In lieu of an abstract, here is a brief excerpt of the content:

  • Recipients of ‘Music & Letters’ Awards

The Editorial Board has made grants to the following towards costs in connection with the projects indicated: Avior Byron, for translation costs with regard to the forthcoming book Schoenberg in Words: Teachings, Correspondence and Other Writings (1890–1951); Rachel Cowgill, towards the cost of indexing Rachel Cowgill and Hilary Poriss (eds.) The Arts of the Prima Donna in the Long Nineteenth Century (NewYork: Oxford University Press, forthcoming 2012); Katherine Fry towards her attendance at the annual meeting of the American Musicological Society in San Francisco, 10–13 November 2011; Sarah Hibberd, for the costs of organizing the conference ‘Opera as Spectacle: Staging Practices in France and Italy during the Nineteenth Century’ at the Institute of Musical Research, London, 25–6 June 2012; Hettie Malcomson, for conference fee and travel to the Society for Ethnomusicology Annual conference, Philadelphia, 17–20 November 2011; Kirsten Paige, to attend the Royal Musical Association conference ‘Love to Death: Transforming Opera’, Cardiff, 31 May–2 June 2012; Clair Rowden, towards the costs of organizing the conference ‘Love to Death: Transforming Opera’, Cardiff, 31 May–2 June 2012; Derek Scott, towards the organization of the conference ‘The Theory, Practice and Business of Opera Today’, University of Leeds, 12–14 April 2012; Gemma Watson, for bursaries to enable students to attend the conference ‘Writing the Lives of People and Things, ad 500–1700: An Interdisciplinary Conference, Chawton House, Hants, 1–2 March 2012; Katherine Williams, to attend the conference ‘Rhythm Changes: Jazz and National Identity’, at the Conservatory of Amsterdam, 1–4 September 2011; Christopher Wilson, to attend the Royal Musical Association Research Students’ conference at the University of Hull, 5–7 January 2012.

...

pdf

Share