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Browse Book and Journal Content on Project MUSE

Volume 58, Number 3, Fall 2012

Table of Contents

New British Fiction

pp. 429-435 | DOI: 10.1353/mfs.2012.0057


Reading the Multiple Drafts Novel

pp. 436-458 | DOI: 10.1353/mfs.2012.0059

The Anxieties of Authenticity in Post-2000 British Fiction

pp. 459-476 | DOI: 10.1353/mfs.2012.0049

Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor

pp. 477-502 | DOI: 10.1353/mfs.2012.0051

Brick Lane Blockades: The Bioculturalism of Migrant Domesticity

pp. 503-528 | DOI: 10.1353/mfs.2012.0053

The Pathology of Flexibility in Monica Ali’s In the Kitchen

pp. 529-548 | DOI: 10.1353/mfs.2012.0055

The Critique of Trauma and the Afterlife of the Novel in Tom McCarthy’s Remainder

pp. 549-568 | DOI: 10.1353/mfs.2012.0056

Dirty Media: Tom McCarthy and the Afterlife of Modernism

pp. 569-599 | DOI: 10.1353/mfs.2012.0058

John Burnside’s Ecologies of Solace: Regional Environmentalism and the Consolations of Description

pp. 600-615 | DOI: 10.1353/mfs.2012.0048

British Black Box: A Return to Race and Science in Zadie Smith’s White Teeth

pp. 616-636 | DOI: 10.1353/mfs.2012.0050

“Everything You Ever Dreamed”: Post-9/11 Trauma and Fantasy in Ali Smith’s The Accidental

pp. 637-654 | DOI: 10.1353/mfs.2012.0052



pp. 655-656 | DOI: 10.1353/mfs.2012.0054

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