- Index to Volume 54, 2011
Articles
anderson, donald, A Hasty Kind of Genius: Noël Coward’s Hay Fever 45
barnett, david, Toward a Definition of Post-Brechtian Performance: The Example of In the Jungle of the Cities at the Berliner Ensemble, 1971 333
byttebier, stephanie, “It Doesn’t Count If It’s Easy”: Facing Pain, Mediating Identity in Tony Kushner’s Angels in America 287
carlson, matthew paul, Auden and Britten’s Paul Bunyan and the Frontiers of Opera 405
cohen, robert, Pozzo’s Knook, Beckett’s Boys, and Santa Claus 181
daniel, julia, “Or It Might Be You”: Audiences in and of T.S. Eliot’s Sweeney Agonistes 431
fahy, thomas, “I cannot live without a macaroon!” Food, Hunger, and the Dangers of Modern American Culture in Edna St. Vincent Millay’s Aria da Capo 1
feldman, alex, All Wilde on the Western Front: Alan Bennett, Tom Stoppard, and the Theatre of War 451
freeland, thomas, The End of Rhetoric and the Residuum of Pain: Bodying Language in the Theatre of Howard Barker 78
glass, loren, Absurd Imprint: Grove Press and the Canonization of the Theatrical Avant-Garde 530
gontarski, s.e., A Centenary of Missed Opportunities: A Guide to Assembling an Accurate Volume of Samuel Beckett’s Dramatic “Shorts” 357
gould, marty, Emblems of Authority in The Admirable Crichton 141
guthrie, john, Classical German Drama on the British Stage: Schiller’s Wallenstein at the Chichester Festival 121
kent, brad, Censorship and Immorality: Bernard Shaw’s The Devil’s Disciple 507
lau, meaghan, Performing History: The War-Time Pageants of Louis Napoleon Parker 265
mcivor, charlotte, Staging the “New Irish”: Interculturalism and the Future of the Post–Celtic Tiger Irish Theatre 310
meerzon, yana, Dancing on the X-rays: On the Theatre of Memory, Counter-Memory, and Post-memory in the Post-1989 East- European Context 475
meléndez, priscilla, The Body and the Law in the Mexico/US. Borderlands: Violence and Violations in El viaje de los cantores by Hugo Salcedo and Backyard by Sabina Berman 24 [End Page 585]
robinson, michelle, Impossible Representation: Edward Albee and the End of Liberal Tragedy 62
switzky, lawrence, Hearing Double: “Acousmatic” Authority and the Rise of the Theatre Director 216
von rothkirch, alice, Changing Times: J.O. Francis and the First Welsh National Drama Movement 161
wolfe, graham, The “Sexuation” of Sublimation: A Žižekian Approach to John Mighton’s Possible Worlds 194
Reviews
aston, elaine and elin diamond, eds. The Cambridge Companion to Caryl Churchill by Siân Adiseshiah 99
bial, henry and scott magelssen, eds., Theatre Historiography: Critical Interventions by Julia H. Fawcett 558
bignell, jonathan, Beckett on Screen: The Television Plays by Chris Ackerley 383
bowditch, rachel, On the Edge of Utopia: Performance andRitual at Burning Man by Matt Wray 560
bowles, hugo, Storytelling and Drama: Exploring Narrative Episodes in Plays by Susan Mandala 101
brown, peter d.g., Oskar Panizza and The Love Council: A History of the Scandalous Play on Stage and in Court, with the Complete Text in English and a Biography of the Author by Johannes G. Pankau 244
canning, charlotte m., and thomas postlewait, eds., Representing the Past: Essays in Performance Historiography by Laurence Senelick, Tufts University 563
cless, downing, Ecology and Environment in European Drama by Wendy Arons 385
collins, jane and andrew nisbet, eds., Theatre and Performance Design: A Reader in Scenography by Natalie Rewa 387
davy, kate, Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre by Constance Zaytoun 390
delgado, maria and dan rebellato, eds., Contemporary European Theatre Directors by Cynthia Gendrich 246
di benedetto, stephen, The Provocation of the Senses in Contemporary Theatre by Neal Swettenham 248
Donahue, tim and jim patterson, Stage Money: The Business of the Professional Theatre by Anne Beggs 566
ganguly, sanjoy, Jana Sanskriti: Forum Theatre and Democracy in India by Sharon L. Green 393 [End Page 586]
gann, kyle, No Such Thing as Silence: John Cage’s “4’3”” by Deborah Weagel 250
harding, james m., Cutting Performances: Collage Events, Feminist Artists and the American Avant-Garde by Olga Taxidou 103
holbrook, susan and thomas dilworth, eds., The Letters of Gertrude Stein and Virgil Thomson: Composition as...