Contributors
- Authors of Articles in this Issue
Peter Dickinson is Emeritus Professor at the University of Keele, where he set up the Department of Music and its Centre for American Music in 1974, and at the University of London. He was Head of Music at the Institute of United States Studies, University of London, until 2004. There are four CDs of his music available on Albany: his books include studies of Lennox Berkeley, Billy Mayerl, Copland, and Cage.
Elissa S. Guralnick is Professor of English at the University of Colorado at Boulder. Her publications include essays in Victorian Poetry, Studies in Burke, Eire-Ireland, Virginia Quarterly, and PMLA. One chapter of her book Sight Unseen: Beckett, Pinter, Stoppard, and Other Contemporary Dramatists on Radio addresses the musical dimension of radio drama.
Sarah Hibberd is Lecturer in Music at the University of Nottingham. She has published on French and Italian opera and on melodrama in the first half of the nineteenth century, and is currently working on a monograph exploring grand opera and the historical imagination in July Monarchy Paris.
Joseph Kerman is Professor Emeritus at the University of California at Berkeley. Among his books are Opera as Drama, The Masses and Motets of William Byrd, Musicology, and most recently The Art of Fugue: Bach Fugues for Keyboard, 1715–50.
John Potter was a member of the Hilliard Ensemble for eighteen years before taking a position at the University of York, where he is Reader in Music. He currently sings with Red Byrd, the Dowland Project, and the Gavin Bryars Ensemble. He is the author of Vocal Authority and the editor of The Cambridge Companion to Singing (both Cambridge University Press); he is currently working on a history of singing (with Neil Sorrell) and a monograph on the tenor voice.
