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Table of Contents

  1. Crossings: An Interview with Nicholas Royle
  2. Dawne McCance, Karalyn Dokurno, Ryan Fics, Riley McGuire
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/mos.2014.0000
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  1. Quick Fiction: Some Remarks on Writing Today
  2. Nicholas Royle
  3. pp. 23-39
  4. DOI: https://doi.org/10.1353/mos.2014.0002
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  1. Reading Joseph Conrad: Episodes from the Coast
  2. Nicholas Royle
  3. pp. 41-67
  4. DOI: https://doi.org/10.1353/mos.2014.0009
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  1. What Does Greimas’s Semiotic Square Really Do?
  2. John J. Corso
  3. pp. 69-89
  4. DOI: https://doi.org/10.1353/mos.2014.0006
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  1. Cultural Appropriation for Mainstream Consumption: The Musical Adaptation of Dessa Rose
  2. Reanna A. Ursin
  3. pp. 91-109
  4. DOI: https://doi.org/10.1353/mos.2014.0007
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  1. Nathaniel Hawthorne’s Warring Doctors and Meddling Ministers
  2. Anthony Cerulli, Sarah L. Berry
  3. pp. 111-128
  4. DOI: https://doi.org/10.1353/mos.2014.0005
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  1. Haunted by the Past: Traumatic Rememory and Black Feminism in Gayl Jones’s Corregidora
  2. Stella Setka
  3. pp. 129-144
  4. DOI: https://doi.org/10.1353/mos.2014.0001
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  1. The Ghostly Presence in Chanrithy Him’s “Please Give Us Voice”
  2. Bunkong Tuon
  3. pp. 145-160
  4. DOI: https://doi.org/10.1353/mos.2014.0003
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  1. Affect et dramatisation dans l’écriture de la conversion : l’exemplarité du récit augustinien
  2. Sara Danièle Bélanger-Michaud
  3. pp. 161-177
  4. DOI: https://doi.org/10.1353/mos.2014.0008
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  1. The “Dark Power of Destiny” in George Orwell’s Nineteen Eighty-Four
  2. Martha C. Carpentier
  3. pp. 179-194
  4. DOI: https://doi.org/10.1353/mos.2014.0010
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  1. Introduction
  2. Dawne McCance
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/mos.2014.0004
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