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In this Issue

Table of Contents

  1. The Genealogy of Major Barbara: Nietzschean Philosophy and the Shavian Play of Ideas
  2. David Kornhaber
  3. pp. 269-286
  4. restricted access
  1. “The Great Imitator”: Staging Syphilis in A Doll House and Ghosts
  2. Alexis Soloski
  3. pp. 287-305
  4. restricted access
  1. Things That No One Can Say: The Unspeakable Act in Artaud’s Les Cenci
  2. Robert Vork
  3. pp. 306-326
  4. restricted access
  1. The Habit of Art: In the Beginning Was the Word
  2. Irene Morra
  3. pp. 352-373
  4. restricted access
  1. “Last in a Long Line of Literary Kleptomaniacs”: Intertextuality in Sarah Kane’s 4.48 Psychosis
  2. Antje Diedrich
  3. pp. 374-398
  4. restricted access
  1. Self and Space in the Theater of Susan Glaspell by Noelia Hernando-Real (review)
  2. Judith E. Barlow
  3. pp. 399-400
  4. restricted access
  1. The Problem of the Color[blind] by Brandi Wilkins Catanese (review)
  2. Soyica Colbert
  3. pp. 401-403
  4. restricted access
  1. Live Art in LA: Performance in Southern California, 1970–1983 by Peggy Phelan (review)
  2. Anna Watkins Fisher
  3. pp. 403-405
  4. restricted access
  1. Darkening Mirrors: Imperial Representation in Depression-Era African American Performance by Stephanie Batiste (review)
  2. Uri McMillan
  3. pp. 406-408
  4. restricted access
  1. Modernism’s Mythic Pose: Gender, Genre, and Solo Performance by Carrie J. Preston (review)
  2. Megan Quigley
  3. pp. 408-411
  4. restricted access
  1. Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism by Tony Perucci (review)
  2. Michelle Stephens
  3. pp. 411-413
  4. restricted access
  1. Pioneer Performances: Staging the Frontier by Matthew Rebhorn (review)
  2. Jason Shaffer
  3. pp. 413-415
  4. restricted access
  1. Liverpool Playhouse: A Theatre and Its City ed. by Ros Merkin (review)
  2. Joanne Tompkins
  3. pp. 416-417
  4. restricted access