Volume 66, Number 1, September 2009

Table of Contents

Scratched-out Notes, Erased Pieces, and other Lacunae in the Chansonnier Nivelle de la Chaussée

pp. 7-35 | DOI: 10.1353/not.0.0196

Debra Nagy

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Written vs. Sounding Pitch

pp. 36-51 | DOI: 10.1353/not.0.0197

Donald Byrd

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Notes for Notes

pp. 52-58 | DOI: 10.1353/not.0.0198

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Book Reviews

Music and the Mind

Music, Language, and the Brain (review)

pp. 59-62 | DOI: 10.1353/not.0.0203

Mark Germer

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Criticism and Analysis

Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late-Nineteenth-Century Vienna (review)

pp. 62-64 | DOI: 10.1353/not.0.0211

Marie Sumner Lott

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Music as Discourse: Semiotic Adventures in Romantic Music (review)

pp. 64-67 | DOI: 10.1353/not.0.0207

Sara Heimbecker

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Thresholds: Rethinking Spirituality through Music (review)

pp. 67-69 | DOI: 10.1353/not.0.0199

Alexander Carpenter

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Opera

Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy (review)

pp. 69-72 | DOI: 10.1353/not.0.0202

Bruno Forment

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Mozart’s Così fan tutte: A Compositional History (review)

pp. 72-75 | DOI: 10.1353/not.0.0216

Laurel E. Zeiss

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Mozart’s Operas: A Companion (review)

pp. 75-76 | DOI: 10.1353/not.0.0201

Robert Follet

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American Musics

Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music (review)

pp. 77-79 | DOI: 10.1353/not.0.0210

Edward Komara

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Come In and Hear the Truth: Jazz and Race on 52nd Street (review)

pp. 79-82 | DOI: 10.1353/not.0.0214

Rick McRae

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Composers and Their Music

The Music of Hugh Wood (review)

pp. 82-84 | DOI: 10.1353/not.0.0208

Michael Hooper

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The Unknown Schubert (review)

pp. 84-87 | DOI: 10.1353/not.0.0205

John M. Gingerich

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Composers and Their Writings

Letters of Ralph Vaughan Williams 1895–1958 (review)

pp. 87-89 | DOI: 10.1353/not.0.0215

Julian Onderdonk

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Camille Saint-Saëns on Music and Musicians (review)

pp. 89-91 | DOI: 10.1353/not.0.0204

David Gilbert

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Instruments

Valved Brass: The History of an Invention (review)

pp. 91-94 | DOI: 10.1353/not.0.0206

David M. Guion

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Early Twentieth-Century Brass Idioms: Art, Jazz, and Other Popular Traditions (review)

pp. 94-95 | DOI: 10.1353/not.0.0209

Martin D. Jenkins

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Die Laute in Europa: Geschichte und Geschichten zum Geniessen [The Lute in Europe: A History to Delight] (review)

pp. 96-98 | DOI: 10.1353/not.0.0200

David Dolata

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Bibliography

A Cellist’s Companion: A Comprehensive Catalogue of Cello Literature (review)

pp. 98-100 | DOI: 10.1353/not.0.0213

Stephen Mantz

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Orchestral “Pops” Music: A Handbook (review)

pp. 100-101 | DOI: 10.1353/not.0.0212

Greg MacAyeal

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Books Recently Published

Books Recently Published

pp. 102-123 | DOI: 10.1353/not.0.0217

Julia Graepel, Karen R. Little

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New Periodicals

New Periodicals

pp. 124-128 | DOI: 10.1353/not.0.0218

Liza Vick

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Digital Media Reviews

Oxford Music Online (review)

pp. 129-131 | DOI: 10.1353/not.0.0221

John Wagstaff

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Jazz Discography Online (review)

pp. 132-138 | DOI: 10.1353/not.0.0219

Michael Fitzgerald

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Pandora (review)

pp. 138-142 | DOI: 10.1353/not.0.0220

Anne Shelley

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Video Reviews

Ken Russell: Musical Mythmaker

pp. 143-163 | DOI: 10.1353/not.0.0222

Michael Adams

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Music Reviews

Pachelbel Outside the Canon

pp. 164-166 | DOI: 10.1353/not.0.0226

Steven Zohn

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Victorian Overtures

pp. 166-168 | DOI: 10.1353/not.0.0225

Nicholas Temperley

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A Well-Traveled Concerto

pp. 168-170 | DOI: 10.1353/not.0.0224

Peter Horton

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Choleric and Crimson Clusters

pp. 170-171 | DOI: 10.1353/not.0.0223

Philipp Blume

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Music Received

Music Received

pp. 172-181 | DOI: 10.1353/not.0.0227

David Knapp

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Music Publishers' Catalogs

Music Publishers’ Catalogs

pp. 182-184 | DOI: 10.1353/not.0.0228

George R. Hill

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