Author/Title | Vol. No. | Pages |
Alfano, Chiara | 44.4 | 63–78 |
Freud’s Cadence: Taking Chances with Julius Caesar |
Andrews, Alice | 44.3 | 189–203 |
Autoimmune Illness as a Death–drive: An Autobiography of a Defence |
Arvatu, Adina | 44.4 | 141–159 |
Spectres of Freud: The Figure of the Archive in Derrida and Foucault |
Barentsen, Gord | 44.4 | 195–211 |
Freud, Jung, and the Dangerous Supplement to Psychoanalysis |
Bolaki, Stella | 44.2 | 1–17 |
Re–Covering the Scarred Body: Textual and Photographic Narratives of Breast Cancer |
Brogan, Walter | 44.1 | 165–175 |
The Voices That I Am |
Counihan, Claire | 44.2 | 101–118 |
Detecting Outside History in The No. 1 Ladies’ Detective Agency |
Di Bartolo, Michele | 44.4 | 43–49 |
Pas au–delà |
Fabrizi, Alessandro | 44.1 | 105–108 |
Santorini—A Stream of Images |
Gabriel, Sharmani Patricia | 44.2 | 19–34 |
Diasporic Translocation and “The Multicultural Question” in Malaysia |
Gaon, Stella | 44.4 | 79–94 |
Why Must I? A Freudian Response to the Question of Ethical–Political Responsibility |
Hesse Bernhard, Nina | 44.1 | 177–180 |
One Ship in the Night [End Page 213] |
Hicks, Elizabeth | 44.2 | 171–185 |
Public and Private Collections in A.S. Byatt’s The Children’s Book |
Hughey Engelbert, Lynn | 44.4 | 161–176 |
“Wild” Freudian Psycho–Analysis: Ingestion, Incorporation, and Mourning in Derrida and Deleuze and Guattari |
Janβen, Luitgard | 44.1 | 138–139 |
Reflection on the Santorini Voice Symposium |
Krell, David Farrell | 44.1 | 109–119 |
The Moment of Nothing: A Philosophical Note on the Work of Kristin Linklater |
Krell, David Farrell | 44.3 | 15–42 |
Pulling Strings Wins No Wisdom |
Krell, Salomé M. | 44.1 | 89–99 |
Of Rabbit Holes and Aquamarines (Cabbages and Kings) |
Krell, Salomé M., and David Farrell Krell | 44.1 | 199–208 |
Why Santorini? A Response in Two Voices |
Linklater, Andro | 44.1 | 47–63 |
The Santorini Experiment: How Philosophy Ended its Ancient Quarrel with Theatre |
McCance, Dawne | 44.1 | 1–45 |
Crossings: An Interview with Kristin Linklater |
McCombe, John P. | 44.2 | 137–152 |
Not “Only Sleeping”: The Beatles and a Neo–Romantic Aesthetic of Indolence |
Main, Susan | 44.1 | 101–104 |
Philosophy of the Body |
Manuel, Aurora | 44.1 | 162–163 |
Reflection on the Santorini Voice Symposium |
Martell, James | 44.4 | 95–108 |
Derrida on Beckett or the Painful Freudian Mark |
Mauro, Aaron | 44.3 | 61–79 |
Prophetic Literary Authority and the American Messianic Consciousness |
Meagher, David | 44.4 | 177–193 |
The Uncanniness of Spectrality |
Mendoza–de Jesús, Ronald | 44.3 | 99–113 |
Being, Sovereignty, Unconditionality: Heidegger’s Walten in Derrida’s La bête et le souverain II |
Miles, Kevin Thomas | 44.1 | 181–195 |
Freedom in Community: Aristotle’s Polis and Linklater’s Actor’s Quartet |
Moggie, KK | 44.1 | 120 |
Reflection on the Santorini Voice Symposium |
Morel, Pauline | 44.2 | 67–83 |
“Look at me”: The Camera Obscura and the Apprenticeship of the Gaze in Tracy Chevalier’s Girl with a Pearl Earring |
Mount, Anson | 44.1 | 196–197 |
Reflection on the Santorini Voice Symposium [End Page 214] |
Naas, Michael | 44.3 | 81–98 |
When it All Suddenly Clicked: Deconstruction after Psychoanalysis after Photography |
Neuhaus, Mareike | 44.2 | 35–51 |
The Rhetoric of Harry Robinson’s “Cat With the Boots On” |
Nuzzo, Angelica | 44.1 | 121–137 |
The Voice, the Body, and the Mind: Reflections in the Aftermath of Kant and Herder [End Page 215] |
O’Connor, Maria T. | 44.4 | 109–123 |
Canopy of the Upturned Eye: Writing on Derrida’s Crypt |
O’Sullivan, Michael | 44.2 | 119–135 |
Giving Up Control: Narrative Authority and Animal Experience in Coetzee and Kafka |
Oppermann, Serpil | 44.2 | 153–169 |
Ecocriticism’s Theoretical Discontents |
Painter–Morland, Mollie | 44.1 | 141–161 |
Voice as “Relational Space”: Agency beyond Narcissism or the Loss of Self |
Pensalfini, Rob | 44.1 | 65–87 |
Re–imagining the Actor’s Quartet |
Pérez–Gómez, Alberto | 44.3 | 43–59 |
Built upon Love: Towards Beauty and Justice in Architecture |
Posthumus, Stéphanie | 44.2 | 85–100 |
Vers une écocritique française : le contrat naturel de Michel Serres |
Powell, Jeffrey | 44.3 | 133–145 |
Being Just with Freud . . . after Derrida |
Ryder, Andrew | 44.3 | 115–131 |
Politics after the Death... |