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Table of Contents

  1. Ghost Dance? Photography, Agency, and Authenticity in Lame Deer, Seeker of Visions
  2. Timothy Sweet
  3. pp. 493-508
  4. DOI: https://doi.org/10.1353/mfs.1994.0010
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  1. Re-Citing, Re-Siting, and Re-Sighting Likeness: Reading the Family Archive in Drucilla Modjeska's Poppy, Donna Williams' Nobody Nowhere, and Sally Morgan's My Place
  2. Sidonie Smith
  3. pp. 509-542
  4. DOI: https://doi.org/10.1353/mfs.1994.0008
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  1. Autobio-Photography: Beauty and the "I" of the Beholder
  2. Charles Martin
  3. pp. 543-571
  4. DOI: https://doi.org/10.1353/mfs.1994.0006
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  1. Auteurs as Autobiographers: Images by Jo Spence and Cindy Sherman
  2. James Guimond
  3. pp. 573-591
  4. DOI: https://doi.org/10.1353/mfs.1994.0003
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  1. Encounters in Camera: Autobiography as Interaction
  2. Susanna Egan
  3. pp. 593-618
  4. DOI: https://doi.org/10.1353/mfs.1994.0002
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  1. The Impossible Photograph: Hippolyte Bayard's Self-Portrait as a Drowned Man
  2. Michal Sapir
  3. pp. 619-629
  4. DOI: https://doi.org/10.1353/mfs.1994.0007
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  1. Cartier-Bresson: Between Autobiography and Image
  2. Allan Stoekl
  3. pp. 631-641
  4. DOI: https://doi.org/10.1353/mfs.1994.0009
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  1. "The Things That Are Seen in the Flashes": Timothy Findley's Inside Memory as Photographic Life Writing
  2. Lorraine Mary York
  3. pp. 643-656
  4. DOI: https://doi.org/10.1353/mfs.1994.0005
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  1. Not Losing Her Memory: Stories in Photographs, Words and Collage
  2. Joanne Leonard
  3. pp. 657-685
  4. DOI: https://doi.org/10.1353/mfs.1994.0004
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  1. Contributors
  3. DOI: https://doi.org/10.1353/mfs.1994.0001
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  1. Introduction: Life Writing and Light Writing; Autobiography and Photography
  2. Timothy Dow Adams
  3. pp. 459-492
  4. DOI: https://doi.org/10.1353/mfs.1994.0011
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