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Volume 21, Number 1, January 2014

Table of Contents

Articles

Beckett’s Speaking Machines: Sound, Radiophonics and Acousmatics

pp. 1-24 | DOI: 10.1353/mod.2014.0000

Buster Keaton’s Climate Change

pp. 25-49 | DOI: 10.1353/mod.2014.0006

Shock and “Perfect Contemplation”: Dorothy Richardson’s Mystical Cinematic Consciousness

pp. 51-70 | DOI: 10.1353/mod.2014.0012

The Author as Arsonist: Henry James and the Paris Commune

pp. 71-87 | DOI: 10.1353/mod.2014.0017

On Not Reading Freud: Amateurism, Expertise, and the “Pristine Unconscious” in D.H. Lawrence

pp. 89-105 | DOI: 10.1353/mod.2014.0022

Spectacular Distractions: P.T. Barnum and American Modernism

pp. 107-123 | DOI: 10.1353/mod.2014.0027

At Midcentury: Elizabeth Bowen’s The Heat of the Day

pp. 125-145 | DOI: 10.1353/mod.2014.0032

Poetry, Physics, and the Scientific Attitude at Mid-Century

pp. 147-168 | DOI: 10.1353/mod.2014.0004

Dada Engineering

pp. 169-177 | DOI: 10.1353/mod.2014.0010

Gas Mask Parade: Japan’s Anxious Modernism

pp. 179-199 | DOI: 10.1353/mod.2014.0015

Redactionary Global Modernism: Kisses in Imperial Japan

pp. 201-229 | DOI: 10.1353/mod.2014.0020

From Aesthetics to Work: Displaying Indian Labor as Modernist Form in Mexico City and New York

pp. 231-251 | DOI: 10.1353/mod.2014.0025

Stalin’s PowerPoint

pp. 253-267 | DOI: 10.1353/mod.2014.0030

Decadent Style with a Symbolist Worldview: Andrei Bely, Dmitrii Merezhkovskii, and the Perils of Surfaces

pp. 269-282 | DOI: 10.1353/mod.2014.0002

Special Topic: Introducing Georgian Modernism

Introducing Georgian Modernism

pp. 283-288 | DOI: 10.1353/mod.2014.0008

A City of Poets: The Cultural Life of Tbilisi 1910–1930

pp. 289-305 | DOI: 10.1353/mod.2014.0013

The Kimerioni: A Modernist Café in Tbilisi (1919–1921)

pp. 307-316 | DOI: 10.1353/mod.2014.0018

First Utterance

pp. 317-319 | DOI: 10.1353/mod.2014.0023

With Blue Drinking Horns

pp. 321-342 | DOI: 10.1353/mod.2014.0028

Decadent Nationalism, “Peripheral” Modernism: The Georgian Literary Manifesto between Symbolism and the Avant-garde

pp. 343-359 | DOI: 10.1353/mod.2014.0033

Review Essays

Cosmopolitan, Diasporic and Transnational: The Flourishing of Hebrew Modernism

pp. 361-368 | DOI: 10.1353/mod.2014.0005

German Modernity: From the Baroque to the Present with Walter Benjamin

pp. 369-373 | DOI: 10.1353/mod.2014.0011

Book Reviews

Empire’s Wake: Postcolonial Irish Writing and the Politics of Modern Literary Form by Mark Quigley (review)

pp. 375-377 | DOI: 10.1353/mod.2014.0016

Twenty Years On: Competing Memories of the GDR in Postunification German Culture ed. by Renate Rechtien and Dennis Tate (review)

pp. 377-379 | DOI: 10.1353/mod.2014.0021

A Strong Song Tows Us: The Life of Basil Bunting by Richard Burton (review)

pp. 379-381 | DOI: 10.1353/mod.2014.0026

Wallace Stevens, New York, and Modernism ed. by Lisa Goldfarb and Bart Eeckhout (review)

pp. 381-383 | DOI: 10.1353/mod.2014.0031

Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult by Leigh Wilson (review)

pp. 383-385 | DOI: 10.1353/mod.2014.0003

Icons in Time, Persons in Eternity: Orthodox Theology and the Aesthetics of the Christian Image by C. A. Tsakiridou (review)

pp. 385-387 | DOI: 10.1353/mod.2014.0009

Found Sculpture and Photography from Surrealism to Contemporary Art ed. by Anna Dezeuze and Julia Kelly (review)

pp. 387-389 | DOI: 10.1353/mod.2014.0014

Latin American Modern Architectures: Ambiguous Territories ed. by Patricio del Real and Helen Gyger (review)

pp. 389-390 | DOI: 10.1353/mod.2014.0019

Gallery Review

American Modern: Hopper to O’Keeffe, MoMA, New York (review)

pp. 391-395 | DOI: 10.1353/mod.2014.0024

DVD Reviews

La Poison dir. by Sacha Guitry (review)

pp. 397-400 | DOI: 10.1353/mod.2014.0029

Fear and Desire dir. by Stanley Kubrick (review)

pp. 400-402 | DOI: 10.1353/mod.2014.0001

Recent Books of Interest

pp. 403-405 | DOI: 10.1353/mod.2014.0007

Research Areas

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