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In this Issue

Table of Contents

  1. William Walton’s Film Scores: New Evidence in the Autograph Manuscripts
  2. James Brooks Kuykendall
  3. pp. 9-32
  4. DOI: https://doi.org/10.1353/not.2011.0097
  5. restricted access
  1. Variation on a Traditional Theme: The Question of Racial and Ethnic Diversity in MLA
  2. Mark A. Puente, Susannah Cleveland
  3. pp. 48-59
  4. DOI: https://doi.org/10.1353/not.2011.0086
  5. restricted access
  1. Notes for Notes
  2. Judy Tsou
  3. pp. 60-66
  4. DOI: https://doi.org/10.1353/not.2011.0129
  5. restricted access
  1. Hip Hop Desis: South Asian Americans, Blackness, and a Global Race Consciousness (review)
  2. Justin Scarimbolo
  3. pp. 67-69
  4. DOI: https://doi.org/10.1353/not.2011.0121
  5. restricted access
  1. Changing the System: The Music of Christian Wolff (review)
  2. Sara Heimbecker
  3. pp. 69-71
  4. DOI: https://doi.org/10.1353/not.2011.0113
  5. restricted access
  1. South Pacific: Paradise Rewritten (review)
  2. Hilary Baker
  3. pp. 71-73
  4. DOI: https://doi.org/10.1353/not.2011.0105
  5. restricted access
  1. The Power of Song: Music and Dance in the Mission Communities of Northern New Spain, 1590–1810 (review)
  2. Timothy D. Watkins
  3. pp. 73-75
  4. DOI: https://doi.org/10.1353/not.2011.0115
  5. restricted access
  1. From Vodou to Zouk: A Bibliographic Guide to Music of the French-speaking Caribbean and its Diaspora (review)
  2. Ken Archer
  3. pp. 76-77
  4. DOI: https://doi.org/10.1353/not.2011.0107
  5. restricted access
  1. Rasa: Affect and Intuition in Javanese Musical Aesthetics (review)
  2. Dane L. Harwood
  3. pp. 78-81
  4. DOI: https://doi.org/10.1353/not.2011.0099
  5. restricted access
  1. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music (review)
  2. Jesse A. Johnston
  3. pp. 81-83
  4. DOI: https://doi.org/10.1353/not.2011.0091
  5. restricted access
  1. Brahms and the Scherzo: Studies in Musical Narrative (review)
  2. Michael Vaillancourt
  3. pp. 84-86
  4. DOI: https://doi.org/10.1353/not.2011.0083
  5. restricted access
  1. Alexander Zemlinsky: A Lyric Symphony (review)
  2. Laura Hedden
  3. pp. 86-88
  4. DOI: https://doi.org/10.1353/not.2011.0126
  5. restricted access
  1. Balkan Refrain: Form and Tradition in European Folk Song. By Dimitrije O. Golemović (review)
  2. Ivan Moody
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/not.2011.0118
  5. restricted access
  1. Sounds of the Borderland: Popular Music, War and Nationalism in Croatia since 1991 (review)
  2. William A. Everett
  3. pp. 90-92
  4. DOI: https://doi.org/10.1353/not.2011.0110
  5. restricted access
  1. Shostakovich’s Preludes and Fugues: Context, Style, Performance (review)
  2. John Rego
  3. pp. 95-98
  4. DOI: https://doi.org/10.1353/not.2011.0128
  5. restricted access
  1. Sviatoslav Richter, Pianist (review)
  2. Lincoln Miles Ballard
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/not.2011.0120
  5. restricted access
  1. Sounding Out Pop: Analytical Essays in Popular Music (review)
  2. Brad Osborn
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/not.2011.0112
  5. restricted access
  1. The Twelve-Tone Music of Luigi Dallapiccola (review)
  2. Graham H. Phipps
  3. pp. 102-105
  4. DOI: https://doi.org/10.1353/not.2011.0104
  5. restricted access
  1. Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond (review)
  2. Joshua S. Walden
  3. pp. 107-109
  4. DOI: https://doi.org/10.1353/not.2011.0088
  5. restricted access
  1. Music and Conflict (review)
  2. Gavin Douglas
  3. pp. 109-112
  4. DOI: https://doi.org/10.1353/not.2011.0131
  5. restricted access
  1. The Music Instinct: How Music Works and Why We Can’t Do Without It (review)
  2. Scott Spiegelberg
  3. pp. 112-114
  4. DOI: https://doi.org/10.1353/not.2011.0123
  5. restricted access
  1. Books Recently Published
  2. Karen R. Little, James Procell
  3. pp. 115-138
  4. DOI: https://doi.org/10.1353/not.2011.0117
  5. restricted access
  1. New Periodicals
  2. Liza Vick, Anna Zayaruznaya
  3. pp. 139-144
  4. DOI: https://doi.org/10.1353/not.2011.0109
  5. restricted access
  1. Concert Programmes Database (review)
  2. Veronica A. Wells
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/not.2011.0101
  5. restricted access
  1. MusicBrainz (review)
  2. Alisa Rata Stutzbach
  3. pp. 147-151
  4. DOI: https://doi.org/10.1353/not.2011.0134
  5. restricted access
  1. Internet Broadway Database (review)
  2. Jennifer Matthews
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/not.2011.0133
  5. restricted access
  1. Cleopatra, and: Norma (review)
  2. John Holland
  3. pp. 154-155
  4. DOI: https://doi.org/10.1353/not.2011.0093
  5. restricted access
  1. Die Meistersinger von Nürnberg (review)
  2. Roderick L. Sharpe
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/not.2011.0085
  5. restricted access
  1. Der Ring des Nibelungen, Highlights (review)
  2. Heather Strohschein
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/not.2011.0130
  5. restricted access
  1. Cherevichki, and: Der Zwerg, and: Der zerbrochene Krug (review)
  2. John Holland
  3. pp. 157-158
  4. DOI: https://doi.org/10.1353/not.2011.0122
  5. restricted access
  1. Thaïs (review)
  2. Bruno Forment
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/not.2011.0114
  5. restricted access
  1. Der Rosenkavalier (review)
  2. Ryan Ebright
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/not.2011.0089
  5. restricted access
  1. Little Women (review)
  2. Kendra Preston Leonard
  3. p. 160
  4. DOI: https://doi.org/10.1353/not.2011.0106
  5. restricted access
  1. Barockstar: George Frideric Handel (review)
  2. Alexander Carpenter
  3. p. 161
  4. DOI: https://doi.org/10.1353/not.2011.0098
  5. restricted access
  1. Pyotr Ilyich Tchaikovsky, Two films (review)
  2. Gerald A. Notaro
  3. p. 162
  4. DOI: https://doi.org/10.1353/not.2011.0090
  5. restricted access
  1. Enrique Granados: A Musical Portrait (review)
  2. Eldonna L. May
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/not.2011.0082
  5. restricted access
  1. Michael Nyman: Composer in Progress; Michael Nyman: In Concert (review)
  2. S. Andrew Granade
  3. pp. 163-164
  4. DOI: https://doi.org/10.1353/not.2011.0125
  5. restricted access
  1. Competitors: Russia’s Child Prodigies (review)
  2. Gerald A. Notaro
  3. pp. 164-165
  4. DOI: https://doi.org/10.1353/not.2011.0108
  5. restricted access
  1. The Modern Jazz Quartet: 35th Anniversary Concert, and: The Modern Jazz Quartet: 40th Anniversary Tour (review)
  2. John Clark
  3. pp. 167-168
  4. DOI: https://doi.org/10.1353/not.2011.0092
  5. restricted access
  1. The Story of Jazz (review)
  2. Michael Ashenfelder
  3. p. 168
  4. DOI: https://doi.org/10.1353/not.2011.0084
  5. restricted access
  1. Tassa Thunder: Folk Music from India to the Caribbean (review)
  2. Christopher L. Ballengee
  3. pp. 170-171
  4. DOI: https://doi.org/10.1353/not.2011.0119
  5. restricted access
  1. Stars and Their Guitars (review)
  2. Randall Zwally
  3. p. 171
  4. DOI: https://doi.org/10.1353/not.2011.0111
  5. restricted access
  1. The Metaphysics of Notation (review)
  2. Alicia M. Doyle
  3. pp. 172-173
  4. DOI: https://doi.org/10.1353/not.2011.0103
  5. restricted access
  1. Sousa Marches
  2. Jennifer Judkins
  3. pp. 174-176
  4. DOI: https://doi.org/10.1353/not.2011.0095
  5. restricted access
  1. Sacred Music from the Era of Louis XIII
  2. John Hajdu Heyer
  3. pp. 176-179
  4. DOI: https://doi.org/10.1353/not.2011.0087
  5. restricted access
  1. Albéniz Improvisations
  2. Jonathan D. Bellman
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/not.2011.0132
  5. restricted access
  1. Jazz Icons: Series 4 (review)
  2. Travis D. Stimeling
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/not.2011.0127
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 182-190
  4. DOI: https://doi.org/10.1353/not.2011.0124
  5. restricted access