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Browse Book and Journal Content on Project MUSE

Volume 9, Number 1, May 1966

Table of Contents

The Contributors

p. iii | DOI: 10.1353/mdr.1966.0027

W. B. Yeats on Plays and Players

pp. 1-10 | DOI: 10.1353/mdr.1966.0026

Brecht in Neverneverland: The Caucasian Chalk Circle

pp. 11-17 | DOI: 10.1353/mdr.1966.0031

The Fetal Quality of "Character" in Plays of the Absurd

pp. 18-25 | DOI: 10.1353/mdr.1966.0004

The Mysticism of Eugene O'Neill

pp. 26-39 | DOI: 10.1353/mdr.1966.0009

"Torn Dialogues . . . Torn and Lacerated Dialogues . . ." Jean Vauthier

pp. 40-53 | DOI: 10.1353/mdr.1966.0014

Carl Zuckmayer's The Devil's General as Autobiography

pp. 54-61 | DOI: 10.1353/mdr.1966.0019

Symbol and Meaning in Strindberg's Crime and Crime

pp. 62-73 | DOI: 10.1353/mdr.1966.0024

Young Lennox Robinson and The Abbey Theatre's First American Tour (1911-1912)

pp. 74-89 | DOI: 10.1353/mdr.1966.0029

The Undershaft Maxims

pp. 90-100 | DOI: 10.1353/mdr.1966.0002

Yeats's Drama and the Nō: A Comparative Study in Dramatic Theories

pp. 101-122 | DOI: 10.1353/mdr.1966.0007

Book Reviews

Albert Camus by Adele King (review)

pp. 123-124 | DOI: 10.1353/mdr.1966.0012

Robert E. Sherwood by Baird R. Shuman (review)

pp. 124-125 | DOI: 10.1353/mdr.1966.0017

The Art of the Puppet by Bil Baird (review)

pp. 125-126 | DOI: 10.1353/mdr.1966.0022

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