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Volume 7, Number 3, Fall 1964

Table of Contents

The Contributors

p. iii | DOI: 10.1353/mdr.1964.0005

Yeats and the Two Harmonies

pp. 237-255 | DOI: 10.1353/mdr.1964.0016

Purgatory and The Family Reunion: In Pursuit of Prosodic Description

pp. 256-266 | DOI: 10.1353/mdr.1964.0027


p. 266

Aubrey Beardsley's Drawing of the "Shadows" in W. B. Yeats's The Shadowy Waters

pp. 267-272 | DOI: 10.1353/mdr.1964.0038

The Sustained Metaphor in The Only Jealousy of Emer

pp. 273-277 | DOI: 10.1353/mdr.1964.0048

Yeats's Purgatorial Plays

pp. 278-286 | DOI: 10.1353/mdr.1964.0057

Cold Passion: A Study of The Herne's Egg

pp. 287-298 | DOI: 10.1353/mdr.1964.0001

A Visit with Anne Yeats

pp. 299-307 | DOI: 10.1353/mdr.1964.0012

Yeats's Changing Metaphors for the Otherworld

pp. 308-321 | DOI: 10.1353/mdr.1964.0023

Yeats and Lady Gregory: A Unique Dramatic Collaboration

pp. 322-328 | DOI: 10.1353/mdr.1964.0034

Profiles of a Poet

pp. 329-344 | DOI: 10.1353/mdr.1964.0044

The Shaping Force in Yeats's Plays

pp. 345-356 | DOI: 10.1353/mdr.1964.0054

Book Reviews

W. B. Yeats and the Theatre of Desolate Reality by David R. Clark (review)

pp. 357-358 | DOI: 10.1353/mdr.1964.0063

Anger and After: A Guide to the New British Drama by John Russell Taylor (review)

pp. 358-361 | DOI: 10.1353/mdr.1964.0008

The Angry Theatre: New British Drama by John Russell Taylor (review)

pp. 361-362 | DOI: 10.1353/mdr.1964.0019

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