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In this Issue

Table of Contents

  1. Bad Latin, Bad Manners: Giovanni Battista Doni, Marin Mersenne, and Literary Style in Seventeenth-Century Music Theory
  2. Eric Bianchi
  3. pp. 167-184
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  1. Pauline Viardot, Travelling Virtuosa
  2. Hilary Poriss
  3. pp. 185-208
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  1. Early Music in Francoist Spain: Higini Anglès and the Exiles
  2. Eva Moreda Rodríguez
  3. pp. 209-227
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  1. Convergences and Discord in the Correspondence between Ligeti and Adorno
  2. Peter Edwards
  3. pp. 228-258
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  1. The Beauty of Paper Flowers
  2. Jonathan Hicks
  3. pp. 259-266
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  1. On Music: An Arabic Critical Edition and English Translation of Epistle 5 ed. by Owen Wright, and: Music Theory in Mamluk Cairo: The ġāyat al-matlūb fī ‘ilm al-adw ār wa-’l- durūb by Ibn Kurr by Owen Wright (review)
  2. Charles Burnett
  3. pp. 267-269
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  1. Metrical Psalmody in Print and Practice: English ‘Singing Psalms’and Scottish ‘Psalm Buiks’, c.1547–1640 by Timothy Duguid (review)
  2. Nicholas Temperley
  3. pp. 269-271
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  1. Estudios. Tomás Luis de Victoria. Studies ed. by Javier Suárez-Pajares, Manuel del Sol (review)
  2. Esperanza Rodríguez-García
  3. pp. 272-274
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  1. The Lively Arts of the London Stage, 1675–1725 ed. by Kathryn Lowerre (review)
  2. Robert D Hume
  3. pp. 274-277
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  1. The Italian Cantata in Vienna: Entertainment in the Age of Absolutism by Lawrence Bennett (review)
  2. Carrie Churnside
  3. pp. 277-278
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  1. George Frideric Handel: A Life with Friends by Ellen T. Harris (review)
  2. Ilias Chrissochoidis
  3. pp. 278-279
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  1. Mozart’s Grace by Scott Burnham (review)
  2. David E. Schneider
  3. pp. 279-282
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  1. Dissonance in the Republic of Letters: The Querelle des Gluckistes et des Piccinnistes by Mark Darlow (review)
  2. Nathan John Martin
  3. pp. 282-285
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  1. Political Beethoven by Nicholas Mathew (review)
  2. James Parsons
  3. pp. 285-287
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  1. Tchaikovsky’s ‘Pathétique’ and Russian Culture by Marina Ritzarev (review)
  2. Rutger Helmers
  3. pp. 287-289
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  1. Breaking Time’s Arrow: Experiment and Expression in the Music of Charles Ives by Matthew McDonald (review)
  2. Christopher Bruhn
  3. pp. 289-291
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  1. Richard Batka: A hudební život Čechů v Praze na přelomu 19. a 20. století by Jiří Kopecký, Markéta Koptová, and: Kapitoly z historie německé hudební kultury v Ostravě 1860–1945 by Karel Steinmetz, Jan Mazurek, Hana Kubešová, and: At’ život náš jest harmonií. . . / Harmonie sei unser Leben by Gabriela Coufalová (review)
  2. John Tyrrell
  3. pp. 292-294
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  1. Nikolay Myaskovsky: The Conscience of Russian Music by Gregor Tassie (review)
  2. David Gutman
  3. pp. 294-295
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  1. Resonances of the Raj: India in the English Musical Imagination, 1897–1947 by Nalini Ghuman (review)
  2. Joanna Heath
  3. pp. 295-297
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  1. Constant Lambert: Beyond the Rio Grande by Stephen Lloyd, and: Sir George Dyson: His Life and Music by Paul Spicer (review)
  2. Stephen Banfield
  3. pp. 297-302
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  1. Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin (review)
  2. Arnold Whittall
  3. pp. 302-304
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  1. Musicality in Theatre: Music as Model, Method and Metaphor in Theatre-Making by David Roesner (review)
  2. Nicholas Till
  3. pp. 304-306
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  1. Mismatched Women: The Siren’s Song Through the Machine by Jennifer Fleeger (review)
  2. Marcia J. Citron
  3. pp. 306-309
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  1. The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond by Paul R. Laird (review)
  2. William A. Everett
  3. pp. 309-311
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  1. Music Asylums: Wellbeing through Music in Everyday Life by Tia DeNora (review)
  2. James Kennaway
  3. pp. 312-313
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  1. Dāphā: Sacred Singing in a South Asian City: Music, Performance and Meaning in Bhaktapur, Nepal by Richard Widdess (review)
  2. Anna Morcom
  3. pp. 313-315
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  1. Correspondence
  2. Olivia Bloechl
  3. p. 316
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  1. ‘Music & Letters’ Awards
  3. p. 319
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  1. Authors of Articles in This Issue
  3. p. 319
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  1. Books Received
  3. pp. 320-321
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