Contents, Vol. 94

February

Seth J. Coluzzi: ‘Se vedesti qui dentro’: Monteverdi’s ‘O mirtillo, mirtillo anima mia’ and Artusi’s Offence	1
Keith Johnston: Molière, Descartes, and the Practice of Comedy in the Intermezzo	38
Benedict Taylor: Temporality in Nineteenth-Century Russian Music and the Notion of Development	78
Carlo Cenciarelli: ‘What never was has ended’: Bach, Bergman, and the Beatles in Christopher Münch’s ‘The Hours and Times’	119
Christopher Wintle: Music Immutable: Heinrich Schenker’s ‘Der Tonwille’ in Translation	138

May

Michael Talbot: Some Notes on the Life of Jacob Cervetto	207
Scott M. Sanders: Sound and Sensibility in Diderot’s ‘Le Neveu de Rameau’	237
Michael Fend: Romantic Empowerment at the Paris Opera in the 1770s and 1780s	263
Thomas Irvine: Normality and Emplotment: Walter Leigh’s ‘Midsummer Night’s Dream’ in the Third Reich and Britain	295
Kate Guthrie: Soundtracks to the ‘People’s War’	324

August

David Maw: ‘Bona cadentia dictaminum’: Reconstructing Word Setting in Machaut’s Songs	383
Stefanie Beghein: ‘The famous and new Italian taste’: The Dissemination of Italian Sacred Music in the Southern Netherlands,1675–1755	433
Elisabeth Le Guin: ‘The glory of having a national music’: A Translation of and Critical Commentary on the First Two Sections of José Subirá’s ‘La tonadilla escénica: Sus obras y sus autores’ (1933)	452
David J. Code: Plus ça change . . . : Thinking again about Debussy and Ravel	511

November

J. Andreas Loewe: ‘Musica est optimum’: Martin Luther’s Theory of Music	573
Matthew Mugmon: Beyond the Composer-Conductor Dichotomy: Bernstein’s Copland-Inspired Mahler Advocacy	606
Eric Clarke, Mark Doffman, and Liza Lim: Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim’s ‘Tongue of the Invisible’	628
Ben Earle: The Politics of the New Music	664

February–November

Reviews (for index, see pp. iii–v)	146, 334, 519, 672
Correspondence	201, 566, 728
Recipients of ‘Music & Letters’ Awards	202
The Westrup Prize	730