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In this Issue

Table of Contents

  1. In Memoriam David Foster Wallace
  2. Steven Moore, Dave Eggers, Kathleen Fitzpatrick, Marshall Boswell, Michael North, Stephen J. Burn, Brendan Beirne
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/mod.0.0064
  5. restricted access
  1. Jazz Modernism and Film Art: Dudley Murphy and Ballet mécanique
  2. James Donald
  3. pp. 25-49
  4. DOI: https://doi.org/10.1353/mod.0.0048
  5. restricted access
  1. Matisse and Byzantium, or, Mechanization Takes Command
  2. David Lewis
  3. pp. 51-59
  4. DOI: https://doi.org/10.1353/mod.0.0047
  5. restricted access
  1. Mask, Mimicry, Metamorphosis: Roger Caillois, Walter Benjamin and Surrealism in the 1930s
  2. Joyce Cheng
  3. pp. 61-86
  4. DOI: https://doi.org/10.1353/mod.0.0049
  5. restricted access
  1. Obscene Modernism and the Trade in Salacious Books
  2. Rachel Potter
  3. pp. 87-104
  4. DOI: https://doi.org/10.1353/mod.0.0065
  5. restricted access
  1. Pretty Typewriters, Melodramatic Modernity: Edna, Belle, and Estelle
  2. Lawrence Rainey
  3. pp. 105-122
  4. DOI: https://doi.org/10.1353/mod.0.0057
  5. restricted access
  1. Unsophisticated Lady: The Vicissitudes of the Maternal Melodrama in Hollywood
  2. Lea Jacobs
  3. pp. 123-140
  4. DOI: https://doi.org/10.1353/mod.0.0054
  5. restricted access
  1. More Office Affairs
  2. Lawrence Rainey
  3. pp. 161-165
  4. DOI: https://doi.org/10.1353/mod.0.0056
  5. restricted access
  1. Paris, Capital of the Nineteenth-Century Novel?
  2. John Attridge
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/mod.0.0055
  5. restricted access
  1. Arranging the Meal: A History of Table Service in France (review)
  2. Jean-Michel Rabaté
  3. pp. 173-176
  4. DOI: https://doi.org/10.1353/mod.0.0059
  5. restricted access
  1. Only a Promise of Happiness: The Place of Beauty in a World of Art (review)
  2. Carolyn Wilde
  3. pp. 176-178
  4. DOI: https://doi.org/10.1353/mod.0.0058
  5. restricted access
  1. The Writer's Brush: Paintings, Drawings, and Sculpture by Writers (review)
  2. Bonnie Costello
  3. pp. 178-180
  4. DOI: https://doi.org/10.1353/mod.0.0061
  5. restricted access
  1. Henry James and the Visual, and: Henry James, Women and Realism (review)
  2. Alex Zwerdling
  3. pp. 180-184
  4. DOI: https://doi.org/10.1353/mod.0.0060
  5. restricted access
  1. Ford Madox Ford's Literary Contacts (review)
  2. Rob Hawkes
  3. pp. 184-185
  4. DOI: https://doi.org/10.1353/mod.0.0052
  5. restricted access
  1. The Third Sex (review)
  2. Jesse Matz
  3. pp. 185-187
  4. DOI: https://doi.org/10.1353/mod.0.0051
  5. restricted access
  1. Neurology and Literature, 1860–1920 (review)
  2. Vike Martina Plock
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/mod.0.0063
  5. restricted access
  1. Czesław Miłosz: Conversations (review)
  2. Clare Cavanagh
  3. pp. 189-191
  4. DOI: https://doi.org/10.1353/mod.0.0062
  5. restricted access
  1. Beckett at 100: Revolving it All (review)
  2. Anthony Uhlmann
  3. pp. 191-192
  4. DOI: https://doi.org/10.1353/mod.0.0050
  5. restricted access
  1. On Alexanderplatz, Fassbinder's Orphans
  2. Peter Fritzsche
  3. pp. 193-198
  4. DOI: https://doi.org/10.1353/mod.0.0066
  5. restricted access
  1. Recent Books of Interest
  2. pp. 199-202
  3. DOI: https://doi.org/10.1353/mod.0.0067
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  1. Translator's Introduction to "Introduction to T. S. Eliot," by George Seferis
  2. Susan Matthias
  3. pp. 141-145
  4. DOI: https://doi.org/10.1353/mod.0.0053
  5. restricted access
  1. Introduction to T. S. Eliot by George Seferis
  2. George Seferis, Susan Matthias
  3. pp. 146-160
  4. DOI: https://doi.org/10.1353/mod.0.0068
  5. restricted access