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Volume 94, Number 3, August 2013

Table of Contents

‘Bona cadentia dictaminum’: Reconstructing Word Setting in Machaut’s Songs

pp. 383-432

The famous and new Italian taste’: The Dissemination of Italian Sacred Music in the Southern Netherlands, 1675–1755

pp. 433-451

‘The glory of having a national music’: A Translation of and Critical Commentary on the First Two Sections of José Subirá’s ‘La tonadilla escénica: Sus obras y sus autores’ (1933)

pp. 452-486

La Tonadilla Escénica: Sus Obras Y Sus Autores

pp. 487-510

review-article

Plus ça change…: Thinking again about Debussy and Ravel

pp. 511-518

reviews

The Music Library of a Noble Florentine Family: A Catalogue Raisonné of Manuscripts and Prints of the 1720s to the 1850s collected by the Ricasoli Family now housed in the University of Louisville Music Library ed. by Susan Parisi, John Carr, Caterina Pampaloni, and Robert Lamar Weaver (review)

pp. 519-520

The Dramatic Symphony: Issues and Explorations from Berlioz to Liszt by Robert Tallant Laudon (review)

pp. 520-521

History in Mighty Sounds: Musical Constructions of German National Identity 1848–1914 by Barbara Eichner (review)

pp. 521-524

Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud by Ian Biddle, and: Music and the Politics of Negation by James R. Currie (review)

pp. 524-529

Portuguese Piano Music: An Introduction and Annotated Bibliography by Nancy Lee Harper (review)

pp. 529-531

Sea-changes: Melville–Forster–Britten: The Story of Billy Budd and its Operatic Adaptation by Hanna Rochlitz (review)

pp. 531-533

P. I. Chaykovsky—N. F. fon Mekk: Perepiska ed. by P. E. Vaydman (review)

pp. 533-536

Ravel Studies ed. by Deborah Mawer (review)

pp. 536-538

Music, Poetry, Propaganda: Constructing French Cultural Soundscapes at the BBC during the Second World War by Claire Launchbury (review)

pp. 538-541

Hans Werner Henze: Tristan (1973) by Stephen Downes (review)

pp. 541-543

Music in the USA: A Documentary Companion ed. by Judith Tick with Paul Beaudoin (review)

pp. 543-546

Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)

pp. 546-548

West End Broadway: The Golden Age of the American Musical in London by Adrian Wright (review)

pp. 548-550

The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror ed. by Joseph P. Fisher and Brian Flota (review)

pp. 550-552

Music and Displacement: Diasporas, Mobilities, and Dislocations in Europe and Beyond ed. by Erik Levi and Florian Scheding (review)

pp. 552-554

Hip-Hop Turntablism, Creativity and Collaboration by Sophy Smith, and: Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)

pp. 554-557

Music and Politics by John Street (review)

pp. 557-560

Musical Renderings of the Philippine Nation by Christi-Anne Castro (review)

pp. 560-563

Music in Pacific Island Cultures: Experiencing Music, Expressing Culture by Brian Diettrich, Jane Freeman Moulin, and Michael Webb (review)

pp. 563-565

Correspondence: To the Editors of ‘Music & Letters’

p. 566

David T. Bretherton replies:

p. 567

‘Music & Letters’ Awards

p. 569

Authors of Articles in this Issue

p. 569

Books Received

pp. 570-571

Research Areas

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