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Volume 43, Number 3, Summer 2012

Table of Contents

In the Mood

Introduction

pp. v-xii | DOI: 10.1353/nlh.2012.0029

In the Mood for Thought: Feeling and Thinking in Philosophy

pp. 395-417 | DOI: 10.1353/nlh.2012.0031

Moods and the Meaning of Philosophy

pp. 419-431 | DOI: 10.1353/nlh.2012.0033

Thought in the Strenuous Mood: Pragmatism as a Philosophy of Feeling

pp. 433-454 | DOI: 10.1353/nlh.2012.0023

Art Moods and Human Moods in Narrative Cinema

pp. 455-475 | DOI: 10.1353/nlh.2012.0025

Towards a Phenomenology of Cinematic Mood: Boredom and the Affect of Time in Antonioni’s L’eclisse

pp. 477-501 | DOI: 10.1353/nlh.2012.0027

How A Revolutionary Counter-Mood Is Made

pp. 503-525 | DOI: 10.1353/nlh.2012.0028

In the Mood for Revolution: Emma Goldman’s Passion

pp. 527-545 | DOI: 10.1353/nlh.2012.0030

The Languorous Critic

pp. 547-564 | DOI: 10.1353/nlh.2012.0032

Precocious Jouissance: Roland Barthes, Amatory Maladjustment, and Emotion

pp. 565-582 | DOI: 10.1353/nlh.2012.0034

Contributors

pp. 583-584 | DOI: 10.1353/nlh.2012.0024

Books Received

pp. 585-586 | DOI: 10.1353/nlh.2012.0026

Research Areas

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