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In this Issue

Table of Contents

  1. Ruby Cohn (1922–2011)
  2. Jill Levenson, Hersh Zeifman
  3. pp. 405-407
  4. DOI: https://doi.org/10.1353/mdr.2011.0052
  5. restricted access
  1. Auden and Britten’s Paul Bunyan and the Frontiers of Opera
  2. Matthew Paul Carlson
  3. pp. 409-434
  4. DOI: https://doi.org/10.1353/mdr.2011.0055
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  1. “Or It Might Be You”: Audiences in and of T. S. Eliot’s Sweeney Agonistes
  2. Julia Daniel
  3. pp. 435-454
  4. DOI: https://doi.org/10.1353/mdr.2011.0058
  5. restricted access
  1. All Wilde on the Western Front: Alan Bennett, Tom Stoppard, and the Theatre of War
  2. Alex Feldman
  3. pp. 455-478
  4. DOI: https://doi.org/10.1353/mdr.2011.0045
  5. restricted access
  1. Dancing on the X-rays: On the Theatre of Memory, counter-memory, and Postmemory in the Post-1989 East-European Context
  2. Yana Meerzon
  3. pp. 479-510
  4. DOI: https://doi.org/10.1353/mdr.2011.0047
  5. restricted access
  1. Censorship and Immorality: Bernard Shaw’s The Devil’s Disciple
  2. Brad Kent
  3. pp. 511-533
  4. DOI: https://doi.org/10.1353/mdr.2011.0049
  5. restricted access
  1. Absurd Imprint: Grove Press and the Canonization of the Theatrical Avant-Garde
  2. Loren Glass
  3. pp. 534-561
  4. DOI: https://doi.org/10.1353/mdr.2011.0051
  5. restricted access
  1. Theater Historiography: Critical Interventions (review)
  2. Julia H. Fawcett
  3. pp. 562-564
  4. DOI: https://doi.org/10.1353/mdr.2011.0054
  5. restricted access
  1. On the Edge of Utopia: Performance & Ritual at Burning Man (review)
  2. Matt Wray
  3. pp. 564-567
  4. DOI: https://doi.org/10.1353/mdr.2011.0057
  5. restricted access
  1. Representing the Past: Essays in Performance Historiography (review)
  2. Laurence Senelick
  3. pp. 567-570
  4. DOI: https://doi.org/10.1353/mdr.2011.0044
  5. restricted access
  1. Stage Money: The Business of the Professional Theater (review)
  2. Anne Beggs
  3. pp. 570-573
  4. DOI: https://doi.org/10.1353/mdr.2011.0046
  5. restricted access
  1. Performance and the City (review)
  2. Sabine Haenni
  3. pp. 573-575
  4. DOI: https://doi.org/10.1353/mdr.2011.0048
  5. restricted access
  1. Violence against Women in Early Modern Performance: Invisible Acts (review)
  2. Jenny C. Mann
  3. pp. 577-580
  4. DOI: https://doi.org/10.1353/mdr.2011.0053
  5. restricted access
  1. The Prizefighter and the Playwright: Gene Tunney and Bernard Shaw (review)
  2. Matthew Yde
  3. pp. 580-582
  4. DOI: https://doi.org/10.1353/mdr.2011.0056
  5. restricted access
  1. Index to Volume 54, 2011
  3. pp. 585-587
  4. DOI: https://doi.org/10.1353/mdr.2011.0043
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  1. Suzan-Lori Parks: Essays on the Plays and Other Works (review)
  2. Carol Schafer
  3. pp. 575-577
  4. DOI: https://doi.org/10.1353/mdr.2011.0050
  5. restricted access
  1. Contributors
  3. pp. 583-584
  4. DOI: https://doi.org/10.1353/mdr.2011.0059
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