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Table of Contents

  1. The Prompter’s Box: The Place of Modern Drama
  2. Alan L. Ackerman
  3. pp. 127-137
  4. DOI: https://doi.org/10.1353/mdr.2007.0031
  5. restricted access
  1. How to Do Nothing with Words, or Waiting for Godot as Performativity
  2. Richard Begam
  3. pp. 138-167
  4. DOI: https://doi.org/10.1353/mdr.2007.0032
  5. restricted access
  1. Staging The Merchant of Venice in Cork: The Concretization of a Shakespearean Play for a New Society
  2. Lisa Fitzpatrick
  3. pp. 168-183
  4. DOI: https://doi.org/10.1353/mdr.2007.0038
  5. restricted access
  1. The Ideal City: Heterotopia or Panopticon? On Joseph Brodsky’s Play Marbles and Its Fictional Spaces
  2. Yana Meerzon
  3. pp. 184-209
  4. DOI: https://doi.org/10.1353/mdr.2007.0045
  5. restricted access
  1. La Donna Mobile : Massimo Bontempelli’s Nostra Dea as Fascist Modernism
  2. Patricia Gaborik
  3. pp. 210-232
  4. DOI: https://doi.org/10.1353/mdr.2007.0041
  5. restricted access
  1. Challenging the Selectivity of Memory in 1950s West Germany: Erwin Sylvanus’s Dr. Korczak and the Children
  2. Kerstin M. Mueller
  3. pp. 233-257
  4. DOI: https://doi.org/10.1353/mdr.2007.0046
  5. restricted access
  1. Is Nothing to Be Done?
  2. Jon Erickson
  3. pp. 258-275
  4. DOI: https://doi.org/10.1353/mdr.2007.0037
  5. restricted access
  1. Rainer Werner Fassbinder and the German Theatre (review)
  2. Markus Wessendorf
  3. pp. 276-278
  4. DOI: https://doi.org/10.1353/mdr.2007.0049
  5. restricted access
  1. Susan Glaspell: Her Life and Times (review)
  2. Sharon Friedman
  3. pp. 278-281
  4. DOI: https://doi.org/10.1353/mdr.2007.0040
  5. restricted access
  1. Brecht and Political Theatre: The Mother on Stage (review)
  2. Sean Carney
  3. pp. 281-284
  4. DOI: https://doi.org/10.1353/mdr.2007.0033
  5. restricted access
  1. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 (review)
  2. Lori Harrison-Kahan
  3. pp. 284-287
  4. DOI: https://doi.org/10.1353/mdr.2007.0043
  5. restricted access
  1. Tragedy Walks the Streets: The French Revolution in the Making of Modern Drama (review)
  2. Ehren Fordyce
  3. pp. 287-290
  4. DOI: https://doi.org/10.1353/mdr.2007.0039
  5. restricted access
  1. Beckett after Beckett (review)
  2. David Pattie
  3. pp. 290-292
  4. DOI: https://doi.org/10.1353/mdr.2007.0047
  5. restricted access
  1. John Osborne: A Patriot for Us (review)
  2. Luc M. Gilleman
  3. pp. 292-294
  4. DOI: https://doi.org/10.1353/mdr.2007.0042
  5. restricted access
  1. Sisters in Sin: Brothel Drama in America, 1900–1920 (review)
  2. Kim Marra
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/mdr.2007.0044
  5. restricted access
  1. The Musical as Drama (review)
  2. John M. Clum
  3. pp. 297-298
  4. DOI: https://doi.org/10.1353/mdr.2007.0034
  5. restricted access
  1. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy (review)
  2. Kirsten Shepherd-Barr
  3. pp. 298-301
  4. DOI: https://doi.org/10.1353/mdr.2007.0048
  5. restricted access
  1. Editorial Note
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.2007.0035
  5. restricted access
  1. Contributors
  3. pp. 302-303
  4. DOI: https://doi.org/10.1353/mdr.2007.0036
  5. restricted access