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Volume 42, Numbers 3-4, Spring-Summer 2014

Table of Contents

Articles

Alfred de Musset et les beaux-arts: Le poète en critique “sympathique”

pp. 159-175 | DOI: 10.1353/ncf.2014.0025

Prosper Mérimée’s Improvisatrice: The Voice of Corsican Lament in Colomba

pp. 176-189 | DOI: 10.1353/ncf.2014.0031

La dramaturgie lamartinienne ou le postcolonial avant la lettre: Le marronnage comme résistance dans Toussaint Louverture

pp. 190-205 | DOI: 10.1353/ncf.2014.0003

Keys: Press and Privacy in the Goncourts’ Charles Demailly

pp. 206-220 | DOI: 10.1353/ncf.2014.0008

The “Accidental Murderer”: Jury Acquittal in Maupassant’s Crime Stories

pp. 221-234 | DOI: 10.1353/ncf.2014.0013

“À nous deux,” Balzac: Barrès’s Les Déracinés, and the Ghosts of La Comédie humaine

pp. 235-249 | DOI: 10.1353/ncf.2014.0018

Driving Us Crazy: Fast Cars, Madness, and the Avant-Garde in Octave Mirbeau’s La 628-e 8

pp. 250-263 | DOI: 10.1353/ncf.2014.0023

Reviews

Balzac Insolite

À l’écoute du jeune Balzac. L’écho des premières œuvres publiées (1822–1829) by Roland Chollet, and Stéphane Vachon (review)

pp. 264-265 | DOI: 10.1353/ncf.2014.0029

Balzac occulte: Alchimie, magnétisme, sociétés secrètes by Anne-Marie Baron (review)

pp. 266-267 | DOI: 10.1353/ncf.2014.0001

L’Année balzacienne 2012: Balzac, fantastique fantaisiste? Situations de la fantaisie balzacienne by Michel Lichtlé, Max Andréoli, et al., eds. (review)

pp. 267-268 | DOI: 10.1353/ncf.2014.0006

Reading, Literacy, and the Press

The Writing Culture of Ordinary People in Europe, c. 1860–1920 by Martyn Lyons (review)

pp. 268-270 | DOI: 10.1353/ncf.2014.0011

Women Readers in French Painting 1870–1890: A Source for the Imagination by Kathryn Brown (review)

pp. 270-272 | DOI: 10.1353/ncf.2014.0016

L’Imaginaire médiatique. Histoire et fiction du journal au XIXe siècle by Guillaume Pinson (review)

pp. 272-273 | DOI: 10.1353/ncf.2014.0021

Remarkable Women in Art and Literature

Plumes et pinceaux. Discours des femmes sur l’art en Europe (1750–1850) by Mechthild Fend, Melissa Hyde, and Anne Lafont, eds., and: Plumes et pinceaux. Discours des femmes sur l’art en Europe (1750–1850)—Anthologie by Anne Lafont, ed., and: Women Art Critics in Nineteenth-Century France. Vanishing Acts by Wendelin Guentner, ed. (review)

pp. 274-276 | DOI: 10.1353/ncf.2014.0027

La Tradition des romans de femmes. XVIIIe–XIXe siècles by Catherine Mariette-Clot, and Damien Zanone, eds. (review)

pp. 276-279 | DOI: 10.1353/ncf.2014.0033

Poèmes choisis suivis d’Études critiques by Marie Krysinska (review)

pp. 279-280 | DOI: 10.1353/ncf.2014.0004

Studies in Exceptionalism

Heroes and Legends of Fin-de-siècle France: Gender, Politics, and National Identity by Venita Datta (review)

pp. 280-282 | DOI: 10.1353/ncf.2014.0009

The Subject of Murder: Gender, Exceptionality, and the Modern Killer by Lisa Downing (review)

pp. 282-284 | DOI: 10.1353/ncf.2014.0014

Voices from the Asylum: Four French Women Writers, 1850–1920 by Susannah Wilson (review)

pp. 284-285 | DOI: 10.1353/ncf.2014.0019

Artistic Cross-Pollination

L’Autre théâtre romantique by Olivier Bara and Barbara T. Cooper, eds. (review)

pp. 286-287 | DOI: 10.1353/ncf.2014.0024

L’Âge des cénacles: Confraternités littéraires et artistiques au XIXe siècle by Anthony Glinoer, and Vincent Laisney (review)

pp. 287-289 | DOI: 10.1353/ncf.2014.0030

The Collector in Nineteenth-Century French Literature: Representation, Identity, Knowledge by Emma Bielecki (review)

pp. 289-290 | DOI: 10.1353/ncf.2014.0002

La Littérature à l’ombre: Sociologie du zutisme by Denis Saint-Amand (review)

pp. 291-292 | DOI: 10.1353/ncf.2014.0007

The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu by Marieke Dubbelboer (review)

pp. 293-294 | DOI: 10.1353/ncf.2014.0012

Sensual Aesthetics

Ut musica poesis. Modèle musical et enjeux poétiques de Baudelaire à Mallarmé (1857–1897) by Florent Albrecht (review)

pp. 295-296 | DOI: 10.1353/ncf.2014.0017

Formal Revolution in the Work of Baudelaire and Flaubert by Kathryn Oliver Mills (review)

pp. 296-298 | DOI: 10.1353/ncf.2014.0022

Verlaine: La parole ou l’oubli by Yann Frémy (review)

pp. 298-299 | DOI: 10.1353/ncf.2014.0028

“Femmes damnées.” Saphisme et poésie (1846–1889) by Myriam Robic (review)

pp. 300-301 | DOI: 10.1353/ncf.2014.0000

Renée Vivien, une femme de lettres entre deux siècles (1877–1909) by Nicole G. Albert, and Brigitte Rollet, eds. (review)

pp. 301-303 | DOI: 10.1353/ncf.2014.0005

De l’esthétisme au modernisme. Théophile Gautier, Ezra Pound by Christopher Bains (review)

pp. 303-304 | DOI: 10.1353/ncf.2014.0010

Remise en Question des Generes

Théophile Gautier: Une écriture paradoxale de l’histoire by Martine Lavaud, and Corinne Saminadayar-Perrin, eds. (review)

pp. 305-306 | DOI: 10.1353/ncf.2014.0015

Remy de Gourmont créateur de formes. Dépassement du genre littéraire et modernisme à l’aube du XXe siècle by Alexia Kalantzis (review)

pp. 307-308 | DOI: 10.1353/ncf.2014.0020

Difference Unbound: The Rise of Pluralism in Literature and Criticism by Stamos Metzidakis (review)

pp. 308-309 | DOI: 10.1353/ncf.2014.0026

Index

Nineteenth-Century French Studies: Fall 2013–Summer 2014 / Volume 42 Numbers 1–4

pp. 310-318 | DOI: 10.1353/ncf.2014.0032

Research Areas

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