Index to Volume 45, 2002

Index to Volume 45, 2002 ARTICLES ADAH, ANTHONY, and ELIZABETH FITZPATRICK, Introduction to Special Issue, Soyinka and Postcolonialism 335 ADEPITAN, TITI, The Homestead at the Exit of the Paterfamilias: African Cultural Thought after Wole Soyinka 358 APPLEFORD, ROB, "No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House ofSonya 246 BEGLEY, VARUN, The Aesthetics of Refusal: Pinter among the Radicals 611 BHATIA, NANDI, Imperialistic Representations and Spectatorial Reception in Shakespeare Wallah 6r CAVANO, A. THOMAS, Elesin, Cuchulain, and the Kingdom: The Culture Hero's Sacrifice 409 CUSACK, GEORGE, "In the Gripe of the Ditch": Nationalism, Famine, and The Playboy ofthe Western World 567 DERKSEN, CELESTE, A Feminist Absurd: Margaret Hollingsworth's The House That Jack Built 209 DICKINSON, PETER, Duets, Duologues, and Black Diasporic Theatre: Djanet Sears, William Shakespeare, and Others J 88 DOGGETT, ROB, Mixing Everything at the Beginning: Telling Stories about Empire in Yeats's On Baile's Strand 545 DOLAN, llLL, "Finding Our Feet in the Shoes of (One An) Other": Multiple Character Solo Performers and Utopian Performatives 495 FARFAN, PENNY, Reading, Writing, and Authority in Ibsen's "Women's Plays" FOX. MICHAEL DAVID, Anus Mundi: Jews, the Holocaust, and Excremental Assault in Michel Vinaver's Overboard (Par-desSlIS bard) 35 Modern Drama, 47:4 (Winter 2004) 735 INDEX TO VOLUME 45, 2002 FREEMAN, SARA, Adaptation After Darwin: Timberlake Wertenbaker's Evolving Texts 646 GARUBA, HARRY, Masked Discourse: Dramatic Representation and Generic Transformation in Wole Soyinka's A Dance ofthe Forests 378 GILBERT, REID, Panych and Gorling: "Sheer" Texts "Wrinen" in(to) Perception 282 HAMILTON, GEOFF, Life Goes On: Endgame as Anti-Pastoral Elegy 593 HANLON, JOHN J., "Niggers Got a Right to be Dissatisfied": Postmodemism, Race, and Class in Ma Rainey's Black Bottom 95 HARTWIG, HEIDI, Dancing for an Oath: Salome's Revaluation of Word and Gesture 23 JEYIFO, BIODUN, Whose Theatre, Whose Africa? Wole Soyinka's The Road on the Road 449 KNOWLES, RIC Introduction 10 Special Issue, Canadian Drama 185 LAVELL, IRIS, Caryl Churchill's The Hospital at the Time ofthe Revolution: Algerian Decolonization in a Protean Contemporary Context 76 LEWSADDER, MATTHEW, Removing the Veils: Censorship, Female Sexuality, and Oscar Wilde's Salome 519 MILLER, GREG, The Bottom of Desire in Suzan-Lori Parks's Venus 125 MOSER, MARLENE, Ideology as Behaviour: Identity and Realism in The Drawer Boy 231 OLAIYA, KOLAWOLE, The Shifting Structures of Power in The Beatification of Area Boy 395 OLANIYAN, TEJUMOLA, Modernity and Its Mirages: Wole Soyinka and the African State 349 OLOAGUN, MODUPE, Dramatizing Atrocities: Plays by Wole Soyinka, Francis Imbuga, and George Seremba Recalling the Idi Amin Era 430 PECHAROVA, HANA, The Veil of finotaj: Naskova's Loviisa of Niskavuori and National Resistance at Prague's Provisional Theatre dtuing the Protectorate 567 PERKINS, UNA, Remembering the Trickster in Tomson Highway's The Rez Sisters 259 SCOTT, SHELLEY, Hell is Other Girls: Joan MacLeod's The Shape ofa Girl 270 SLEMON, STEPHEN, Soyinka and the Canon's Mouth 338 SMITH, MATTHEW WILSON, The Wild Duck: A Play of Play 9 TIGNER, AMY, The Laramie Project: Western Pastoral 138 TOMPKlNS, JOANNE, Afterword, Special Issue, Canadian Drama 298 REVIEWS ADAMS, RACHEL, Sideshow U.S.A.: Freaks and the American Cultural Imagination by Michael M. Chemers 484 Index to Volume 45, 2002 BAKER-WHITE, ROBERT, The Text in Play: Representations ofRehearsal in Modern Droma by Neil Blackadder 176 SLAU, HERBERT, Sails ofthe Herring Fleet: Essays on Beckett, Theater: Theoryrrext!Performance, by Peggy Phelan 663 737 BLAU, HERBERT, The Dubious Spectacle: Extremities ofTheater, 1976- 2000 by Robert F. Gross 489 BOAL, AUGUSTO, Hamlet and the Baker's Son: My Life in Theatre and Politics, trans. Adrian Jackson and Candida Blaker, by Brian Smith 479 BOGART, ANNE, A Director Prepares by Carrie Kathryn Lee 178 BOLGER, DERMOT, ed. Druids, Dudes and Beauty Queens: The Changing Face ofIrish Theatre by Mary Trotter 315 BOTTOMS, STEPHEN J., Albee: Who's Afraid ofVirginia Woolf? by Christopher Bigsby 165 COHN, RUBY, A Beckett Canon, Theater: Theoryrrext!performance, by Peggy Phelan 663 CRUTCHFIELD, SUSAN, and MARCY EPSTEIN, eds., Points ofContact: Disability, Art, and Culture by Ann M. Fox 48 I DOLAN, JILL, Geographies ofLearning: Theory and Practice, Activism and Pe/formance...