+ MUSE Alert

In this Issue

Table of Contents

  1. Messianism and the Third Kingdom: Intimations of the Twentieth Century in Ibsen’s An Enemy of the People
  2. Matthew Yde
  3. pp. 155-170
  4. restricted access
  1. Prison, Time, Kairos in Langston Hughes’s Scottsboro, Limited
  2. Katy Ryan
  3. pp. 171-193
  4. restricted access
  1. “Attention Must Be Paid”: Death of a Salesman’s Counter-Adapted Yiddish Homecoming
  2. Debra Caplan
  3. pp. 194-217
  4. restricted access
  1. Reading Collage Drama as Documentary Drama: Trash Archives and Dissensus in Charles L. Mee’s Lives of the Artists
  2. Timothy Youker
  3. pp. 218-237
  4. restricted access
  1. Rethinking Play Texts in the Age of Mediatization: Simon Stephens’s Pornography
  2. Seda Ilter
  3. pp. 238-262
  4. restricted access
  1. Dramas of the Past on the Twentieth-Century Stage: In History’s Wings by Alexander Feldman (review)
  2. Mary Ann Frese Witt
  3. pp. 263-265
  4. restricted access
  1. The Kwagh-hir Theater: A Weapon for Social Action by Iyorwuese Hagher (review)
  2. Chima Osakwe
  3. pp. 268-270
  4. restricted access
  1. Music for the Melodramatic Theatre in Nineteenth-Century London and New York by Michael V. Pisani (review)
  2. Derek Miller
  3. pp. 270-272
  4. restricted access
  1. Theatre in the Expanded Field: Seven Approaches to Performance by Alan Read (review)
  2. W.B. Worthen
  3. pp. 272-275
  4. restricted access
  1. Modernity, Community, and Place in Brian Friel’s Drama by Richard Rankin Russell (review)
  2. Shaun Richards
  3. pp. 275-277
  4. restricted access
  1. The Theatre of Harold Pinter by Mark Taylor-Batty (review)
  2. Varun Begley
  3. pp. 278-279
  4. restricted access
  1. The Theatre of Naomi Wallace: Embodied Dialogues ed. by Scott T. Cummings and Erica Stevens Abbitt (review)
  2. Claudia Barnett
  3. pp. 279-281
  4. restricted access
  1. Notice of Errata
  2. p. 282
  3. restricted access