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Table of Contents

  1. “These Noxious Microbes”: Pathological Dramaturgy in George Bernard Shaw’s Too True to Be Good
  2. Christopher Wixson
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/mdr.2013.0012
  5. restricted access
  1. Bernard Shaw’s Stalinist Allegory: The Simpleton of the Unexpected Isles
  2. Matthew Yde
  3. pp. 19-37
  4. DOI: https://doi.org/10.1353/mdr.2013.0001
  5. restricted access
  1. Mobilizing Maurya: J.M. Synge, Bertolt Brecht, and the Revolutionary Mother
  2. Susan Cannon Harris
  3. pp. 38-59
  4. DOI: https://doi.org/10.1353/mdr.2013.0003
  5. restricted access
  1. Revisiting Marat/Sade: Philosophy in the Asylum, Asylum in the Theatre
  2. Anne Beggs
  3. pp. 60-79
  4. DOI: https://doi.org/10.1353/mdr.2013.0005
  5. restricted access
  1. Harold Pinter’s “More Precisely Political” Dramas, or a Post-1983 Economy of Affect
  2. Basil Chiasson
  3. pp. 80-101
  4. DOI: https://doi.org/10.1353/mdr.2013.0007
  5. restricted access
  1. To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire
  2. Caroline Wake
  3. pp. 102-125
  4. DOI: https://doi.org/10.1353/mdr.2013.0009
  5. restricted access
  1. 10 Ways of Thinking about Samuel Beckett: The Falsetto of Reason by Enoch Brater (review)
  2. S.E. Gontarski
  3. pp. 126-128
  4. DOI: https://doi.org/10.1353/mdr.2013.0011
  5. restricted access
  1. The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–1870 by Jacky Bratton (review)
  2. Rosemary Barrow
  3. pp. 128-130
  4. DOI: https://doi.org/10.1353/mdr.2013.0000
  5. restricted access
  1. Synge and Edwardian Ireland ed. by Brian Cliff and Nicholas Grene (review)
  2. Sarah L. Townsend
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/mdr.2013.0002
  5. restricted access
  1. The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present by John M. Clum (review)
  2. Jason Fitzgerald
  3. pp. 132-135
  4. DOI: https://doi.org/10.1353/mdr.2013.0004
  5. restricted access
  1. Melodramatic Voices: Understanding Music Drama ed. by Sarah Hibberd (review)
  2. Sherry Lee
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/mdr.2013.0006
  5. restricted access
  1. Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 by Koritha Mitchell (review)
  2. Harvey Young
  3. pp. 137-140
  4. DOI: https://doi.org/10.1353/mdr.2013.0008
  5. restricted access
  1. My Friend Tom: The Poet-Playwright Tennessee Williams by William Jay Smith (review)
  2. Philip C. Kolin
  3. pp. 140-142
  4. DOI: https://doi.org/10.1353/mdr.2013.0010
  5. restricted access
  1. Native American Drama: A Critical Perspective by Christy Stanlake (review)
  2. S.E. Wilmer
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/mdr.2013.0013
  5. restricted access