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Volume 56, Number 4, Winter 2013

Table of Contents

Special Issue: Drama and Philosophy

Guest Editor: David Kornhaber

Introduction: Drama and Philosophy 2.0

pp. 419-433

Hedda’s Silences: Beauty and Despair in Hedda Gabler

pp. 434-456

Stages of Thought: Emerson, Maeterlinck, Glaspell

pp. 457-477

Harold Pinter’s The Homecoming and Postmodern Jewish Philosophy

pp. 478-497

Philosophy as Drama: Deleuze and Dramatization in the Context of Performance Philosophy

pp. 498-520

The Logic of/in Tragedy: Hanoch Levin’s Drama The Torments of Job

pp. 521-539

Afterword: Please Mind the Gap between Theatre and Philosophy

pp. 540-553

Reviews

The African American Theatrical Body: Reception, Performance, and the Stage by Soyica Diggs Colbert (review)

pp. 554-556

Stage Designers in Early Twentieth-Century America: Artists, Activists, Cultural Critics by Christin Essin (review)

pp. 556-559

Metatheatre and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

pp. 559-561

Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty by Jenny Hughes (review)

pp. 562-564

Disability Culture and Community Performance: Find a Strange and Twisted Shape by Petra Kuppers (review)

pp. 564-566

Stewart Parker: A Life by Marilynn Richtarik (review)

pp. 566-569

Queer Theatre and the Legacy of Cal Yeomans by Robert A. Schanke (review)

pp. 569-571

Dario Fo: Framing, Festival, and the Folkloric Imagination by Antonio Scuderi (review)

pp. 571-574

Index to Volume 56, 2013

pp. 575-577

Research Areas

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