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Browse Book and Journal Content on Project MUSE

Volume 56, Number 2, Summer 2010

Table of Contents

2009 Margaret Church MFS Memorial Prize

pp. 231-232 | DOI: 10.1353/mfs.0.1674


The New Woman of the Tenements: Anzia Yezierska’s Salome

pp. 233-261 | DOI: 10.1353/mfs.0.1679

“The Shortcomings of Timetables”: Greenwich, Modernism, and the Limits of Modernity

pp. 262-289 | DOI: 10.1353/mfs.0.1684

Passing Into Diplomacy: U.S. Consul James Weldon Johnson and The Autobiography of an Ex-Colored Man

pp. 290-316 | DOI: 10.1353/mfs.0.1689

From Discos to Jungles: Circuitous Queer Patronage and Sex Tourism in Jessica Hagedorn’s Dogeaters

pp. 317-348 | DOI: 10.1353/mfs.0.1694

The Jews of Ruby, Oklahoma: Politics, Parallax, and Ideological Fantasy in Toni Morrison’s Paradise

pp. 349-377 | DOI: 10.1353/mfs.0.1698

Discretionary Subjects: Decision and Participation in William Gibson’s Fiction

pp. 378-400 | DOI: 10.1353/mfs.0.1672

Review Essay

Seeing Wharton Anew

pp. 401-405 | DOI: 10.1353/mfs.0.1677

Book Reviews

Book Reviews

pp. 406-407 | DOI: 10.1353/mfs.0.1682

Reconstructing the World: Southern Fictions and U.S. Imperialisms, 1898–1976 (review)

pp. 408-411 | DOI: 10.1353/mfs.0.1687

A Genaealogy of Literary Multiculturalism (review)

pp. 411-414 | DOI: 10.1353/mfs.0.1692

Performing Americanness: Race, Class, and Gender in Modern African-American and Jewish-American Literature (review)

pp. 414-417 | DOI: 10.1353/mfs.0.1696

The Fourth Ghost: White Southern Writers and European Fascism, 1930–1950 (review)

pp. 417-420 | DOI: 10.1353/mfs.0.1670

Frantic Panoramas: American Literature and Mass Culture 1870–1920 (review)

pp. 420-423 | DOI: 10.1353/mfs.0.1675

American Talmud: The Cultural Work of Jewish American Fiction (review)

pp. 423-427 | DOI: 10.1353/mfs.0.1680

Resisting History: Gender, Modernity, and Authorship in William Faulkner, Zora Neale Hurston, and Eudora Welty (review)

pp. 427-430 | DOI: 10.1353/mfs.0.1685

Lots of Fun at Finnegans Wake: Unravelling Universals (review)

pp. 431-433 | DOI: 10.1353/mfs.0.1690

British Fiction and Cross-Cultural Encounters: Ethnographic Modernism from Wells to Woolf (review)

pp. 434-435 | DOI: 10.1353/mfs.0.1695

Elizabeth Bowen: New Critical Perspectives (review)

pp. 436-438 | DOI: 10.1353/mfs.0.1669

The Wounded Animal: J. M. Coetzee and the Difficulty of Reality in Literature and Philosophy (review)

pp. 439-441 | DOI: 10.1353/mfs.0.1673

Consuming Traditions: Modernity, Modernism, and the Commodified Authentic (review)

pp. 442-444 | DOI: 10.1353/mfs.0.1678

The Technology of the Novel: Writing and Narrative in British Fiction (review)

pp. 445-447 | DOI: 10.1353/mfs.0.1683

Elizabeth Bowen (review)

pp. 448-450 | DOI: 10.1353/mfs.0.1688

Islam, Ethics, Revolt: Politics and Piety in Francophone West African and Maghreb Narrative (review)

pp. 450-453 | DOI: 10.1353/mfs.0.1693

Surrealism and the Art of Crime (review)

pp. 454-457 | DOI: 10.1353/mfs.0.1697

Insane Passions: Lesbianism and Psychosis in Literature and Film (review)

pp. 457-460 | DOI: 10.1353/mfs.0.1671

Qualified Hope: A Postmodern Politics of Time (review)

pp. 460-463 | DOI: 10.1353/mfs.0.1676

The Theological Origins of Modernity (review)

pp. 463-466 | DOI: 10.1353/mfs.0.1681

Violent Affect: Literature, Cinema, and Critique after Representation (review)

pp. 466-468 | DOI: 10.1353/mfs.0.1686



pp. 469-470 | DOI: 10.1353/mfs.0.1691

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