Volume 65, Number 3, March 2009

Table of Contents

MLA-L at Twenty

pp. 433-463 | DOI: 10.1353/not.0.0146

Richard Griscom

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Copyright and Historical Sound Recordings: Recent Efforts to Change U.S. Law

pp. 464-474 | DOI: 10.1353/not.0.0109

Tim Brooks

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Are We on the Right Track?: Issues with LP Record Collections in U.S. Academic Libraries

pp. 475-486 | DOI: 10.1353/not.0.0116

Andrea Imre, Elizabeth J. Cox

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Notes for Notes

pp. 487-488 | DOI: 10.1353/not.0.0123

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Book Reviews
Edited By Robert Follet

Music Reference

Chambonnières, A Thematic Catalogue: The Complete Works of Jacques Champion de Chambonnières (1601/02–1672) (review)

pp. 489-491 | DOI: 10.1353/not.0.0130

Stuart Cheney

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Maestros in America: Conductors in the 21st Century (review)

pp. 491-493 | DOI: 10.1353/not.0.0134

Michael Mauskapf

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A Conductor's Guide to Nineteenth-Century Choral-Orchestral Works (review)

pp. 493-495 | DOI: 10.1353/not.0.0137

James Deffenbaugh

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Music Cataloging

Uniform Titles for Music, and: Shelflisting Music: Guidelines for Use with the Library of Congress Classification: M (review)

pp. 495-497 | DOI: 10.1353/not.0.0111

G. Dale Vargason

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Records and Recording

Inside the Recording Studio: Working with Callas, Rostropovich, Domingo and the Classical Elite (review)

pp. 497-498 | DOI: 10.1353/not.0.0120

Richard LeSueur

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Renaissance Music and Musicians

Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance (review)

pp. 498-500 | DOI: 10.1353/not.0.0127

Laura Macy

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Editing Music in Early Modern Germany (review)

pp. 500-503 | DOI: 10.1353/not.0.0125

Susan Forscher Weiss

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Eighteenth-Century Music

Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity (review)

pp. 503-505 | DOI: 10.1353/not.0.0148

Bertil van Boer

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Inside Beethoven's Quartets: History, Performance, Interpretation (review)

pp. 505-507 | DOI: 10.1353/not.0.0118

Robin Wallace

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Twentieth-Century Music

Alban Berg and Hanna Fuchs: The Story of a Love in Letters (review)

pp. 507-510 | DOI: 10.1353/not.0.0141

Bryan R. Simms

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Peter Sculthorpe: The Making of an Australian Composer (review)

pp. 510-512 | DOI: 10.1353/not.0.0113

Deborah Hayes

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Music in France

French Music, Culture, and National Identity, 1870–1939 (review)

pp. 512-515 | DOI: 10.1353/not.0.0143

Brian Doherty

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African Music and Musicians

Keeping the Embers Alive: Musicians of Zimbabwe (review)

pp. 515-516 | DOI: 10.1353/not.0.0106

Ron Emoff

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Musical Instruments

Origins and Development of Musical Instruments (review)

pp. 516-518 | DOI: 10.1353/not.0.0132

Susan Forscher Weiss

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Books Recently Published

Books Recently Published

pp. 519-536 | DOI: 10.1353/not.0.0139

Julia Graepel, Karen R. Little

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New Periodicals

New Periodicals

pp. 537-542 | DOI: 10.1353/not.0.0145

Liza Vick

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Digital Reviews
Edited By Paul Cary

DRAM (review)

pp. 543-546 | DOI: 10.1353/not.0.0108

Martin D. Jenkins

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ARTstor (review)

pp. 546-549 | DOI: 10.1353/not.0.0122

Eunice Schroeder

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American Music Center, and: Counterstream Radio, and: Newmusicbox (review)

pp. 549-551 | DOI: 10.1353/not.0.0115

Joan O'Connor

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Video Reviews
Leslie Anderson

The Full Monteverdi (review)

pp. 552-553 | DOI: 10.1353/not.0.0119

Alicia Doyle

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Maskarade, and: La cambiale di matrimonio, and: La pietra del paragone (review)

pp. 553-554 | DOI: 10.1353/not.0.0147

John Holland

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Tchaikovsky (review)

pp. 554-555 | DOI: 10.1353/not.0.0136

Michael Adams

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Doktor Faust (review)

pp. 555-556 | DOI: 10.1353/not.0.0131

Travis D. Stimeling

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Jean Sibelius, 1865-1957, and: Itzhak Perlman: Virtuoso Violinist (review)

pp. 556-557 | DOI: 10.1353/not.0.0129

Michael Adams

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Stravinsky: Once at a Border (review)

pp. 557-559 | DOI: 10.1353/not.0.0117

Joan O'Connor

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Pierre Henry—The Art of Sounds, and: Olivier Messiaen—La liturgie de cristal (review)

pp. 559-561 | DOI: 10.1353/not.0.0133

S. Andrew Granade

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King Priam (review)

pp. 561-562 | DOI: 10.1353/not.0.0140

Rob Haskins

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Blue Note: A Story of Modern Jazz, and: Play Your Own Thing: A Story of Jazz in Europe (review)

pp. 563-564 | DOI: 10.1353/not.0.0142

Larry Appelbaum

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Joe Zawinul: A Musical Portrait (review)

pp. 564-565 | DOI: 10.1353/not.0.0149

Michael Ashenfelder

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Bill Monroe: The Father of Bluegrass Music (review)

pp. 565-566 | DOI: 10.1353/not.0.0112

Randall Zwally

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The "Reichsorchester": The Berlin Philharmonic and the Third Reich (review)

pp. 566-567 | DOI: 10.1353/not.0.0144

Steve York

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Notes interdites: scènes de la vie musicale en Russie soviétique (review)

pp. 567-570 | DOI: 10.1353/not.0.0110

Joan O'Connor

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Transcriptions (review)

p. 570 | DOI: 10.1353/not.0.0138

Steve York

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Gran Fanfare (review)

p. 571 | DOI: 10.1353/not.0.0126

Jim Farrington

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Howard Goodall's Big Bangs (review)

pp. 571-572 | DOI: 10.1353/not.0.0124

Travis D. Stimeling

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Music Reviews
Edited By John Wagstaff

Monophonic Tropes and Conductus of W1: The Tenth Fascicle (review)

pp. 573-575 | DOI: 10.1353/not.0.0121

Thomas B. Payne

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Sinfonietta pro maly´ orchestr = for chamber orchestra (review)

pp. 575-577 | DOI: 10.1353/not.0.0107

Byron Adams

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Weimarer Orgeltabulatur: Die frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart. Mit Werken von Dietrich Buxtehude, Johann Adam Reinken und Johann Pachelbel, and: Deutsche Orgel- und Claviermusik der Bach-Zeit: Werke in Erstausgaben = German Organ and Keyboard Music from Bach's Period: Collection of First Editions, and: 3ème symphonie, op. 28 (1911), and: Die grossen Partiten = The Large-scale Partitas (review)

pp. 577-581 | DOI: 10.1353/not.0.0114

Peter Ward Jones

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Music Received

Music Received

pp. 582-588 | DOI: 10.1353/not.0.0128

David Knapp

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Music Publishers' Catalogs

Music Publishers' Catalogs

pp. 589-593 | DOI: 10.1353/not.0.0135

George R. Hill

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