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Table of Contents

  1. Editor’s Note
  3. pp. 6-8
  4. DOI: https://doi.org/10.1353/ner.2014.0082
  5. restricted access
  1. House of String, and Light Like Water
  2. Elizabeth Spires
  3. pp. 9-11
  4. DOI: https://doi.org/10.1353/ner.2014.0087
  5. restricted access
  1. Stuttering Cities
  2. Valeria Luiselli, Christina MacSweeney
  3. pp. 12-16
  4. DOI: https://doi.org/10.1353/ner.2014.0063
  5. restricted access
  1. Stereopticon
  2. Glen Pourciau
  3. pp. 17-25
  4. DOI: https://doi.org/10.1353/ner.2014.0068
  5. restricted access
  1. Aquarium, and Birthmark
  2. William Fargason
  3. pp. 26-27
  4. DOI: https://doi.org/10.1353/ner.2014.0072
  5. restricted access
  1. At the Bedside
  2. Ricardo Nuila
  3. pp. 28-37
  4. DOI: https://doi.org/10.1353/ner.2014.0076
  5. restricted access
  1. Critique of Judgment, and The Apples
  2. Troy Jollimore
  3. pp. 38-39
  4. DOI: https://doi.org/10.1353/ner.2014.0080
  5. restricted access
  1. Unsafe at Any Speed
  2. Laura Lee Smith
  3. pp. 40-59
  4. DOI: https://doi.org/10.1353/ner.2014.0085
  5. restricted access
  1. Dear Gun, and Master Sommelier Blind-Tastes a Glass of Water
  2. David Hernandez
  3. pp. 60-62
  4. DOI: https://doi.org/10.1353/ner.2014.0061
  5. restricted access
  1. The Itchy Glowbo Blues
  2. Joshua Harmon
  3. pp. 63-77
  4. DOI: https://doi.org/10.1353/ner.2014.0066
  5. restricted access
  1. Braided Between the Broken
  2. Kelli Russell Agodon
  3. pp. 78-79
  4. DOI: https://doi.org/10.1353/ner.2014.0070
  5. restricted access
  1. Sharpened Light: On Larkin’s “Sad Steps”
  2. Jehanne Dubrow
  3. pp. 80-85
  4. DOI: https://doi.org/10.1353/ner.2014.0074
  5. restricted access
  1. Feedback
  2. David Guterson
  3. pp. 86-97
  4. DOI: https://doi.org/10.1353/ner.2014.0078
  5. restricted access
  1. Rogier van der Weyden and James Ensor: Line and Its Deformation
  2. Francis-Noël Thomas
  3. pp. 98-108
  4. DOI: https://doi.org/10.1353/ner.2014.0083
  5. restricted access
  1. Caught, and Ministry of Ostriches
  2. Rebecca Morgan Frank
  3. pp. 109-110
  4. DOI: https://doi.org/10.1353/ner.2014.0059
  5. restricted access
  1. Wagner Overthrows the Gods
  2. Rüdiger Safranski, Robert E. Goodwin
  3. pp. 111-122
  4. DOI: https://doi.org/10.1353/ner.2014.0064
  5. restricted access
  1. Devi: The Goddess
  2. Elizabeth T. Gray Jr.
  3. p. 123
  4. DOI: https://doi.org/10.1353/ner.2014.0069
  5. restricted access
  1. Spring, and By Force
  2. Carl Phillips
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/ner.2014.0073
  5. restricted access
  1. Two Old Friends, and Always the Sea
  2. Esther Tusquets, Barbara F. Ichiishi
  3. pp. 126-134
  4. DOI: https://doi.org/10.1353/ner.2014.0077
  5. restricted access
  1. Shearwater, and Anemones
  2. Rachel Richardson
  3. pp. 135-136
  4. DOI: https://doi.org/10.1353/ner.2014.0081
  5. restricted access
  1. Tanglewood
  2. Polly Rosenwaike
  3. pp. 137-146
  4. DOI: https://doi.org/10.1353/ner.2014.0086
  5. restricted access
  1. The Haircut
  2. Larry I. Palmer
  3. pp. 147-156
  4. DOI: https://doi.org/10.1353/ner.2014.0062
  5. restricted access
  1. Lux Australis
  2. Campbell McGrath
  3. p. 157
  4. DOI: https://doi.org/10.1353/ner.2014.0067
  5. restricted access
  1. Shared Room on Union
  2. Steven Heighton
  3. pp. 158-168
  4. DOI: https://doi.org/10.1353/ner.2014.0071
  5. restricted access
  1. Thursdays at La Giralda
  2. Juan José Saer, Steve Dolph
  3. pp. 169-177
  4. DOI: https://doi.org/10.1353/ner.2014.0075
  5. restricted access
  1. Portrait of my family as a pack of cigarettes
  2. Melissa Stein
  3. p. 178
  4. DOI: https://doi.org/10.1353/ner.2014.0079
  5. restricted access
  1. The Holy Grail
  2. Kathryn Kramer
  3. pp. 179-187
  4. DOI: https://doi.org/10.1353/ner.2014.0084
  5. restricted access
  1. New York After Paris
  2. W. C. Brownell
  3. pp. 188-193
  4. DOI: https://doi.org/10.1353/ner.2014.0060
  5. restricted access
  1. Contributors’ Notes
  3. pp. 194-198
  4. DOI: https://doi.org/10.1353/ner.2014.0065
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