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Table of Contents

  1. Indexing Identity: Fritz Lang’s M
  2. Kata Gellen
  3. pp. 425-448
  4. DOI: https://doi.org/10.1353/mod.2015.0053
  5. restricted access
  1. The Contradictions of Samuel Beckett
  2. Andre Furlani
  3. pp. 449-470
  4. DOI: https://doi.org/10.1353/mod.2015.0054
  5. restricted access
  1. Scholarship and the Modernist Public: Zora Neale Hurston and the Limitations of Art and Disciplinary Anthropology
  2. Daniel Harney
  3. pp. 471-492
  4. DOI: https://doi.org/10.1353/mod.2015.0055
  5. restricted access
  1. “There is always the other side, always”: Black Servants’ Laughter, Knowledge, and Power in Jean Rhys’s Wide Sargasso Sea
  2. Ambreen Hai
  3. pp. 493-521
  4. DOI: https://doi.org/10.1353/mod.2015.0049
  5. restricted access
  1. “A suggestiveness that can make one crazy”: Ernst Ludwig Kirchner’s Images of Marzella
  2. Sherwin Simmons
  3. pp. 523-563
  4. DOI: https://doi.org/10.1353/mod.2015.0050
  5. restricted access
  1. Modernist Feminist Witchcraft: Margaret Murray’s Fantastic Scholarship and Sylvia Townsend Warner’s Realist Fantasy
  2. Mimi Winick
  3. pp. 565-592
  4. DOI: https://doi.org/10.1353/mod.2015.0051
  5. restricted access
  1. Decadence Revisited: Evelyn Waugh and the Afterlife of the 1890s
  2. Alex Murray
  3. pp. 593-607
  4. DOI: https://doi.org/10.1353/mod.2015.0052
  5. restricted access