+ MUSE Alert

In this Issue

Table of Contents

  1. Daire Nua: The New Oak Grove
  2. Elizabeth Creely
  3. pp. 9-15
  4. DOI: https://doi.org/10.1353/nhr.2011.0059
  5. restricted access
  1. America Called: The Helen Hackett Gallery and the Irish Art Rooms, 1924–1934
  2. Éimear O’Connor
  3. pp. 16-33
  4. DOI: https://doi.org/10.1353/nhr.2011.0062
  5. restricted access
  1. When Parents Die: John Montague and Paul Durcan’s Poetics of Loss and Recovery
  2. Barry Sloan
  3. pp. 34-52
  4. DOI: https://doi.org/10.1353/nhr.2011.0046
  5. restricted access
  1. Filíocht Nua: New Poetry
  2. Joan McBreen
  3. pp. 53-57
  4. DOI: https://doi.org/10.1353/nhr.2011.0049
  5. restricted access
  1. Competing Claims of Family and Nation: Introducing The Troubled House
  2. Karen Steele
  3. pp. 58-63
  4. DOI: https://doi.org/10.1353/nhr.2011.0064
  5. restricted access
  1. Rosamond Jacob: An “Ordinary” Woman in the Early Free State
  2. Leeann Lane
  3. pp. 64-69
  4. DOI: https://doi.org/10.1353/nhr.2011.0048
  5. restricted access
  1. Rosamond Jacob and the Hidden Histories of Irish Writing
  2. Gerardine Meaney
  3. pp. 70-74
  4. DOI: https://doi.org/10.1353/nhr.2011.0051
  5. restricted access
  1. The Sinn Féin Millionaire: James O’Mara and the First American Bond-Certificate Drive, 1919–1921
  2. Stephen Kelly
  3. pp. 75-94
  4. DOI: https://doi.org/10.1353/nhr.2011.0052
  5. restricted access
  1. “If All the Sky Were Paper and All the Sea Were Ink”: Tim Robinson’s Linguistic Ecology
  2. Karen Babine
  3. pp. 95-110
  4. DOI: https://doi.org/10.1353/nhr.2011.0055
  5. restricted access
  1. Aeneas in Baile Beag: Friel’s Translations, The Aeneid, and the Humanism of the Field Day Theatre Company
  2. Patrick Maley
  3. pp. 111-126
  4. DOI: https://doi.org/10.1353/nhr.2011.0058
  5. restricted access
  1. Printing the Legend of John Ford’s The Informer
  2. Daniel Moran
  3. pp. 127-143
  4. DOI: https://doi.org/10.1353/nhr.2011.0061
  5. restricted access
  1. Writing the Irish West: Ecologies and Traditions (review)
  2. Andrew J. Auge
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/nhr.2011.0054
  5. restricted access
  1. Irish Appropriation of Greek Tragedy (review)
  2. Amy Muse
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/nhr.2011.0057
  5. restricted access
  1. The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945 (review)
  2. Andrew J. Scheiber
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/nhr.2011.0060
  5. restricted access
  1. Inside Ireland’s Women’s Prisons Past and Present (review)
  2. Sarah McNeely
  3. pp. 152-154
  4. DOI: https://doi.org/10.1353/nhr.2011.0063
  5. restricted access
  1. Other Edens: The Life and Work of Brian Coffey (review)
  2. Nathaniel Myers
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/nhr.2011.0047
  5. restricted access
  1. A Hundred Doors (review)
  2. Richard Rankin Russell
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/nhr.2011.0050
  5. restricted access
  1. Clúdach: Cover
  3. p. 159
  4. DOI: https://doi.org/10.1353/nhr.2011.0053
  5. restricted access
  1. Nótaí na nEagarthóirí: Editors’ Notes
  3. pp. 5-8
  4. DOI: https://doi.org/10.1353/nhr.2011.0056
  5. restricted access