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Table of Contents

  1. Berenger, Protagonist of an Anti-Playwright
  2. Ruby Cohn
  3. pp. 127-133
  4. DOI: https://doi.org/10.1353/mdr.1965.0021
  5. restricted access
  1. Modern Drama: Library Collections
  3. p. 133
  4. DOI: https://doi.org/10.1353/mdr.1965.0075
  5. restricted access
  1. John Whiting and the Theme of Self-Destruction
  2. John Dennis Hurrell
  3. pp. 134-141
  4. DOI: https://doi.org/10.1353/mdr.1965.0027
  5. restricted access
  1. The Glass Menagerie: From Story to Play
  2. Lester A. Beaurline
  3. pp. 142-149
  4. DOI: https://doi.org/10.1353/mdr.1965.0033
  5. restricted access
  1. Dürrenmatt's Die Ehe des Herrn Mississippi: The Revision of a Play
  2. Leland R. Phelps
  3. pp. 156-160
  4. DOI: https://doi.org/10.1353/mdr.1965.0007
  5. restricted access
  1. In Defense of Yeats as a Dramatist
  2. Vivian Mercier
  3. pp. 161-166
  4. DOI: https://doi.org/10.1353/mdr.1965.0013
  5. restricted access
  1. The Sea Gull and The Wild Duck: Birds of a Feather?
  2. Dorothy U. Seyler
  3. pp. 167-173
  4. DOI: https://doi.org/10.1353/mdr.1965.0019
  5. restricted access
  1. Variations on a Theme: A Study of Exiles by James Joyce and The Great God Brown by Eugene O'Neill
  2. Deena P. Metzger
  3. pp. 174-184
  4. DOI: https://doi.org/10.1353/mdr.1965.0025
  5. restricted access
  1. Beyond Realism: The Plays of Harold Pinter
  2. F. J. Bernhard
  3. pp. 185-191
  4. DOI: https://doi.org/10.1353/mdr.1965.0031
  5. restricted access
  1. Roots: A Reassessment
  2. Jacqueline Latham
  3. pp. 192-197
  4. DOI: https://doi.org/10.1353/mdr.1965.0000
  5. restricted access
  1. What Garrick Gaieties?: A Note on Reference and Source Material
  2. Gerald Weales
  3. pp. 198-203
  4. DOI: https://doi.org/10.1353/mdr.1965.0005
  5. restricted access
  1. Modern Drama: A Selective Bibliography of Works Published in English in 1963-64
  2. Robert G. Shedd
  3. pp. 204-226
  4. DOI: https://doi.org/10.1353/mdr.1965.0011
  5. restricted access
  1. Research in Modern Drama
  3. p. 227
  4. DOI: https://doi.org/10.1353/mdr.1965.0017
  5. restricted access
  1. Mallarmé and the Symbolist Drama by Haskell M. Block (review)
  2. Marilyn Gaddis Rose
  3. p. 228
  4. DOI: https://doi.org/10.1353/mdr.1965.0023
  5. restricted access
  1. The Loves of George Bernard Shaw by C. G. L. Du Cann (review)
  2. David H. Greene
  3. pp. 229-230
  4. DOI: https://doi.org/10.1353/mdr.1965.0029
  5. restricted access
  1. Les Théâtres D'Asie ed. by Jean Jacquot, and: Le Lieu Théâtral dans la Société Moderne ed. by Jean Jacquot and Denis Bablet (review)
  2. Leonard C. Pronko
  3. pp. 230-233
  4. DOI: https://doi.org/10.1353/mdr.1965.0035
  5. restricted access
  1. Lorca, a Collection of Critical Essays ed. by Manuel Duran (review)
  2. William I. Oliver
  3. pp. 233-234
  4. DOI: https://doi.org/10.1353/mdr.1965.0004
  5. restricted access
  1. Theatre and Drama in the Making ed. by John Gassner and Ralph G. Allen (review)
  2. Kenneth Rowe
  3. pp. 235-236
  4. DOI: https://doi.org/10.1353/mdr.1965.0009
  5. restricted access
  1. Pantomime: The Silent Theater by Douglas and Kari Hunt (review)
  2. Jonathan R. Price
  3. p. 236
  4. DOI: https://doi.org/10.1353/mdr.1965.0015
  5. restricted access
  1. The Contributors
  3. p. iii
  4. DOI: https://doi.org/10.1353/mdr.1965.0016
  5. restricted access
  1. The Psychoanalyzing of Eugene O'Neill: Postscript
  2. Arthur H. Nethercot
  3. pp. 150-155
  4. DOI: https://doi.org/10.1353/mdr.1965.0002
  5. restricted access