340 | DOI: 10.1353/not.2011.0155

Juan Esquivel: A Master of Sacred Music during the Spanish Golden Age (review)

pp. 340-341 | DOI: 10.1353/not.2011.0148

The Cultural Life of the Early Polyphonic Mass: Medieval Context to Modern Revival (review)

pp. 341-343 | DOI: 10.1353/not.2011.0173

Adrian Willaert and the Theory of Interval Affect: The "Musica Nova" Madrigals and the Novel Theories of Zarlino and Vicentino (review)

pp. 344-346 | DOI: 10.1353/not.2011.0166

The Ruined Bridge: Studies in Barberini Patronage of Music and Spectacle, 1631-1679 (review)

pp. 346-347 | DOI: 10.1353/not.2011.0171

Antonio Vivaldi, and: Antonio Vivaldi und seine Zeit (review)

pp. 348-351 | DOI: 10.1353/not.2011.0147

Post-Classical

Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (review)

pp. 351-354 | DOI: 10.1353/not.2011.0158

Songs in Motion: Rhythm and Meter in the German Lied (review)

pp. 354-357 | DOI: 10.1353/not.2011.0143

Liszt as Transcriber (review)

pp. 357-359 | DOI: 10.1353/not.2011.0164

Seeing Mahler: Music and the Language of Antisemitism in Fin-de-Siècle Vienna (review)

pp. 359-361 | DOI: 10.1353/not.2011.0137

Schoenberg's New World: The American Years (review)

pp. 361-364 | DOI: 10.1353/not.2011.0169

Boulez, Music and Philosophy (review)

pp. 364-366 | DOI: 10.1353/not.2011.0161

Hanns Eisler Briefe 1907-1943 (review)

pp. 366-368 | DOI: 10.1353/not.2011.0151

Music and the Wesleys (review)

pp. 368-370 | DOI: 10.1353/not.2011.0163

Sibelius in the Old and New World: Aspects of His Music, Its Interpretation, and Reception (review)

pp. 370-373 | DOI: 10.1353/not.2011.0150

Popular, and Peoples

I Don't Sound Like Nobody: Remaking Music in 1950s America (review)

pp. 373-375 | DOI: 10.1353/not.2011.0172

The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (review)

pp. 375-377 | DOI: 10.1353/not.2011.0174

Where the Dark and Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz (review)

pp. 377-379 | DOI: 10.1353/not.2011.0177

Stories from the Anne Grimes Collection of American Folk Music (review)

pp. 379-381 | DOI: 10.1353/not.2011.0179

The Makers of the Sacred Harp (review)

pp. 381-383 | DOI: 10.1353/not.2011.0165

Ramblin' Jack Elliott: The Never-Ending Highway (review)

pp. 383-385 | DOI: 10.1353/not.2011.0136

Gone to the Country: The New Lost City Ramblers & the Folk Music Revival (review)

pp. 385-387 | DOI: 10.1353/not.2011.0185

Arts and Technologies

Recorded Music: Performance, Culture and Technology (review)

pp. 387-392 | DOI: 10.1353/not.2011.0157

When Opera Meets Film (review)

pp. 392-394 | DOI: 10.1353/not.2011.0149

Jean-Luc Godard—musicien: die Musik in den Filmen von Jean-Luc Godard, and: Jean-Luc Godard (review)

pp. 394-396 | DOI: 10.1353/not.2011.0145

Wendy Hilton: A Life in Baroque Dance (review)

pp. 396-398 | DOI: 10.1353/not.2011.0181

Bibliography

Annotated Catalogue of Chopin's First Editions (review)

pp. 398-400 | DOI: 10.1353/not.2011.0140

Maria Szymanowska (1789-1831): A Bio-Bibliography (review)

pp. 400-403 | DOI: 10.1353/not.2011.0180

An Annotated Bibliography of Guitar Methods, 1760-1860 (review)

pp. 403-405 | DOI: 10.1353/not.2011.0138

A Descriptive Catalogue of the Musical Manuscript Collection of the National Library of Greece: Byzantine Chant and Other Music Repertory Recovered (review)

pp. 405-406 | DOI: 10.1353/not.2011.0167

Books Recently Published

Books Recently Published

pp. 407-424 | DOI: 10.1353/not.2011.0176

Digital Media Reviews

JSTOR Music Collection (review)

pp. 425-428 | DOI: 10.1353/not.2011.0183

Digital Image Archive of Medieval Music (DIAMM) (review)

pp. 428-431 | DOI: 10.1353/not.2011.0153

Oxford History of Western Music (review)

pp. 431-433 | DOI: 10.1353/not.2011.0142

Classical Music Reference Library (review)

pp. 433-435 | DOI: 10.1353/not.2011.0182

Sound Recording Reviews

Sound Recording Reviews

p. 436 | DOI: 10.1353/not.2011.0186

Music Reviews

Sibelius Orchestral Works

Symphony No. 3 in C major = Symphonie Nr. 3 C-dur, op. 52, and: En Saga, op. 9, and: Symphonie Nr. 1 e-moll = Symphony No. 1 in E minor, op. 39 (review)

pp. 439-442 | DOI: 10.1353/not.2011.0175

Fiddle Tunes

The Milliner-Koken Collection of American Fiddle Tunes (review)

pp. 442-443 | DOI: 10.1353/not.2011.0159

Fauré Chamber Works

Trio pour piano, violon et violoncelle, op. 120, and: Quatuor à cordes, op. 121, and: La bonne chanson, op. 61 (review)

pp. 444-446 | DOI: 10.1353/not.2011.0156

Music Received

Music Received

pp. 447-453 | DOI: 10.1353/not.2011.0184

Index to Advertisers

p. 456 | DOI: 10.1353/not.2011.0141

Research Areas

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