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Browse Book and Journal Content on Project MUSE

Volume 68, Number 1, September 2011

Table of Contents

William Walton’s Film Scores: New Evidence in the Autograph Manuscripts

pp. 9-32 | DOI: 10.1353/not.2011.0097

Preserving the Electroacoustic Music Legacy: A Case Study of the Sal-Mar Construction at the University of Illinois

pp. 33-47 | DOI: 10.1353/not.2011.0094

Variation on a Traditional Theme: The Question of Racial and Ethnic Diversity in MLA

pp. 48-59 | DOI: 10.1353/not.2011.0086

Notes for Notes

Notes for Notes

pp. 60-66 | DOI: 10.1353/not.2011.0129

Book Reviews

North America

Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness (review)

pp. 67-69 | DOI: 10.1353/not.2011.0121

Changing the System: The Music of Christian Wolff (review)

pp. 69-71 | DOI: 10.1353/not.2011.0113

South Pacific: Paradise Rewritten (review)

pp. 71-73 | DOI: 10.1353/not.2011.0105

The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810 (review)

pp. 73-75 | DOI: 10.1353/not.2011.0115

From Vodou to Zouk: A Bibliographic Guide to Music of the French-speaking Caribbean and its Diaspora (review)

pp. 76-77 | DOI: 10.1353/not.2011.0107


Rasa: Affect and Intuition in Javanese Musical Aesthetics (review)

pp. 78-81 | DOI: 10.1353/not.2011.0099

Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music (review)

pp. 81-83 | DOI: 10.1353/not.2011.0091


Brahms and the Scherzo: Studies in Musical Narrative (review)

pp. 84-86 | DOI: 10.1353/not.2011.0083

Alexander Zemlinsky: A Lyric Symphony (review)

pp. 86-88 | DOI: 10.1353/not.2011.0126

Balkan Refrain: Form and Tradition in European Folk Song. By Dimitrije O. Golemović (review)

pp. 88-90 | DOI: 10.1353/not.2011.0118

Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991 (review)

pp. 90-92 | DOI: 10.1353/not.2011.0110

Rock and Roll in the Rocket City: The West, Identity, and Ideology in Soviet Dniepropetrovsk, 1960–1985 (review)

pp. 92-95 | DOI: 10.1353/not.2011.0102

Shostakovich’s Preludes and Fugues: Context, Style, Performance (review)

pp. 95-98 | DOI: 10.1353/not.2011.0128

Sviatoslav Richter, Pianist (review)

pp. 98-100 | DOI: 10.1353/not.2011.0120


Sounding Out Pop: Analytical Essays in Popular Music (review)

pp. 100-102 | DOI: 10.1353/not.2011.0112

The Twelve-Tone Music of Luigi Dallapiccola (review)

pp. 102-105 | DOI: 10.1353/not.2011.0104

Challenge, Confrontation, Cognition

“In der Beschränkung zeigt sich erst der Meister”: Technik und Ästhetik der Klaviermusik für die linke Hand allein (review)

pp. 104-107 | DOI: 10.1353/not.2011.0096

Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond (review)

pp. 107-109 | DOI: 10.1353/not.2011.0088

Music and Conflict (review)

pp. 109-112 | DOI: 10.1353/not.2011.0131

The Music Instinct: How Music Works and Why We Can’t Do Without It (review)

pp. 112-114 | DOI: 10.1353/not.2011.0123

Books Recently Published

Books Recently Published

pp. 115-138 | DOI: 10.1353/not.2011.0117

New Periodicals

New Periodicals

pp. 139-144 | DOI: 10.1353/not.2011.0109

Digital Media Reviews

Concert Programmes Database (review)

pp. 145-147 | DOI: 10.1353/not.2011.0101

MusicBrainz (review)

pp. 147-151 | DOI: 10.1353/not.2011.0134

Internet Broadway Database (review)

pp. 151-153 | DOI: 10.1353/not.2011.0133

Video Reviews

Cleopatra, and: Norma (review)

pp. 154-155 | DOI: 10.1353/not.2011.0093

Die Meistersinger von Nürnberg (review)

pp. 155-156 | DOI: 10.1353/not.2011.0085

Der Ring des Nibelungen, Highlights (review)

pp. 156-157 | DOI: 10.1353/not.2011.0130

Cherevichki, and: Der Zwerg, and: Der zerbrochene Krug (review)

pp. 157-158 | DOI: 10.1353/not.2011.0122

Thaïs (review)

pp. 158-159 | DOI: 10.1353/not.2011.0114

Der Rosenkavalier (review)

pp. 159-160 | DOI: 10.1353/not.2011.0089

Little Women (review)

p. 160 | DOI: 10.1353/not.2011.0106

Barockstar: George Frideric Handel (review)

p. 161 | DOI: 10.1353/not.2011.0098

Pyotr Ilyich Tchaikovsky, Two films (review)

p. 162 | DOI: 10.1353/not.2011.0090

Enrique Granados: A Musical Portrait (review)

pp. 162-163 | DOI: 10.1353/not.2011.0082

Michael Nyman: Composer in Progress; Michael Nyman: In Concert (review)

pp. 163-164 | DOI: 10.1353/not.2011.0125

Competitors: Russia’s Child Prodigies (review)

pp. 164-165 | DOI: 10.1353/not.2011.0108

Maxim Vengerov: Violin Masterclass at the Royal Academy of Music, London, Benjamin Britten, Violin concerto opus 15: Violin masterclass, and: Ana Chumachenko at the Verbier Festival Academy, Violin masterclass, and: Gábor Takács-Nagy at the Verbier Festival Academy, Johannes Brahms, Piano quartet no. 3 in C minor: Chamber music masterclass, and: Aaron Rosand: Celebrating a Life in Music, and: Aaron Rosand: The Teacher (review)

pp. 165-167 | DOI: 10.1353/not.2011.0100

The Modern Jazz Quartet: 35th Anniversary Concert, and: The Modern Jazz Quartet: 40th Anniversary Tour (review)

pp. 167-168 | DOI: 10.1353/not.2011.0092

The Story of Jazz (review)

p. 168 | DOI: 10.1353/not.2011.0084

Jazz Icons: Series 4 (review)

pp. 169-170 | DOI: 10.1353/not.2011.0127

Tassa Thunder: Folk Music from India to the Caribbean (review)

pp. 170-171 | DOI: 10.1353/not.2011.0119

Stars and Their Guitars (review)

p. 171 | DOI: 10.1353/not.2011.0111

The Metaphysics of Notation (review)

pp. 172-173 | DOI: 10.1353/not.2011.0103

Music Reviews

Sousa Marches

pp. 174-176 | DOI: 10.1353/not.2011.0095

Sacred Music from the Era of Louis XIII

pp. 176-179 | DOI: 10.1353/not.2011.0087

Albéniz Improvisations

pp. 179-181 | DOI: 10.1353/not.2011.0132

Music Received

Music Received

pp. 182-190 | DOI: 10.1353/not.2011.0124

Research Areas


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