+ MUSE Alert

In this Issue

Table of Contents

  1. Editors' Notes: Notai na nEagarthoiri
  2. Thomas Dillon Redshaw
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/nhr.2002.0028
  5. restricted access
  1. Green Again: Irish-American Lace-Curtain Satire
  2. W. H. A. Williams
  3. pp. 9-24
  4. DOI: https://doi.org/10.1353/nhr.2002.0023
  5. restricted access
  1. Heaney, Caedmon, Beowulf
  2. Joseph McGowan
  3. pp. 25-42
  4. DOI: https://doi.org/10.1353/nhr.2002.0035
  5. restricted access
  1. Filiocht Nua: New Poetry
  2. Dennis O'Driscoll
  3. pp. 43-52
  4. DOI: https://doi.org/10.1353/nhr.2002.0037
  5. restricted access
  1. Writing Twentieth-Century Irish History: Mutabilitie (1997)
  2. Anne MacCarthy
  3. pp. 65-81
  4. DOI: https://doi.org/10.1353/nhr.2002.0034
  5. restricted access
  1. The Spanish Armada, Ireland, and Spenser's The Faerie Queene
  2. Thomas Herron
  3. pp. 83-105
  4. DOI: https://doi.org/10.1353/nhr.2002.0031
  5. restricted access
  1. The Narrative Art of Jack B. Yeats's Sligo and Sailing, Sailing Swiftly
  2. Joseph F. Connelly
  3. pp. 106-117
  4. DOI: https://doi.org/10.1353/nhr.2002.0026
  5. restricted access
  1. International Auteurs and Local Amateurs: Irish Theater, 2001
  2. Fionnuala Gallagher, June Favre, Laura Mulcahy, Lucia Nicoletti
  3. pp. 118-129
  4. DOI: https://doi.org/10.1353/nhr.2002.0029
  5. restricted access
  1. Twelve Irish Artists: A School of Irish Painting?
  2. Sighle Bhreathnach-Lynch
  3. pp. 130-134
  4. DOI: https://doi.org/10.1353/nhr.2002.0025
  5. restricted access
  1. The Color of Ireland: Twelve Irish Artists
  2. Brendan Rooney
  3. pp. 134-138
  4. DOI: https://doi.org/10.1353/nhr.2002.0039
  5. restricted access
  1. Thomas Bodkin, Arts Policy, and Exile
  2. Anne Kelly
  3. pp. 138-142
  4. DOI: https://doi.org/10.1353/nhr.2002.0033
  5. restricted access
  1. Twelve Irish Artists Described
  2. Thomas Dillon Redshaw
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/nhr.2002.0038
  5. restricted access
  1. The Crowned Harp: Policing Northern Ireland (review)
  2. Ryan D. Dye
  3. pp. 146-149
  4. DOI: https://doi.org/10.1353/nhr.2002.0024
  5. restricted access
  1. Women and Paid Work in Ireland, 1500-1930 (review)
  2. Nainsi J. Houston
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/nhr.2002.0032
  5. restricted access
  1. Searching for John Ford (review)
  2. Tony, 1946 Jan. 11- Williams
  3. pp. 150-152
  4. DOI: https://doi.org/10.1353/nhr.2002.0022
  5. restricted access
  1. Francis Stuart: Face to Face: A Critical Study (review)
  2. Brad Thomas
  3. pp. 152-153
  4. DOI: https://doi.org/10.1353/nhr.2002.0020
  5. restricted access
  1. Dialogues in the Margin: A Study of the Dublin University Magazine (review)
  2. David M. Gardiner
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/nhr.2002.0030
  5. restricted access
  1. Catherine Hayes: The Hibernian Prima Donna (review)
  2. Molly Crothers
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/nhr.2002.0027
  5. restricted access
  1. Reading William Kennedy (review)
  2. Christian Michener
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/nhr.2002.0036
  5. restricted access
  1. Beckett, Late Modernism, and Bernard MacLaverty's Grace Notes
  2. Stephen Watt
  3. pp. 53-64
  4. DOI: https://doi.org/10.1353/nhr.2002.0021
  5. restricted access