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In this Issue

Table of Contents

  1. Looking Back over the 'Missa L'Ardant Desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music
  2. Jason Stoessel
  3. pp. 311-342
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  1. Revisiting the Known and Unknown Misprints in Purcell's 'Dioclesian'
  2. Alon Schab
  3. pp. 343-356
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  1. Courting Gentility: Handel at the Bank of England
  2. Ellen T. Harris
  3. pp. 357-375
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  1. 'It just reeks of Italianism': Traces of Italian Opera in 'A Life for the Tsar'
  2. Rutger Helmers
  3. pp. 376-405
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  1. High Tea at Merlinford: Remembering Lord Berners
  2. Byron Adams
  3. pp. 406-411
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  1. Verborgene Klänge. Inventar der handschriftlich überlieferten Musik aus den Lüneburger Frauenklöstern bis ca. 1550. Mit einer Darstellung der Musik-Ikonographie von Ulrike Volkhardt (review)
  2. Barbara Eichner
  3. pp. 412-413
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  1. Untersuchungen zur Rationalität der Musik in Mittelalter und Früher Neuzeit, vol. i: Das platonische Paradigma: Untersuchungen zur Rationalität der Musik vom 12. bis zum 16.Jahrhundert (review)
  2. Mattias Lundberg
  3. pp. 413-416
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  1. Early Music Printing and Publishing in the Iberian World (review)
  2. Bernadette Nelson
  3. pp. 416-420
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  1. Music and the Myth of Arcadia in Renaissance Italy (review)
  2. Tim Shephard
  3. pp. 420-422
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  1. Ancient Rome in Early Opera (review)
  2. Tim Carter
  3. pp. 422-424
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  1. Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School (review)
  2. Charles Medlam
  3. pp. 424-426
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  1. The Great Transformation of Musical Taste: Concert Programming from Haydn to Brahms (review)
  2. Katharine Ellis
  3. pp. 426-429
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  1. Music, Philosophy, and Modernity (review)
  2. James Garratt
  3. pp. 429-431
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  1. Harmonious Triads: Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany (review)
  2. Youn Kim
  3. pp. 431-435
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  1. Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna (review)
  2. James Garratt
  3. pp. 436-438
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  1. The Musical Voyager: Berlioz in Europe, and: Berlioz: Scenes from the Life and Work (review)
  2. Kerry Murphy
  3. pp. 438-441
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  1. Debussy's Late Style (review)
  2. David J. Code
  3. pp. 444-446
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  1. Kunstwerk der Zukunft: Richard Wagner und Zürich (1849-1858) (review)
  2. Nicholas Vazsonyi
  3. pp. 447-449
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  1. The Ballet Collaborations of Richard Strauss (review)
  2. Hugo Shirley
  3. pp. 449-451
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  1. Elgar Studies (review)
  2. Byron Adams
  3. pp. 451-455
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  1. Imogen Holst: A Life in Music (review)
  2. Christopher Scheer
  3. pp. 455-457
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  1. Messiaen's Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s, and: Messiaen's Explorations of Love and Death: Musical Signification in the 'Tristan Trilogy' and Three Related Song Cycles, and: Messiaen's Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations and Opera (review)
  2. Christopher Dingle
  3. pp. 457-462
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  1. Filmmusik: Beiträge zu ihrer Theorie und Vermittlung (review)
  2. Ben Winters
  3. pp. 462-465
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  1. Music and Architecture (review)
  2. M. J. Grant
  3. pp. 465-467
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  1. Listening (review)
  2. Anthony Gritten
  3. pp. 467-471
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  1. The Rock Canon: Canonical Values in the Reception of Rock Albums (review)
  2. Dai Griffiths
  3. pp. 471-473
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  1. Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music (review)
  2. Abigail Wood
  3. pp. 473-475
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  1. 'Music & Letters' Awards
  3. p. 477
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  1. Authors of Articles in this Issue
  3. p. 477
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  1. An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays (review)
  2. Clair Rowden
  3. pp. 441-444
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  1. Books Received
  3. pp. 478-479
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