Table of Contents

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Mutual Exclusion, Oscillation, and Ethical Projection in The Crying of Lot 49 and The Turn of the Screw
pp. 223-255
The Paradox of Fiction and the Ethics of Empathy: Reconceiving Dickens's Realism
pp. 256-278
Violations of Mimetic Epistemology in First-Person Narrative Fiction
pp. 279-297
Narrative Means to Lyric Ends in Wordsworth's Prelude
pp. 298-330
Tom and Vivien Eliot Do Narrative in Different Voices: Mixing Genres in The Waste Land's Pub
pp. 331-358