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Volume 56, Number 3, Fall 2013

Table of Contents

The Genealogy of Major Barbara: Nietzschean Philosophy and the Shavian Play of Ideas

pp. 269-286

“The Great Imitator”: Staging Syphilis in A Doll House and Ghosts

pp. 287-305

Things That No One Can Say: The Unspeakable Act in Artaud’s Les Cenci

pp. 306-326

“Wall Street Lays an Egg”: Financial Drama and the 1933 Banking Collapse in Archibald MacLeish’s Panic: A Drama of Industrial Crisis (1935)

pp. 327-351

The Habit of Art: In the Beginning Was the Word

pp. 352-373

“Last in a Long Line of Literary Kleptomaniacs”: Intertextuality in Sarah Kane’s 4.48 Psychosis

pp. 374-398

Reviews

Self and Space in the Theater of Susan Glaspell by Noelia Hernando-Real (review)

pp. 399-400

The Problem of the Color[blind] by Brandi Wilkins Catanese (review)

pp. 401-403

Live Art in LA: Performance in Southern California, 1970–1983 by Peggy Phelan (review)

pp. 403-405

Darkening Mirrors: Imperial Representation in Depression-Era African American Performance by Stephanie Batiste (review)

pp. 406-408

Modernism’s Mythic Pose: Gender, Genre, and Solo Performance by Carrie J. Preston (review)

pp. 408-411

Paul Robeson and the Cold War Performance Complex: Race, Madness, Activism by Tony Perucci (review)

pp. 411-413

Pioneer Performances: Staging the Frontier by Matthew Rebhorn (review)

pp. 413-415

Liverpool Playhouse: A Theatre and Its City ed. by Ros Merkin (review)

pp. 416-417

Research Areas

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