Contributors

Contributors ST~NTON B. GARNER, JR., is Associate Professor of English at the University of Tennessee . In addition to articles on medieval, Renaissance, and modem drama, he has published The Absent Voice: Narrative Comprehension in the Theatre (1989) and Bodied Spaces: Phenomenology and Performance il1 Contemporary Drama (1994). SUSAN C. HARRIS is a doctoral student at the University of Texas at Austin. Her other publications include "Don the Robes and Taste the Real Power: The Sacred, the Profane and the Power of Ritual in Two Plays by Brian Friel." MAUREEN S.G. HAWKINS is Assistant Professor of English at the University of Lethbridge . She has edited Global Perspectives: Shared Visions and Distinctive Visions (1993) and has published articles 00 iotertextuality and cultural identity, Anglo-Irish historical drama, and other work by Anglo-Irish dramatists. JEANETTE R. MALKIN is Chair of the Theatre Studies Department at the Hebrew University . Jerusalem. She is author of Verbal Violence in Contemporary Drama (1992) and has a new book forthcoming, Memory Theater and Postmodern Drama. MARIA MARGARONI has a BA in English from the University of Athens and a PhD in Contemporary Literary Studies from the University of Lancaster. She is a lecturer in the Depanment of Foreign Languages and Literatures at the University of Cyprus. JIM MILLER has an MFA in Creative Writing frorry San Diego State University and a PhD from Bowling Green State University. He has published critical work on fiction and lheory in Postmodern Studies, Working Title, Vietnam Generation, Fiction International, and elsewhere. His first work of short fiction is Las Vegas Everywhere (1996). ERIC J. NUETZEL, M.D., is a psychoanalyst practiSing in St. Louis. Missouri. He is Modern Drama, 39 ([9<)6) 53[ 532 Contributors Assistant Professor of Clinical Psychiatry at the Washington University School of Medicine, and a Training and Supervising Psychoanalyst at the St. Louis Psychoanalytic Institute. He is currently completing a Master of Arts in Drama at Washington University in St. Louis. ALAIN PIETTE is Professor of English at the State University of Mons, Belgium, and the author of a forthcoming study of the Belgian playwright Femand Crommelynck. He holds MFA and DFA degrees from Yale University. He has published numerous essays and translations on film and drama, both in the United States and in Europe. MARTHA RITCHIE recently received her doctoral degree in Dramatic Art from the University of California at Davis. Her dissertation on the plays of Timberlake Wertenbaker examines feminist subjectivity, theory, production, reception, and culture. STEVEN RYAN'S "David Marnet: Dramatic Craftsman" (1988) was the first doctoral dissenation devoted solely (0 Mamel's work. He is Professor of Humanities and Department Head of English at Bergen Community College, and has directed. among other plays, "American Buffalo." YVONNE VERA holds a doctorate in English literature from York University in Toronto (1995). She is also a novelist, whose most recent novel is Withour a Name. She is currently researching prison texts from Africa. ...