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Table of Contents

  1. The Uses of the Philosophy of G. E. Moore in the Works of E. M. Forster
  2. David Sidorsky
  3. pp. 245-271
  4. DOI: https://doi.org/10.1353/nlh.2007.0035
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  1. Walter Map: Authorship and the Space of Writing
  2. Robert Edwards
  3. pp. 273-292
  4. DOI: https://doi.org/10.1353/nlh.2007.0030
  5. restricted access
  1. Who Is Speaking in Traditional Texts? On the Distributed Author of the Sagas of Icelanders and Serbian Epic Poetry
  2. Slavica Ranković
  3. pp. 293-307
  4. DOI: https://doi.org/10.1353/nlh.2007.0033
  5. restricted access
  1. Renaissance Lyrics and Their Situations
  2. Paul J. Alpers
  3. pp. 309-331
  4. DOI: https://doi.org/10.1353/nlh.2007.0026
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  1. Democracy's "Lawless Music": The Whitmanian Moment in the U.S. Construction of Representative Literariness
  2. Günter Leypoldt
  3. pp. 333-352
  4. DOI: https://doi.org/10.1353/nlh.2007.0032
  5. restricted access
  1. Literary History and the Sublime in Erich Auerbach's Mimesis
  2. Robert Doran
  3. pp. 353-369
  4. DOI: https://doi.org/10.1353/nlh.2007.0029
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  1. From Redescription to Writing: Rorty, Barthes, and the Idea of a Literary Culture
  2. Ulf Schulenberg
  3. pp. 371-387
  4. DOI: https://doi.org/10.1353/nlh.2007.0034
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  1. Against the Novel\-\-Meaning and History in Roland Barthes's Le degré zéro de l'écriture
  2. Daniel Just
  3. pp. 389-403
  4. DOI: https://doi.org/10.1353/nlh.2007.0031
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  1. Contributors
  3. pp. 405-406
  4. DOI: https://doi.org/10.1353/nlh.2007.0028
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  1. Books Received
  3. pp. 407-409
  4. DOI: https://doi.org/10.1353/nlh.2007.0027
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