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Browse Book and Journal Content on Project MUSE

Volume 47, Number 1, March 2014

Table of Contents



pp. v-vi | DOI: 10.1353/mos.2014.0004

Crossings: An Interview with Nicholas Royle

pp. 1-22 | DOI: 10.1353/mos.2014.0000

Quick Fiction: Some Remarks on Writing Today

pp. 23-39 | DOI: 10.1353/mos.2014.0002

Reading Joseph Conrad: Episodes from the Coast

pp. 41-67 | DOI: 10.1353/mos.2014.0009

What Does Greimas’s Semiotic Square Really Do?

pp. 69-89 | DOI: 10.1353/mos.2014.0006

Cultural Appropriation for Mainstream Consumption: The Musical Adaptation of Dessa Rose

pp. 91-109 | DOI: 10.1353/mos.2014.0007

Nathaniel Hawthorne’s Warring Doctors and Meddling Ministers

pp. 111-128 | DOI: 10.1353/mos.2014.0005

Haunted by the Past: Traumatic Rememory and Black Feminism in Gayl Jones’s Corregidora

pp. 129-144 | DOI: 10.1353/mos.2014.0001

The Ghostly Presence in Chanrithy Him’s “Please Give Us Voice”

pp. 145-160 | DOI: 10.1353/mos.2014.0003

Affect et dramatisation dans l’écriture de la conversion : l’exemplarité du récit augustinien

pp. 161-177 | DOI: 10.1353/mos.2014.0008

The “Dark Power of Destiny” in George Orwell’s Nineteen Eighty-Four

pp. 179-194 | DOI: 10.1353/mos.2014.0010

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