Abstract

Hannah Semer broke through the glass ceiling and glass walls of her profession in a way no other Israeli female journalist had done before. This paper seeks to examine Semer’s dual identities as a woman and a journalist and to analyze the nature of these two identities as evidenced in her work, by considering the following questions: What obstacles did Semer face as a woman in her profession and, more specifically, in positions assumed to be within exclusively male domains? How did she cope with these obstacles? Did she experience significant tension between the cultural definitions of femininity and of professionalism? And if she did, how did this sense of discord find expression in her work, and how did she resolve the tension and disharmony inherent in being a woman journalist? These questions are relevant to the discussion of relations between women and journalism both in Israel and worldwide.

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