We are unable to display your institutional affiliation without JavaScript turned on.
Browse Book and Journal Content on Project MUSE

Volume 57, Number 1, Spring 2014

Table of Contents


Tragedy and Theatricality in The Island

pp. 1-18

The Haunted Stage of Summer and Smoke: Tennessee Williams’s Forgotten Silent Film Sequences

pp. 19-40

Mac Wellman’s Antigone: The Hegelian Theme

pp. 41-64

From Laundries to Labour Camps: Staging Ireland’s “Rule of Silence” in Anu Productions’ Laundry

pp. 65-93

The Philippine Komedya and the Recuperation of the Cosmopolitan: From Colonial Legacy to Cross-Cultural Encounter

pp. 94-121


Lives in Play: Autobiography and Biography on the Feminist Stage by Ryan Claycomb (review)

pp. 122-124

Theatres of Immanence: Deleuze and the Ethics of Performance by Laura Cull (review)

pp. 124-126

Bernard Shaw: Slaves of Duty and Tricks of the Governing Class by Bernard F. Dukore (review)

pp. 126-128

Archaeologies of Presence ed. by Gabriella Giannachi, Nick Kaye, Michael Shanks (review)

pp. 128-131

Shaw and Feminisms: On Stage and Off ed. by D.A. Hadfield, Jean Reynolds (review)

pp. 131-133

Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen, Patricia Ybarra (review)

pp. 133-136

Anne Charlotte Leffler and Modernist Drama: True Women and New Women on the Fin-de-Siècle Scandinavian Stage by Lynn R. Wilkinson (review)

pp. 136-138

Interrogating Antigone in Postmodern Philosophy and Criticism ed. by S.E. Wilmer, Audronė Žukausaitė (review)

pp. 138-141

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access