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Volume 60, Number 2, Summer 2014

Table of Contents

2013 Margaret Church MFS Memorial Prize

pp. iv-v | DOI: 10.1353/mfs.2014.0015

Articles

Fear of the Dark: Surrealist Shadows in The Nigger of the “Narcissus”

pp. 227-250 | DOI: 10.1353/mfs.2014.0031

Writing Politically: Dorothy Canfield and the “Wrongness of the World”

pp. 251-275 | DOI: 10.1353/mfs.2014.0019

Black Boy No More?: Violence and the Flight from Blackness in Richard Wright’s Native Son

pp. 276-297 | DOI: 10.1353/mfs.2014.0016

Nonsense, Ordinary Language Philosophy, and Flann O’Brien’s The Third Policeman

pp. 298-319 | DOI: 10.1353/mfs.2014.0028

Samuel Beckett’s “Echo’s Bones”: Politics and Entailment in the Irish Free-State

pp. 320-344 | DOI: 10.1353/mfs.2014.0033

The Sacred and the Secular: Spirituality, Aesthetics, and Politics in Rudyard Kipling’s Kim and Vikram Chandra’s Sacred Games

pp. 345-365 | DOI: 10.1353/mfs.2014.0025

Recognition, Political and Interpersonal: Gay Tribalism in Witi Ihimaera’s The Uncle’s Story

pp. 366-386 | DOI: 10.1353/mfs.2014.0022

Book Reviews

The Cinema and the Origins of Literary Modernism by Andrew Shail (review)

pp. 388-390 | DOI: 10.1353/mfs.2014.0024

No Accident, Comrade: Chance and Design in Cold War American Narratives by Steven Belletto (review)

pp. 390-393 | DOI: 10.1353/mfs.2014.0027

Dislocalism: The Crisis of Globalization and the Remobilizing of Americanism by Sarika Chandra (review)

pp. 393-396 | DOI: 10.1353/mfs.2014.0030

No More Heroes: Narrative Perspective and Morality in Cormac McCarthy by Lydia R. Cooper (review)

pp. 396-399 | DOI: 10.1353/mfs.2014.0034

Women Modernists and Fascism by Annalisa Zox-Weaver (review)

pp. 399-402 | DOI: 10.1353/mfs.2014.0017

The Genius of Democracy: Fictions of Gender and Citizenship in the United States, 1860–1945 by Victoria Olwell (review)

pp. 402-405 | DOI: 10.1353/mfs.2014.0020

Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire by Genevieve Abravanel (review)

pp. 405-408 | DOI: 10.1353/mfs.2014.0023

Enchanted Objects: Visual Art in Contemporary Fiction by Allan Hepburn (review)

pp. 408-410 | DOI: 10.1353/mfs.2014.0026

Virgin and Veteran Readings of Ulysses by Margot Norris (review)

pp. 411-413 | DOI: 10.1353/mfs.2014.0029

Melting Pot Modernism by Sarah Wilson (review)

pp. 413-416 | DOI: 10.1353/mfs.2014.0032

Contributors

pp. 417-418 | DOI: 10.1353/mfs.2014.0018

Research Areas

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